Alexander Grodzinski

Eine CD ist bisher scheinbar nicht angekündigt. Lakeshore veröffentlicht bisher nur eine Single-Vinyl mit den End Credits und dem Song von The Darkness.

Es ist eine Kooperation zwischen beiden. Steht auch so in der Ankündigung. Auf dem Backcover von LP und CD sind auch beide Logos zu sehen. Waxwork Records, in partnership with Back Lot Music, presents DISCLOSURE DAY Original Motion Picture Soundtrack with music by legendary five-time Academy Award®-winning composer John Williams. If you found out we weren’t alone, if someone showed you, proved it to you, would that frighten you? This summer, the truth belongs to eight billion people. Today is… Disclosure Day. To compose the music for DISCLOSURE DAY, Steven Spielberg turned to his friend and longtime collaborator John Williams. The recipient of 54 Oscar nominations and winner of five (Fiddler on the Roof, Jaws, Star Wars, E.T. the Extraterrestrial, Schindler’s List), Williams also scored Spielberg’s Close of the Encounters of the Third Kind, memorable for its iconic five-note tonal phrase used to communicate with the aliens. The Disclosure Day soundtrack marks Spielberg and Williams’ 30th cinematic collaboration. “Can you believe this is our 30th movie together?” Spielberg says. “And John just turned 94, and he is as exceptional now as he was at 40. It is just remarkable, the depth and breadth of his career. DISCLOSURE DAY is probably the most restrained score he has ever written for one of our collaborations—at least until it is not. But until those moments, he holds back in a way that is subtle and beautiful and enriches the experience. It is like he is accompanying the film from slightly behind it, pushing it forward. Scoring is usually the last thing we do and I always say it is the reward for finishing a movie—the reward being getting to listen to a new John Williams score." In a career spanning more than six decades, John Williams has become one of America’s most accomplished and successful composers for film and for the concert stage, and he remains one of our nation’s most distinguished and contributive musical voices. He has composed the music and served as music director for more than one hundred films, including all nine Star Wars films, the first three Harry Potter films, Superman, JFK, Born on the Fourth of July, Memoirs of a Geisha, Far and Away, The Accidental Tourist, Home Alone and The Book Thief. His more than five-decade artistic partnership with director Steven Spielberg has resulted in many of Hollywood’s most acclaimed and successful films, including Schindler’s List, E.T. the Extra-Terrestrial, Jaws, Jurassic Park, Close Encounters of the Third Kind, the Indiana Jones films, Munich, Saving Private Ryan, The Adventures of Tintin, War Horse, Lincoln, The BFG, The Post, The Fabelmans and DISCLOSURE DAY. Waxwork Records presents DISCLOSURE DAY Original Motion Picture Soundtrack by John Williams as a deluxe double LP set featuring the complete 16 cue soundtrack album, "Blue Iris" colored vinyl, heavyweight gatefold jackets with matte UV coating, printed inner sleeves, and exclusive liner notes by Steven Spielberg. Also available on CD format. DISCLOSURE DAY Original Motion Picture Soundtrack Features: The Complete Soundtrack by John Williams 2xLP "Blue Iris" Colored Vinyl Heavyweight Gatefold Jackets with Matte UV Coating Printed Inner Sleeves Exclusive Liner Notes by Steven Spielberg Available in CD Format

