Alexander Grodzinski

Nun auch auf Vinyl: Music composed, arranged and conducted by John Barry Title Song sung by Lulu Lyrics by Don Black Limited Edition of 700 Units “GLITTERING END GOLD” Variant – EXCLUSIVE to La-La Land Records La-La Land Records, Metro-Goldwyn-Mayer and Universal Music Enterprises proudly present a remastered and expanded limited edition vinyl LP re-issue of composer John Barry's original motion picture score to the ninth 007 film THE MAN WITH THE GOLDEN GUN. Produced by Albert R. Broccoli and Harry Saltzman, the 1974 film stars Roger Moore as James Bond with Christopher Lee as Francisco Scaramanga, and is directed by Bond veteran Guy Hamilton. Hot off a stellar debut in Live And Let Die, Moore returns in The Man With The Golden Gun, a film that would also mark the return of Oscar® winning composer John Barry to the franchise, providing his first score for Moore’s 007. The composer accompanies the globe-trotting adventure with yet another accomplished work – with 007 motifs, familiar and new, blended within an irresistible meld of classic orchestra, rock and jazz. With lyrics by Don Black, the bombastic title song is brought to life by iconic Scottish singer Lulu. Expanded beyond previous vinyl editions and with highly enhanced audio quality, The Man With The Golden Gun is unleashed like never before within this deluxe presentation. Produced by Neil S. Bulk, remixed by Chris Malone from high-resolution digital transfers of 2" tapes provided by MGM and mastered by Doug Schwartz, this remastered 2XLP score presentation, pressed on 180 Gram colored vinyl, showcases the music of The Man With The Golden Gun in thrilling fashion. The liner notes are by journalist and author Jon Burlingame, and the sharp art design is by Jim Titus. TRACK LISTING: SIDE A 17:34 Gun Barrel / The Island 1:36 Scaramanga's Fun House 4:37 Main Title: The Man With The Golden Gun (Performed by Lulu) 2:35 Getting The Bullet 2:43 Macau / Forever Hold Your Piece 2:04 Following Andrea 1:43 Scaramanga Strikes 2:05 SIDE B 16:41 Hip's Trip 3:19 Chew Me 2:03 Quite Titillating 1:02 Grisly Land 2:12 Take Mr. Bond To School / Chula / Escape 1:30 Kung Fu Fight 1:54 20,000 Baht 1:22 J.W. Pepper / Bond Rides Off :39 The Death Of Hai Fat / New Chairman 1:22 Moments 1:01 SIDE C 16:28 Goodnight Goodnight 5:22 You Must Be Good / In The Boot / Car Keys 2:07 Let's Go Get 'Em 3:48 Flying Car :58 In Search Of Scaramanga's Island (Film Version) 2:33 Bond's Arrival / The Solex Agitator / The Sun / Solar Power 1:32 SIDE D 15:05 Return To Scaramanga's Fun House 6:26 Absolute Zero :59 Retrieving The Solex Agitator 2:45 Slow Boat From China 1:38 End Title: The Man With The Golden Gun–Reprise (Performed by Lulu) 3:06 Total Album Time: 65:49 This is a vinyl LP release.

Laut dem Intrada-Zoom-Meeting von letzter Woche sind die Master Tapes von ROCKY V immer noch verschollen. Und scheinbar war es ein Wunder, dass Intrada von ROCKY II überhaupt irgendwas in den Archiven von MGM gefunden hat. Und das auch nur nach sehr langer und intensiver Suche. Es steht ja auch im Ankündigungstext, dass sie nach dieser langen und intensiven Suche nur zwei Viertelzoll-Bänder gefunden haben, die zwar auch Cues enthalten, die nicht im Film verwendet wurden, aber es fehlen die Tracks, die aus dem ersten Film übernommen und für den zweiten neu aufgenommen wurden. Daher ist es eben ein Expanded Release und kein Complete. Ob sie also auch Bänder von ROCKY und ROCKY III gefunden haben, ist fraglich.