Music Composed and Conducted by Thomas Newman “Writing’s On The Wall” performed by Sam Smith Limited edition of 5,000 units RETAIL PRICE: $32.98 Exclusive release Sold exclusively at 007Store.com and lalalandrecords.com for the first 90 days of release La-La Land Records, Metro-Goldwyn-Mayer and Universal Music Enterprises proudly present the 10th anniversary remastered and expanded 2-CD re-issue of renowned composer Thomas Newman’s original motion picture score to the James Bond film, Spectre. Produced by Michael G. Wilson and Barbara Broccoli, the 2015 film stars Daniel Craig in his fourth turn as James Bond 007 and is directed by Sam Mendes, returning for his second film in the series. Noting his brilliant work on SKYFALL, it’s no surprise Thomas Newman (THE SHAWSHANK REDEMPTION, SKYFALL) was recruited for another epic Bond mission, and he delivers above and beyond – scoring Spectre with a rich orchestral depth that mines fresh, emotional dimensions of drama, suspense, action and mystery, all the while honoring the classic Bond music traditions. Expanded with never before released music, this is a revelatory presentation of Newman’s expertly crafted score. Included as well, is Sam Smith's powerful Oscar-winning song, "Writing's On The Wall." Produced by Neil S. Bulk and mastered by Doug Schwartz from Simon Rhodes's original 24-bit digital stereo mixes, this is a special 2-CD release, limited to only 5,000 units. The two hour "Score Presentation" presents the music in chronological film sequence while the "Additional Music" section showcases unique Original Soundtrack Album edits as well as an alternate cue and a source cue. Featuring sharp art direction by Dan Goldwasser the release also includes exclusive, in-depth liner notes by journalist and author Jon Burlingame. TRACK LISTING: DISC 1 SCORE PRESENTATION 2:04:01 1. Gun Barrel (From "Spectre") 0:53 2. Los Muertos Vivos Están (Film Version) 5:07 3. Building Down 0:57 4. Sciarra Chase 0:50 5. Helicopter Fight 2:12 6. Writing's On The Wall (Performed by Sam Smith) 4:39 7. Courtyard / M's Message 2:48 8. Vauxhall Bridge (Extended Version) 2:32 9. The Eternal City (Extended Version) 6:59 10. Donna Lucia (Extended Version) 2:09 11. A Place Without Mercy 1:03 12. Palazzo Meeting 1:44 13. Enter Hinx 0:33 14. Cuckoo 0:38 15. Backfire (Film Version) 6:52 16. Nine Eyes Meeting 2:04 17. The Pale King (Extended Version) 3:32 18. Kite In A Hurricane 2:07 19. Photo Of Madeleine 0:55 20. Crows Klinik 1:46 21. I Kill People / SPECTRE Ring 2:15 22. Snow Plane (Extended Version) 5:34 23. Hinx Lives 0:54 24. L'Americain (Extended Version) 2:52 25. Secret Room (Extended Version) 5:54 26. Madeleine (Extended Version) 3:55 27. Hinx (Film Version) 1:22 TOTAL DISC 1 TIME: 1:13:37 DISC 2 SCORE PRESENTATION CONTINUED 1. Writing's On The Wall (Film Version, Instrumental) 0:54 2. Silver Wraith 2:14 3. Compound Bedrooms 1:44 4. A Reunion (Extended Version) 7:14 5. Torture Room 7:05 6. Tempus Fugit (Film Version) 1:18 7. Safe House (Extended Version) 4:23 8. Blindfold 1:29 9. Careless (Extended Version) 6:26 10. Detonation (Extended Version) 4:16 11. Westminster Bridge 4:12 12. Out Of Bullets (Extended Version) 1:56 13. The James Bond Theme (From "Spectre") 1:14 14. Spectre (End Title) 5:38 ADDITIONAL MUSIC 24:12 15. Writing's On The Wall (Instrumental) 2:10 16. Los Muertos Vivos Están 2:47 17. Marimba Float Drums 0:51 18. Day Of The Dead 1:24 19. Photo Of Madeleine (Alternate) 0:57 20. Backfire 4:52 21. Secret Room 5:22 22. Madeleine 2:56 23. Hinx 1:20 24. Tempus Fugit 1:20 TOTAL DISC 2 TIME: 1:14:43 TOTAL ALBUM TIME: 2:28:20 This is a CD format release