Snow Files of the Week: "Main Title/Phil Checks Out/Memories of Caroline/Graveyard" aus dem TV-Thriller "Caroline at Midnight" (1994). Mark zeigt mit diesem Score seinen Film-Noir-Stil. Das Main Theme, welches Mark auch in der X-Files-Folge "3" aus der zweiten Staffel benutzte, taucht auch hier wieder auf. Victorias Geständnis begleitet Mark mit seinem mysteriösen Piano. Insgesamt hat Marks Score einige Jazz-Elemente, sowie seine typischen dunklen und brodelnden Klanglandschaften. Der Score wurde von Dragon's Domain auf "The Mark Snow Collection Volume 2" veröffentlicht, zusammen mit dem Score zu "Seduced and Betrayed". Die CD ist auf 2.000 Exemplare limitiert. Viel Spaß beim Hören!

Eine Neu-/Wiederveröffentlichung von Beat auf LP und CD: Beat Records is proud to present the world premiere on CD of the complete original motion picture soundtrack for the movie Il cacciatore di squali, directed in 1979 by Enzo G. Castellari. Superstar Franco Nero is Mike Di Donato, an Italian-American with a mysterious past dominated by a terrible event from which he is probably fleeing, leads the life of a good savage on a deserted island with his own version of Friday, played by Marta Miller, the gorgeous Argentinian actress with a prolific career in genre cinema. There are obviously many differences between this and Defoe’s Crusoe, as this is a contemporary story that merely takes some aesthetic inspiration from the aforementioned novel, mainly the isolation from civilization and immersion in nature. In this movie, we have a lot of modern-day elements such as the struggle against authoritarianism, technology, bullying attitudes from the not-too-specific organization with which Mike was employed, and the search for a lost treasure hidden inside a plane 120 meters below the surface of the ocean which apparently can only be retrieved by the protagonist. To accomplish this feat, Mike seeks the collaboration of Acapulco (Jorge Luke) and faces a series of inconveniences and hostility, with everything playing out in the presence of the sea's most dangerous predator. Also notable is the remarkable performance by the director as a mysterious killer who is operating in the background while evil (or would-be evil) criminals such as Ramon (Werner Pochat), Donovan (Michael Forest), and Gomez (Eduardo Fajardo) pursue their agenda aided by their minions. The soundtrack was composed by Guido & Maurizio De Angelis during a deeply influential period in music history, as 1979 was the moment in which the disco music phenomenon was spreading like wildfire across the world, infusing every creative endeavor with its powerful energy, and the brothers Maestro were no exception. The main titles burst from the speakers with great skill, creating a musical transition from a quiet seaside scene into Mike's dynamic fight with a shark. Pulsating grooves, nervous guitars, derailing brasses, breaks artfully edited into sync, and the general musical tension creates a magnet for the spectator, glued onto the screen with both eyes and ears. We have plenty of orchestrations of this theme, literally everything. In one version, the rhythm section hits like Sylvester, another time with strings in the style of Sister Sledge, then here comes the brass as if it were a Bee Gees cue, but holy Mary, it's undeniably the De Angelis bros, and you recognize them in the details, accents, and overall orchestration. If only I had them here while writing these notes, I would hug them gratefully for the umpteenth fucking cool emotion popping up from this time capsule. Two other musical themes in the score lend a hand, one for lighter, more comedic situations and everyday life, and a series of tense electronic cues accentuated by a few live instruments. In December 2025, during Music Day Roma in the presence of Guido De Angelis and Enzo Castellari, we presented the soundtrack in a special vinyl release of only 50 copies featuring the signatures of the composers and the director. An the event, Enzo confirmed something he's never tried to hide, which is his enormous love for this movie, and it’s not difficult to understand the reasons: his (as always) notable and inspired direction, the performance of one of his most faithful collaborators, Franco Nero, the story itself, developed with great taste and skill, the Caribbean setting, the intrigue, the