Music Inspired by the Motion Picture LLLCD 1690 Music Composed and Conducted by John Barry Limited edition of 1500 units La-La Land Records and Paramount Pictures present a remastered 2-CD reissue of legendary composer John Barry’s unused original score to the 1986 Paramount Pictures action/adventure motion picture THE GOLDEN CHILD, starring Eddie Murphy, Charlotte Lewis, Charles Dance and directed by Michael Ritchie. Maestro Barry’s (GOLDFINGER, THUNDERBALL, MOONRAKER) unused orchestral score is a sumptuous wonder -- a powerful, majestic work brimming with action, suspense and romance that strongly conjures the late composer’s 80s Bond period while still retaining its own robust identity. Previously out of print – Barry’s THE GOLDEN CHILD returns sounding better than ever before, courtesy of a freshly updated remaster by Mike Matessino! Included is the composer’s song “Best Man In The World,” performed by Ann Wilson of Heart fame. Produced by Lukas Kendall and Dan Goldwasser, and mixed and newly mastered by Mike Matessino, this presentation showcases the unused score across two discs, with Additional Music included on disc two. The release is limited to 1500 units and features liner notes by Jon Burlingame and sharp art direction from Dan Goldwasser. TRACK LISTING: DISC 1 THE UNUSED SCORE 1. The Child Is Taken 5:59 2. The Best Man in the World (perf. Ann Wilson) 3:25 3. Strange Symbols 1:46 4. Looking Around 2:11 5. Chandler and Kee Nang 3:37 6. Tin Can Man 0:53 7. Follow That Bird 2:56 8. Best Man 2:05 9. Yellow Dragons 0:59 10. “We Sold Her” 1:12 11. Fight at Tommy Tong’s 1:53 12. Sardo Gets His Orders 2:35 13. Chandler’s Dream 6:19 14. Yak Loin 0:50 15. Love Theme 2:21 16. To Tibet 0:35 17. Kathmandu 6:13 TOTAL DISC TIME 45:49 DISC 2 THE UNUSED SCORE (CONTINUED) 1. “Stay on the Path” 2:33 2. Bottomless Pit 4:51 3. Wisdom of the Ages 3:53 4. Malibu House 2:21 5. Kee Nang Gets the Arrow 3:01 6. Butterflies 3:04 7. The Final Act 10:26 8. Happy Ending 1:04 TOTAL UNUSED SCORE TIME 77:02 ADDITIONAL MUSIC 9. The Best Man in the World (Instrumental) 3:39 10. Looking Around (Alternate) 1:23 11. Happy Ending (Alternate) 1:08 12. Coffee Shop (Source Cue) 1:57 13. Dance a Little Closer (perf. Randy Edelman) 4:25 TOTAL ADDITIONAL MUSIC 12:32 TOTAL DISC TIME 43:45 TOTAL ALBUM TIME 89:34 This is a CD format release

EXPLORERS kommt zurück.

Neu von Quartet: Quartet Records, in collaboration with GDM and Universal Music Publishing Italy, celebrates the centenary of Maestro Riz Ortolani with the ultimate edition of his classic, killer score for DAY OF ANGER (I giorni dell’ira, 1967), an iconic spaghetti western directed by Tonino Valerii and starring Lee Van Cleef and Giuliano Gemma. The film, one of the most beloved by fans of the genre, is about a scruffy street sweeper who becomes the pupil of a famed gunfighter, and the stage for confrontation is set when the gunman overruns the boy’s town through violence and corruption. Riz Ortolani’ score finds him at the height of his creative powers, blending sweeping orchestral themes, tense action motifs and moments of surprising lyrical beauty into a uniquely sophisticated musical experience. While Ennio Morricone’s influence often dominates discussions of music for Italian westerns, Ortolani’s approach to DAY OF ANGER reveals a distinct voice—elegant, dramatic and melodic. The unforgettable main theme (rediscovered by Tarantino and included in his film Django Unchained) captures the film’s atmosphere of revenge, ambition and moral conflict, while recurring motifs demonstrate the composer’s remarkable ability to balance raw tension with emotional depth. Albums were released by RCA in 1967 in mono (the Italian LP) and stereo (the U.S. edition). Both featured the same track listing, though with different mixes, takes and edits on some tracks. That LP program was subsequently released on CD, but always in the Italian mono version until the two most recent reissues, which also included the film score in stereo. For this new 2-CD edition, we have included the complete score in stereo, in addition to the mono and stereo albums, from their respective original elements. The audio for this release (supervised by Claudio Fuiano) has been restored and mastered by Chris Malone; the package includes an essay by Jeff Bond. This soundtrack remains an essential chapter in the history of the Italian western and a shining example of Riz Ortolani’s extraordinary legacy as one of Europe’s greatest film composers. DISC 1. THE ORIGINAL ALBUM (STEREO) 1. I Giorni Dell’Ira 3:07 2. Senza Pietà 2:21 3. Una notte serena 2:49 4. L’arma del killer 1:29 5. Fino all’ultimo colpo 2:56 6. I Giorni Dell’Ira (#2) 1:21 7. Fino all’ultimo colpo (#2) 3:00 8. Violenza, odio 1:34 9. Una notte serena (#2) 3:34 10. Un uomo forte 2:28 11. Fino all’ultimo colpo (#3) 1:26 THE ORIGINAL ALBUM (MONO) 12. I Giorni Dell’Ira 3:07 13. Senza pietà 2:21 14. Una notte serena 2:49 15. L’arma del killer 1:29 16. Fino all’ultimo colpo 2:56 17. I Giorni Dell’Ira (#2) 1:21 18. Fino all’ultimo colpo (#2) 3:00 19. Violenza, odio 1:34 20. Una notte serena (#2) 3:34 21. Un uomo forte 2:28 22. Fino all’ultimo colpo (#3) 1:26 Total Disc Time: 52:02 DISC 2. THE FILM SCORE (STEREO) 1. I Giorni Dell’Ira (#3) (Original Main Titles) 3:08 2. Una notte serena (#3) 2:50 3. L’arma del Killer (#2) 1:30 4. I Giorni Dell’Ira (#4 Saloon) 1:46 5. I Giorni Dell’Ira (#5) 1:49 6. Violenza, odio (#2) 1:28 7. Fino all’ultimo colpo (#4) 2:56 8. I Giorni Dell’Ira (#6) 1:22 9. I Giorni Dell’Ira (#7) 1:21 10. I Giorni Dell’Ira (#8 Saloon) 1:20 11. Violenza, odio (#3) 1:14 12. Una notte serena (#4) 2:05 13. Senza pietà (#2) 1:19 14. Un uomo forte (#2) 2:30 15. Violenza, odio (#4) 0:51 16. Fino all’ultimo colpo (#5) 3:01 17. I Giorni Dell’Ira (#9) 1:56 18. Una notte serena (#5 Harmonica) 1:28 19. I Giorni Dell’Ira (#10) 1:25 20. Violenza, odio (#5) 1:40 21. Fino all’ultimo colpo (#6) 1:25 22. Una Notte Serena (#6) 2:52 23. L’arma del killer (#3) 1:49 24. Una notte serena (#7 Harmonica) 1:16 25. I Giorni Dell’Ira (#11) 1:51 26. I Giorni Dell’Ira (#12) 1:56 27. Una notte serena (#8) 1:50 28. I Giorni Dell’Ira (#13) 1:04 29. I Giorni Dell’Ira (#14 Demo Song) 2:11 Total Disc Time: 53:12 Total 2-CD Time: 105:14 Quartet Records, in collaboration with Errekappa Edizioni and the Riz Ortolani estate, celebrates the centenary of Maestro Riz Ortolani with a special 2-CD set that showcases three scores focused on Mafia and gangster movies that had long been eagerly awaited by his fans. Among Riz Ortolani’s most remarkable contributions to the world of Italian crime cinema are his scores for THE VALACHI PAPERS (1972), BANDITI A MILANO (1968) and IO HO PAURA (1977). Although each soundtrack reflects a different facet of the poliziottesco and gangster genres, all three display Ortolani’s extraordinary ability to combine dramatic intensity with sophisticated musical writing. For