underwater adventures, and the presence of one of the ocean's most fascinating predators, the shark, directed like a true actor in many scenes, including the fights. I'm convinced that the main reason for the affection that Enzino (as my father used to call him) has for this movie lies in the epic scene where Franco Nero is knocked out by the character he was playing. I wonder how many times the director has pulled his friend's leg for that amazingly-filmed knockout punch he gave him on the set of Il cacciatore di squali. For all lovers of genre cinema, it's such a cult scene that crowns an amazing movie featuring a crazy score that reminds us, once again, why we still love genre movies and the music by Guido & Maurizio De Angelis. The LP is offered in a coloured (Blue) version. Graphic layout by Daniele De Gemini, mastering by Enrico De Gemini. Limited edtion to 450 copies. Tracklist A Side 1 Il cacciatore di squali - seq. 1 4:05 2 Il cacciatore di squali - seq. 2 2:18 3 Il cacciatore di squali - seq. 3 3:13 4 Il cacciatore di squali - seq. 4 1:34 5 Il cacciatore di squali - seq. 5 2:08 6 Il cacciatore di squali - seq. 6 2:35 7 Il cacciatore di squali - seq. 7 1:59 B side 1 Il cacciatore di squali - seq. 15 1:34 2 Il cacciatore di squali - seq. 16 4:39 3 Il cacciatore di squali - seq. 17 1:24 4 Il cacciatore di squali - seq. 18 1:30 5 Il cacciatore di squali - seq. 19 2:22 6 Il cacciatore di squali - seq. 20 3:13 7 Il cacciatore di squali - seq. 21 2:01 8 Il cacciatore di squali - seq. 22 0:54 Total Lenght: 36:03 Music composed, orchestrated and performed by Guido DE ANGELIS (SIAE), Maurizio DE ANGELIS (SIAE) ℗ & © 1979 EAR Edizioni Musicali (SIAE) Beat Records is proud to present the world premiere on CD of the complete original motion picture soundtrack for the movie Il cacciatore di squali, directed in 1979 by Enzo G. Castellari. Superstar Franco Nero is Mike Di Donato, an Italian-American with a mysterious past dominated by a terrible event from which he is probably fleeing, leads the life of a good savage on a deserted island with his own version of Friday, played by Marta Miller, the gorgeous Argentinian actress with a prolific career in genre cinema. There are obviously many differences between this and Defoe’s Crusoe, as this is a contemporary story that merely takes some aesthetic inspiration from the aforementioned novel, mainly the isolation from civilization and immersion in nature. In this movie, we have a lot of modern-day elements such as the struggle against authoritarianism, technology, bullying attitudes from the not-too-specific organization with which Mike was employed, and the search for a lost treasure hidden inside a plane 120 meters below the surface of the ocean which apparently can only be retrieved by the protagonist. To accomplish this feat, Mike seeks the collaboration of Acapulco (Jorge Luke) and faces a series of inconveniences and hostility, with everything playing out in the presence of the sea's most dangerous predator. Also notable is the remarkable performance by the director as a mysterious killer who is operating in the background while evil (or would-be evil) criminals such as Ramon (Werner Pochat), Donovan (Michael Forest), and Gomez (Eduardo Fajardo) pursue their agenda aided by their minions. The soundtrack was composed by Guido & Maurizio De Angelis during a deeply influential period in music history, as 1979 was the moment in which the disco music phenomenon was spreading like wildfire across the world, infusing every creative endeavor with its powerful energy, and the brothers Maestro were no exception. The main titles burst from the speakers with great skill, creating a musical transition from a quiet seaside scene into Mike's dynamic fight with a shark. Pulsating grooves, nervous guitars, derailing brasses, breaks artfully edited into sync, and the general musical tension creates a magnet for the spectator, glued onto the screen with both eyes and ears. We have plenty of orchestrations of this theme, literally everything. In one version, the rhythm section hits like Sylvester, another time with strings in the style of Sister Sledge, then here comes the brass as if it were a Bee Gees cue, but holy Mary, it's undeniably the De Angelis bros, and you recognize them in the details, accents, and overall orchestration. If only I had them here while writing these notes, I would hug them gratefully for the umpteenth fucking cool emotion popping up from this time capsule. Two other musical themes in the score lend a hand, one for lighter, more comedic situations and everyday life, and a series of tense electronic cues accentuated by a few live instruments. In December 2025, during Music Day Roma in the presence of Guido De Angelis and Enzo Castellari, we presented the soundtrack in a special vinyl release of only 50 copies featuring the signatures of the composers and the director. An the event, Enzo confirmed something he's never tried to hide, which is his enormous love for this movie, and it’s not difficult to understand the reasons: his (as always) notable and inspired direction, the performance of one of his most faithful collaborators, Franco Nero, the story itself, developed with great taste and skill, the Caribbean setting, the intrigue, the underwater adventures, and the presence of one of the ocean's most fascinating predators, the shark, directed like a true actor in many scenes, including the fights. I'm convinced that the main reason for the affection that Enzino (as my father used to call him) has for this movie lies in the epic scene where Franco Nero is knocked out by the character he was playing. I wonder how many times the director has pulled his friend's leg for that amazingly-filmed knockout punch he gave him on the set of Il cacciatore di squali. For all lovers of genre cinema, it's such a cult scene that crowns an amazing movie featuring a crazy score that reminds us, once again, why we still love genre movies and the music by Guido & Maurizio De Angelis. The CD is offered in a transaparent jewel case featuring a 12 pages booklet. Graphic layout and liner notes by Daniele De Gemini, mastering by Enrico De Gemini. Limited edtion to 500 copies. Tracklist 1 Il cacciatore di squali - seq. 1 4:05 2 Il cacciatore di squali - seq. 2 2:18 3 Il cacciatore di squali - seq. 3 3:13 4 Il cacciatore di squali - seq. 4 1:34 5 Il cacciatore di squali - seq. 5 2:08 6 Il cacciatore di squali - seq. 6 2:35 7 Il cacciatore di squali - seq. 7 1:59 8 Il cacciatore di squali - seq. 8 3:22 9 Il cacciatore di squali - seq. 9 3:26 10 Il cacciatore di squali - seq. 10 2:34 11 Il cacciatore di squali - seq. 11 1:11 12 Il cacciatore di squali - seq. 12 2:45 13 Il cacciatore di squali - seq. 13 2:51 14 Il cacciatore di squali - seq. 14 2:13 15 Il cacciatore di squali - seq. 15 1:34 16 Il cacciatore di squali - seq. 16 4:39 17 Il cacciatore di squali - seq. 17 1:24 18 Il cacciatore di squali - seq. 18 1:30 19 Il cacciatore di squali - seq. 19 2:22 20 Il cacciatore di squali - seq. 20 3:13 21 Il cacciatore di squali - seq. 21 2:01 22 Il cacciatore di squali - seq. 22 0:54 TT 54:50 - Music composed, orchestrated and performed by Guido & Maurizio De Angelis (SIAE) ℗ & © 1979 Ear Ed. Mus. (SIAE)

EARLY JAMES HORNER SCORES TO BE RECORDED From Lukas Kendall Time to commit ourselves to our next Kickstarter, which I am planning now: A recording of previously unreleased James Horner TV movie scores from the early 1980s! That’s right, it’s FSM’s first recording project, in conjunction with Leigh Phillips, whose work I admire so much, and the fine folks at Neumation Music who are invaluable with the music research and prep. Can you guess the three scores we’re looking at? I am building the campaign now. https://www.lukaskendall.com/post/pre-announcing-our-next-kickstarter

Von Quartet auf CD und LP: Quartet Records, in collaboration with GDM and EMI General Music, presents a CD reissue of Ennio Morricone’s iconic album COLORI, celebrating its 55th anniversary. In the summer of 1971, Morricone entered the legendary Orthophonic Studios in Rome alongside his longtime collaborators Bruno Nicolai, Alessandro Alessandroni and Edda Dell’Orso, and recorded a selection of ten tracks drawn from some of his recent film scores, many of which had not yet been released. He remixed some cues and re-recorded others, always with fascinating results. Morricone unveils his most experimental side in COLORI, an LP that brings together some of his most evocative compositions for early 1970s Italian cinema. Far from the sweeping western soundscapes that made him internationally renowned, this work ventures into more daring territory, where psychedelia, suspense