THE VALACHI PAPERS, directed by Terence Young and starring Charles Bronson and Lino Ventura, Ortolani crafted a powerful and elegant score that captures both the brutality and tragic dimension of organized crime, blending sweeping orchestral passages with darker, tension-filled material. In BANDITI A MILANO, directed by Carlo Lizzani and starring Tomas Milian and Gian Maria Volonté, his music mirrors the film’s raw realism and urban violence through dynamic rhythms and urgent orchestral textures, creating one of the defining musical statements of late-1960s Italian crime cinema. Finally, IO HO PAURA, directed by Damiano Damiani and staring Volonté and Mario Adorf, reveals a more mature and introspective approach, balancing suspense, melancholy and psychological depth in a score that perfectly complements Damiani’s politically charged thriller. Together, these works confirm Riz Ortolani as one of the most versatile and distinctive voices in European film music, capable of elevating genre cinema through melody, atmosphere and dramatic sophistication. This album has been produced by Claudio Fuiano from the original elements courtesy of the Ortolani estate, restored and mastered by Chris Malone. The package includes an in-depth essay by film music specialist Miguel Ángel Ordóñez. DISC1 THE VALACHI PAPERS 1. Main Title Theme 2:54 2. A Generous Girl 2:41 3. Murder in the Street 3:15 4. Tarantella Party 2:18 5. Engagement of Joe and Maria 3:31 6. Power and Violence 2:58 7. Valachi Theme 3:25 8. Awaiting 2:05 9. I te vurria Vasà 2:54 10. End Titles Valachi 3:20 11. Murder in the Street (#2) 1:46 12. Main Theme 0:29 13. Murder in the Street (#3) 2:16 14. Main Theme (#2) 3:18 15. Murder in the Street (#4) 1:17 16. Main Theme (#3) 1:11 17. Power and Violence (#2) 5:34 18. Power and Violence (with dialog) 1:19 Total disc Time: 46:41 DISC 2 IO HO PAURA 1. Titoli 5:15 2. Ansia urbana 2:13 3. Amore e dolore 1:18 4. Radio 1:56 5. Sofferenza dell’anima 2:01 6. Atmosfera di morte 2:16 7. Attesa 1:41 8. Ludovico e Gloria 1:20 9. Sospetti 1:50 10. Nell’ombra 2:21 11. You and Me 2:42 12. Spaziale 3:26 13. Finale 4:22 BANDITI A MILANO 14. Shake criminale 1:02 15. Nel locale notturno 1:59 16. Discoteque Shake 2:21 17. Shake Criminale (#2) 0:49 18. Strange World (Vocal: Katyna Ranieri) 3:04 19. Shake Criminale (#3) 3:07 20. Strange World (Instrumental) 2:32 21. Shake Criminale (#4) 1:51 22. Strange World (Instrumental slow) 3:04 Total Disc Time: 52:43 Total 2-CD Time: 99:34 Quartet Records, in collaboration with GDM and Universal Music Publishing Italy, presents a remastered reissue of Ennio Morricone’s score for STATO INTERESSANTE, a 1977 comedy-drama by Sergio Nasca. This is a thoughtful and unconventional film that explores the experiences of three women confronting pregnancy, motherhood and the changing social realities of contemporary Italy. Balancing intimate character study with broader social observation, the film reflects the evolving cultural landscape of the late 1970s through a sensitive and deeply human perspective. Ennio Morricone composed a lyrical and emotionally nuanced score in his mature style. Far removed from the experimental edge of many of his contemporary works, the music combines delicate orchestral writing with graceful thematic development and a profound sense of emotional intimacy. The score unfolds with elegance and restraint, perfectly capturing the hopes, uncertainties and personal struggles experienced by the film’s protagonists. Although STATO INTERESSANTE is less widely known than many of Morricone’s celebrated masterpieces, this release offers listeners the opportunity to rediscover a hidden gem from one of cinema’s greatest musical voices. Originally produced by Claudio Fuiano and Dániel Winkler and presented from the best available stereo sources carefully mastered by Chris Malone, this edition restores the full beauty of Morricone’s score, allowing collectors and admirers alike to appreciate a work that deserves recognition among the composer’s finest dramatic achievements of the 1970s. The package includes in-depth liner notes by Miguel Ángel Ordóñez. È mejo de morì che restà qui (Strumentale) 4:03 Morale ipocrita borghese 2:46 Per Annabella 2:40 Una bossa a cena 3:07 Una famiglia povera 2:40 Mezza luce 1:53 Un salotto troppo elegante 1:54 Per l’amore si farà 2:56 Morale ipocrita borguese (#2) 5:22 Controluce 2:56 Per Annabella (#2) 3:15 Una famiglia povera (#2) 1:53 Morale ipocrita borghese (#3) 0:39 È mejo de morì che restà qui (vocal) 4:03 Total Disc Time: 41:11

Snow Files of the Week: "Randi loves Jason/Theme From Skateboard" aus dem Film "Skateboard" (1978). Das ist die älteste Veröffentlichung eines Scores von Snow. Das Album zu "Skateboard", welches nur als LP und MC erhältlich ist, enthält Spät-70er Rockmusik und Marks groovenden Score. Musikalisch ein völlig anderer Mark Snow als der, der dann 15 Jahre später die X-Akten musikalisch zum Leben erweckte. Viel Spaß beim Hören!

Intrada announces the premiere release of Universal's 1973 unique take on Mary Shelly's horrifying tale, Frankenstein: The True Story. Gil Mellé's score has been in demand ever since the film aired back in 1973 and remains the crowning achievement in his vast and truly singular body of work. As writer Jeff Bond mentions in his notes, the film "required a lush, gothic score and Mellé delivered what may be considered his magnum opus. Recorded at Anvil Studios, Mellé’s Frankenstein music blended Victorian scope and romance with spine-chilling modernist techniques and effects and a leitmotivic approach with major themes for the story’s important characters and situations." Time has not been kind to the music assets, however. Most of the album is sourced from 1/4" stereo session masters stored at Universal Studios, which had shown deterioration over the decades. Restoration master Chris Malone was able to work his usual magic and resolve the issues with these sources. All that work would not fix a few missing sequences that had to be sourced from the mono film stems. Yet again, Malone was able to stereorize and blend the tracks, so their differing sound quality is barely noticeable in the final program. With some additional assembly work from our hero Neil S. Bulk and the loving commitment and knowledge of both Jeff Bond and Tim Ayres, the team was able to put together the album that has been so long in coming. As many collectors noted when they heard the album was on its way, it's another grail release they can cross of their lists. Check out the album trailer here. The story follows young doctor Victor Frankenstein (Leonard Whiting), who, with the help of his mentor Dr. Polidori (James Mason), succeeds in creating a creature that is strikingly handsome, gentle and childlike. Victor introduces him to society, hoping to prove his experiment a success. But the results of the life-creating experiment are unstable; the creature’s body begins to deteriorate, and people who once admired him recoil in horror. As he experiences rejection, betrayal and isolation, he becomes increasingly bitter and unstable. Victor, horrified by what he has done, distances himself from his creation instead of helping him. 01. The Ride (0:45) 02. Frankenstein: The True Story – Main Title (1:56) 03. Elizabeth (2:30) 04. If Satan Could Teach Me (3:13) 05. Encounter At The Church (2:30) 06. Brotherhood Of Prometheus (4:08) 07. Victor And Elizabeth (2:10) 08. Grave Robbing (2:17) 09. Henry’s Mirror Speech (2:14) 10. Frankenstein At Work (3:25) 11. The Creature (3:19) 12. You Shall Teach Us (2:27) 13. The Process Is Reversing (0:58) 14. Creature In The Park (1:15) 15. Death Of Mrs. Blair (2:15) 16. Up From The Sea (4:01) 17. No Man Could Bind Him (1:32) 18. Death Of Agatha (1:48) 19. Man In The Mask (1:07) 20. Creation Of Prima (4:29) 21. Prima’s Passions (1:03) 22. Blood On Prima’s Hand (2:16) 23. Tanks A Lot (4:53) 24. Prima’s Dance (2:27) 25. Arctic Plan (2:03) 26. Arctic Waste (6:01) 27. Frankenstein: The True Story – End Titles (2:06) Total CD Time: 69:04