and orchestral sophistication converge. Featuring pieces drawn from soundtracks such as VERUSCHKA, MADDALENA, A LIZARD IN A WOMAN’S SKIN, THE FIFTH CHORD, SENZA MOVENTE and THE CAT O’NINE TAILS, COLORI unfolds a rich sonic universe: ethereal vocals, innovative arrangements and a distinctive cinematic sensibility that anticipates new ways of storytelling through sound. More than a simple compilation, COLORI stands as a testament to Morricone’s creative genius and his ability to transform film music into an autonomous artistic experience. The album was released in 1971 by General Music in Italy and was only reissued on CD in Japan in the early 1990s, making it a coveted collector’s item. This new CD edition has been remastered by Chris Malone from the original sources and retains the original cover featuring a painting by Alessandra Morricone—the composer’s daughter—as well as the original liner notes by Fabrizio Zampa. An essential work for discovering Morricone at his most adventurous and unconventional. Senza motivo apparente 4:04 (Sans mobile apparent) Poesia di una donna 3:13 (Veruschka, poesia di una donna) La lucertola 6:20 (Una lucertola con la pelle di donna) Veruschka 4:12 (Veruschka, poesia di una donna) Una donna da ricordare 4:16 (Maddalena) Giornata nera per l’ariete 2:35 (Giornata nera per l’ariete) Sole sulla pelle 4:20 (Una lucertola con la pelle di donna) Immagini del passato 8:08 (Veruschka, poesia di una donna) Ninna nanna in blu 2:36 (Il gatto a nove code) Idiota 3:34 (Maddalena) Quartet Records, in collaboration with GDM and EMI General Music, presents the first vinyl reissue of Ennio Morricone’s iconic album COLORI, celebrating its 55th anniversary. In the summer of 1971, Morricone entered the legendary Orthophonic Studios in Rome alongside his longtime collaborators Bruno Nicolai, Alessandro Alessandroni and Edda Dell’Orso, and recorded a selection of ten tracks drawn from some of his recent film scores, many of which had not yet been released. He remixed some cues and re-recorded others, always with fascinating results. Morricone unveils his most experimental side in COLORI, an LP that brings together some of his most evocative compositions for early 1970s Italian cinema. Far from the sweeping western soundscapes that made him internationally renowned, this work ventures into more daring territory, where psychedelia, suspense and orchestral sophistication converge. Featuring pieces drawn from soundtracks such as VERUSCHKA, MADDALENA, A LIZARD IN A WOMAN’S SKIN, THE FIFTH CHORD, SENZA MOVENTE and THE CAT O’NINE TAILS, COLORI unfolds a rich sonic universe: ethereal vocals, innovative arrangements and a distinctive cinematic sensibility that anticipates new ways of storytelling through sound. More than a simple compilation, COLORI stands as a testament to Morricone’s creative genius and his ability to transform film music into an autonomous artistic experience. The album was released in 1971 by General Music in Italy and was only reissued on CD in Japan in the early 1990s, making it a coveted collector’s item. This new vinyl edition has been remastered by Chris Malone from the original sources and retains the original cover featuring a painting by Alessandra Morricone—the composer’s daughter—as well as the original liner notes by Fabrizio Zampa. An essential work for discovering Morricone at his most adventurous and unconventional. SIDE A Senza motivo apparente 4:04 (Sans mobile apparent) Poesia di una donna 3:13 (Veruschka, poesia di una donna) La lucertola 6:20 (Una lucertola con la pelle di donna) Veruschka 4:12 (Veruschka, poesia di una donna) Una donna da ricordare 4:16 (Maddalena) SIDE B Giornata nera per l’ariete 2:35 (Giornata nera per l’ariete) Sole sulla pelle 4:20 (Una lucertola con la pelle di donna) Immagini del passato 8:08 (Veruschka, poesia di una donna) Ninna nanna in blu 2:36 (Il gatto a nove code) Idiota 3:34 (Maddalena)