Snow Files of the Week: „Woke up hungry/Not an option" aus „The X-Files", Episode „Darkness Falls" (1994). Classic X-Files at its best. Wieder eine Folge außerhalb der Alien-Mythologie, aber nicht weniger erinnerungswürdig. Als in einem großen Waldgebiet Holzfäller scheinbar spurlos verschwinden, machen sich Mulder und Scully auf, die Vorkommnisse zu untersuchen. Bereits seit den 30er Jahren verschwinden in diesem Gebiet immer wieder Menschen spurlos. Die Agenten finden schnell heraus, dass sich scheinbar eine bisher unbekannte Insektenart dort heimisch ist. Diese grün leuchtenden Insekten stürzen sich auf ihre Opfer, sobald die Dunkelheit herein bricht. Mark war zu diesem Zeitpunkt noch in der frühen Phase seiner X-Files-Musik. Was bedeutet, dass sie weniger melodisch daher kommt, aber dennoch nichts an Intensität vermissen lässt. Dafür sorgt schon ein hoher, sich als Echo wiederholender Klang, der die Nähe der Insekten heraufbeschwört. Die Tracks stammen vom vierten Set von LLL, welches auf 2.000 Exemplare limitiert ist. Viel Spaß beim Hören!

1994’s Timecop marks the first collaboration between Jean-Claude Van Damme and filmmaker Peter Hyams. Composed by Mark Isham, the suspensefully emotional and percussively pummeling score, like the movie, has been a fan favorite for decades. Varèse Sarabande now brings forth Isham’s entire, muscularly hitting Timecop score, revealing new dimensions to his no-nonsense collaboration and the dizzying energy it achieves, featuring new interviews with Isham and Hyams on their Van Damme fan favorite. Features: Deluxe Edition Producer for Varèse Sarabande: Andy Fischer Deluxe Edition Mastered by Chas Ferry & Melinda Hurley Tracklist: 1. Time Cop (Main Theme) 2. Dorsal Fins / Premonition (Suite) 3. Lovemaking 4. The Beating 5. Atwood Jumps / Death Sentence (Suite) 6. I Never Quit / Handsome Devil (Suite) 7. A Love Lost In The Past 8. 50,000 Volts 9. The Launch 10. To The Warehouse 11. Parker’s Punishment 12. Warehouse Battle (Suite) 13. Searching For Clues 14. Manual Launch 15. Ships In The Night 16. Blood Test 17. Menace At The Mall 18. A Kiss From The Future 19. It Has To End Tonight 20. Sturm And Drang (Suite) 21. Lousy Night To Be Out 22. Justice In The Rain 23. Meltdown 24. A Friend Of The Family 25. Present Perfect 26. M10 27. M18A / M20 (Suite)

In 2015’s The SpongeBob Movie: Sponge Out of Water, John Debney, a fan of animation and SpongeBob in particular, took his first big screen 3D bite of a rousingly scored adventure. Playing comic lunacy and soaring nobility Debney enthusiastically captures the screwball spirit of Bikini Bottom with his cartoonishly creative score. Now, Varèse Sarabande presents the full, CD treasure, featuring a new interview with the composer on his approach for the perpetually optimistic character. Features: Deluxe Edition Producer for Varèse Sarabande: Andy Fischer Deluxe Edition Mastered by Chas Ferry & Melinda Hurley Tracklist: Burger Beard On Island Open Burger Beard Starts To Read Story / Burger Beard Continues To Read Story Plankton's Plane / Plankton Attack Firing The Ketchup Gun / Tank Defeat / Giant Robot Plankton's Wallet Sting / Trying To Steal Formula Torturing Plankton / Build To Squidward Opening Door / Refund! To The Chum Bucket / Escaping In A Bubble / Bikini Bottom Apocalypse The End! Reporter Attacked / Book Page Lands On Sandy's House He Brings Loyalty / Get Him / Chase At A Snail's Pace Going To Sleep / Inside SpongeBob's Brain / Rainbow! Casing The Chum Bucket / Staking Out The Chumbucket / Gimme A Boos Getting The Key / Plankton Rescues Karen Building Time Machine / Plankton's Sappy Goodbye To Karen Intro Bubbles / Angry Bubbles Stealing Formula Back / Pirate Ship And Food Truck My Very Own Food Truck / Who Wants Some Hot Wings / Chasing Seagulls Away Sandy Proposes Sacrifice / The Sacrifice / Dawn Of Time Grabbing SpongeBob / Sacrifice Bubbles To The Rescue / Beach Search Beachfront Antics / Bike Path Encounters / Home Of The Krabby Patty Story Rewrites Serious Aft Kicking / Invincabubble / The Rodent Chasing Burger Beard / Team Worked Not So Fast Burger Beard / PlankTON / Real Teamwork

Kommt laut Daniel Schweiger im Juli.

Kommt laut Daniel Schweiger im Juli:

LLL ist ja nun mit eingestiegen: We proudly announce LA-LA LAND RECORDS as the distributor and co-producer for FILM SCORE MONTHLY’s new recording of 1980s James Horner TV movies scores! Support this exciting project TODAY!!!

John Carpenter wagt sich auf ein neues Feld: Musik für ein Graphic Novel. Am 07. August erscheint mit CATHEDRAL seine Musik zur gleichnamigen Geschichte. Seine Frau und Produzentin Sandy King verlegt unter dem Namen ihrer Produktionsfirma Storm King schon seit Jahren auch Comic-Reihen. Viele davon haben Carpenters Namen im Titel, natürlich aus Marketinggründen. Ich glaube nicht, dass John da tatsächlich aktiv involviert ist. Daher ist es eigentlich nur logisch, dass er nun auch dieses Geschäftsfeld entdeckt und die Musik für eine dieser Geschichten macht. Von Sacred Bones kommt wieder eine exklusive Auflage, inklusive des Comics und einer nur da erhältlichen Single. Ansonsten gibt es weitere Vinyl-Varianten und eine CD. An abandoned cathedral. A gruesome murder. A powerful supernatural entity living in the catacombs. It all comes to a head in downtown Los Angeles. What will happen and who will live to tell the tale? Such is the storyline of Cathedral, the thrilling new album and terrifying graphic novel from director and musician John Carpenter, based on a dream Carpenter had in 2024. Cathedral has all the drama, dark atmosphere, and frenetic pacing of a classic heavy metal record. Especially designed as the soundtrack to the graphic novel, each track corresponds to a specific section of the book. The liner notes included with the album packaging feature prompts for each track, creating a fully interactive experience. Combined with the graphic novel, it’s the closest thing to a new John Carpenter film in years. The music on Cathedral retains all the eerie atmosphere and sinister propulsion of the epochal scores Carpenter created for his films Halloween, The Fog, and Assault on Precinct 13, but this is a much heavier, riff-driven enterprise. Carpenter is a firm believer that music plays a major role in what really makes something scary. That’s first and foremost,” the director says. “It’s all about making the music work.” “This is somewhat different sounding stuff that we've done, but it's done with the same desire in mind,” he adds. “In other words, put this thing on and imagine you're watching a movie. That’s what we want you to do.” Daniel Davies’ soaring, snaky guitars take center stage on opener “Primeval,” “Elevator,” and the metal masterpiece “Lord of the Underground” while John Carpenter and Cody Carpenter’s synths take the lead on the ominous “Desolation in the Underworld,” the plaintive “Death of the Mapmaker,” and even converge with strings on “Abandoned Cathedral.” Whereas the Lost Themes albums were written as scores to movies of the mind, Cathedral scores the first original graphic novel written by Carpenter, his wife and long-time creative partner, producer and editor Sandy King, and writer Sean Sobczak, published by Storm King Comics. As with all of Carpenter’s musical forays of the last decade-plus, the album will be released by Sacred Bones. Cathedral awaits. Immerse yourself in John Carpenter’s universe all over again. Limited deluxe LP includes exclusive 7” with live recordings of “Lord of the Underground” and “Last Rites” (Live at the Belasco Theater in LA). Track List: 1. Primeval 2. Identity 3. Inside Out 4. Abandoned Cathedral 5. Elevator 6. Elevator Two 7. Desolation in the Underworld 8. The Mapmaker 9. The Ferryman 10. Lord of the Underground 11. Death of the Mapmaker 12. Back to Ruins 13. Revenge 14. Resolution