Jetzt auch auf Vinyl: Quartet Records, in collaboration with Paramount Pictures, presents a 2-LP edition of the complete, iconic score by Hans Zimmer for Ridley Scott’s 1989 action-suspense film BLACK RAIN, starring Michael Douglas and Andy Garcia as two New York City cops who arrest a Yakuza member and must escort him to Japan for extradition. BLACK RAIN was the first collaboration of Hans Zimmer with Ridley Scott, kicking off a creative partnership that would go on to produce some of the most thrilling film scores of the next two decades. Pressed on audiophile 140 GM transparent blue-neon vinyl, and packaged in a deluxe gatefold sleeve, this limited 2-LP edition has been painstakingly produced by Stéphane Humez and Dan Goldwasser; it was mixed and mastered by Maxime Marion with the supervision and approval of the composer. The package includes a four-page insert with detailed liner notes by Kaya Savas, including an exclusive interview with Mr. Zimmer. SIDE A I’ll Be Holding On (Opening Titles Version) Vocal Gregg Allman 2:39 One-Way Glass – Osaka 1:05 Phony Cops – You Gonna Be Nice? 1:40 Club Miyako 4:58 Sato Watching / Circling Motorbikes 2:01 Sugai’s Photo / Police Observers 4:01 Stealing Money 2:08 SIDE B Charlie’s Death – Aftermath: Nick & Joyce 5:17 Charlie’s Things 3:18 Sequins 2:44 Masa’s Reprimand 1:55 Following Miyuki 3:51 SIDE C Steel Mill Chase / Airplane / Escape 6:20 Sugai Has Nick Over For A Chat 9:01 SIDE D Arrival Of Oyabuns – Sato’s Arrival / Meeting 7:57 Bikes / Fight – Bullpen / Awards / Airport 9:28

Intrada announces an expanded edition of composer Bill Conti's sequel score to the Oscar®-winning Rocky. With Rocky II, Conti takes his original material from the first film and expands its scope as Rocky's world itself continues to expand. Though its themes were strikingly memorable and now legendary, Conti had scored Rocky sparsely, the film featuring just 30 minutes of score. For Rocky II, planned as a summer blockbuster, Conti wrote considerably more music, broadening its original themes and varying its melodies in a way that wasn’t immediately apparent, even as they echoed the original’s emotional heart. As album producer Neil S. Bulk notes in his Tech Talk, "Releasing an expanded CD for Bill Conti’s score to Rocky II has been a unique challenge. Extensive searches for the score in the MGM vaults only turned up two ¼″ reels. Luckily, these tapes were in stereo and contained final print takes and final mixes." While these tapes contained the most of the score, including cues not used in the final film, several cues are still missing (all of which are simply new recordings of cues from the original film). The album presents the expanded score presentation first, a nearly 42-minute program, followed by a bonus track and then the original LP program. The packaging is further adorned with liner notes by Daniel Schweiger. This new edition of Rocky II comes just in time to celebrate Bill Conti's 84th birthday! Check out the soundtrack trailer here! This sequel continues the story of Rocky Balboa after his brutal fight with Apollo Creed. Although Rocky gains fame from going the distance, he struggles to adjust to a comfortable life and faces financial difficulties. Meanwhile, Apollo becomes obsessed with proving he can decisively beat Rocky and pushes for a rematch. A reluctant Rocky agrees, returning to intense training despite personal challenges, including his wife Adrian falling into a coma. After Adrian recovers and encourages him, Rocky regains his determination and ultimately defeats Apollo in a dramatic rematch, becoming the new heavyweight champion. SCORE PRESENTATION 01. Opening (From Rocky II) (2:00) 02. Final Bell (1:45) 03. Ambulance Ride (2:08) 04. Hospital (1:30) 05. Take Her To The Zoo (1:35) 06. Wedding Night (2:10) 07. Rocky’s Accolades (1:24) 08. Apollo’s Fury (1:31) 09. Stickball And Adrian, You Did It!! (2:10) 10. You Lie Nice (0:54) 11. To See Mickey (1:30) 12. Your Wife Is Sick (2:17) 13. Vigil (Film Version) (4:39) 14. What Are We Waiting For? (2:40) 15. Gonna Fly Now (Rocky II Version) (2:39) 16. Conquest (4:40) 17. Get Up!! (1:14) 18. Another Final Bell (1:44) 19. Redemption (Theme From Rocky II) (2:37) Total Score Presentation Time: 41:40 THE EXTRA 20. Jewelry Store (1:50) ORIGINAL SOUNDTRACK ALBUM 21. Redemption (Theme From Rocky II) (2:37) 22. Gonna Fly Now (2:33) 23. Conquest (4:40) 24. Vigil (6:30) 25. All Of My Life (3:59) 26. Overture (8:38) 27. Two Kinds Of Love (2:36) 28. All Of My Life (Instrumental) (2:27) Total Original Soundtrack Time: 34:12 Total Album Time: 77:52

Die Antwort von Intrada in der Facebook-Gruppe auf die Frage, ob das ein Aprilscherz ist: „April First is just another day around here." Kommenden Dienstag werden wir es sehen.

Den Roman des Horrorautors Sutter Cane aus IN THE MOUTH OF MADNESS gibt es nun tatsächlich als Buch zu kaufen. Es ist im Grunde der Film als Roman, wie jeder weiß, der den Film gesehen hat. Gibt es als gebundenes Buch und als Taschenbuch. Unabhängig davon hat Carpenter vor einiger Zeit die anderen Bücher Sutter Canes aus dem Film, die dort als Props verwendet wurden, zum Kauf angeboten.

LLLCD 1687 Music composed, arranged and conducted by John Barry Title song sung by Shirley Bassey Lyrics by Don Black Limited edition of 5,000 units Exclusive release Sold exclusively at 007Store.com and lalalandrecords.com for the first 90 days of release La-La Land Records, Metro-Goldwyn-Mayer and Universal Music Enterprises proudly present the 55th anniversary remastered and expanded 2-CD re-issue of renowned composer John Barry’s original motion picture score to the seventh James Bond film, DIAMONDS ARE FOREVER. Produced by Albert R. Broccoli and Harry Saltzman, the 1971 film stars Sean Connery, after a one picture absence, as James Bond 007 and is directed by Guy Hamilton, returning for his second film in the series. Composer John Barry continues on his mission of creating classic Bond music, unleashing another epic orchestral wonder, pulsating with thematic motifs, and swirling all the film’s thundering action, spycraft and sensuous romance into an intoxicating, exhilarating knockout of a score. Included within this 2-CD set is the iconic title song “Diamonds Are Forever” by Barry and lyricist Don Black performed by Shirley Bassey in English and Italian! Expanded beyond previous soundtrack editions, DIAMONDS ARE FOREVER sparkles like never before within this deluxe presentation. Produced by Neil S. Bulk, mixed by Chris Malone and mastered by Doug Schwartz, the release has been sourced from the original 1" 8-track analog scoring masters. The "Score Presentation" reflects the takes and sequencing used for the film, while the "Original Soundtrack Album" has been newly edited and replicates the takes, edits and sequencing of the 1971 soundtrack. Alternate versions and additional source cues round out the package. Featuring sharp art direction by Dan Goldwasser, with a new front cover designed by Jim Titus, the release also includes exclusive, in-depth liner notes by journalist and author Jon Burlingame. Limited to 5000 units this release is not expected to be around... forever. THIS IS A COMPACT DISC RELEASE DISC 1 SCORE PRESENTATION 1:08:39 1. Gun Barrel And Manhunt 3:11 2. Diamonds Are Forever (Film Version) (Performed by Shirley Bassey) 2:52 3. Mr. Wint And Mr. Kidd 2:33 4. Mrs. Whistler And Hovercraft To Holland 2:02 5. Diamonds Are Forever 3:45 6. Tiffany Case 3:47 7. Peter Franks 3:02 8. Los Angeles To Las Vegas 3:02 9. Slumber Inc. 2:22 10. The Whyte House 2:22 11. Plenty, Then Tiffany 2:28 12. Circus Circus (Film Version) 2:49 13. We Lost Her And WW Tectronics 4:06 14. Stealing The Moon Buggy 1:00 15. Moon Buggy Ride (Film Version) 3:19 16. Scaling The Whyte House 1:11 17. Death At The Whyte House 3:45 18. Bond Smells A Rat 1:54 19. Bond Meets Bambi And Thumper (Extended Version) 2:11 20. Breaststroke Lessons 1:06 21. Q's Trick 2:27 22. 007 And Counting 3:32 23. Baja? 2:16 24. Oil Rig Attack 1:37 25. To Hell With Blofeld 1:35 26. Diamonds Are Forever (Extended Version) 2:47 27. The End Of Mr. Wint And Mr. Kidd :55 ALTERNATE VERSIONS 7:31 28. Diamonds Are Forever (Alternate) (Performed by Shirley Bassey) 3:18 29. Moon Buggy Ride (Alternate Segment) 1:59 30. Bond Meets Bambi And Thumper (Alternate) 2:07 TOTAL DISC 1 TIME: 1:16:11 DISC 2 ORIGINAL SOUNDTRACK ALBUM 34:39 1. Diamonds Are Forever (Performed by Shirley Bassey) 2:42 2. Bond Meets Bambi And Thumper 2:06 3. Moon Buggy Ride 3:14 4. Circus Circus 2:56 5. Death At The Whyte House 3:45 6. Diamonds Are Forever 3:45 7. Diamonds Are Forever 2:33 8. Bond Smells A Rat 1:54 9. Tiffany Case 3:46 10. 007 And Counting 3:32 11. Q's Trick 2:26 12. To Hell With Blofeld 1:35 ADDITIONAL MUSIC 14:26 13. Slumber Inc. (Wild Organ) 1:48 14. Hotel Tropicana :40 15. The Whyte House (Extended Version) 4:27 16. Circus Circus (With Overlays) 2:57 17. Water Balloons 3:42 18. Zambora :44 BONUS TRACK 19. Vivo di diamanti (Performed by Shirley Bassey) 2:42 TOTAL DISC 2 TIME: 51:57 TOTAL ALBUM TIME: 2:08:08

LLLCD 1689 Music Adapted and Conducted by Jerry Fielding Limited edition of 1000 units La-La Land Records and Paramount Pictures celebrate the 50th Anniversary of the classic 1976 big-screen little league baseball comedy THE BAD NEWS BEARS with this expanded and remastered CD release of acclaimed composer Jerry Fielding’s (THE WILD BUNCH, THE MECHANIC) adapted motion picture score to this beloved film, starring Walter Matthau and Tatum O’Neil and directed by Michael Ritchie. Composer Jerry Fielding finds the perfect “pitch” for the movie’s bumbling, big-hearted, but foul-mouthed team of youngsters with his delightful and inspired orchestral score – a wonderous adaptation of composer Georges Bizet’s famed opera CARMEN. Fielding’s inventive reworking of CARMEN nourishes all the heart, laughs and character drama in one of filmdom’s most cherished sports underdog stories. Now, this limited edition CD re-issue brings THE BAD NEWS BEARS score back in print, sounding better-than-ever, with additional music previously unreleased, and just in time for Baseball Season! Produced by Dan Goldwasser and mastered by Doug Schwartz, this special CD release is limited to 1000 units and includes exclusive, in-depth liner notes by writer and re-issue album Associate Producer John Takis. The grand slam art design is by Dan Goldwasser. TRACK LISTING: SCORE PRESENTATION 1. Hang In There 2:00 2. A Really Fine Thing 1:03 3. Play Ball 1:12 4. Bears Play 0:37 5. Silent Moment With Merchants (Mono) 0:48 6. Beer Cans 0:37 7. First Major Loss 2:32 8. Goodbye Buttermaker 0:59 9. Amanda’s Theme 0:42 10. Bad News For The Athletics 1:26 11. Around Them Bases 1:07 12. Street Pitching 2:26 13. Cool Karl Karonsky 1:34 14. Out Of Pinball Shop 0:24 15. Second Amanda Theme 0:30 16. Kelly’s Big Score (Mono) 0:24 17. Montage #1 1:19 18. Kelly Rebels 1:16 19. Tiny Tears 1:05 20. Amanda Gets Spiked 0:45 21. Buttermaker Goes Corrupt 0:32 22. Joe Won’t Throw 1:14 23. Montage #2 (Mono) 1:04 24. Lupus’ Big Catch 0:31 25. Cliff Hanger 2:54 26. Next Year 0:52 27. End Credits 0:58 28. The Bad News Bears Song 1:43 TOTAL SCORE TIME 32:34 ALTERNATES 29. Play Ball (Original) 1:12 30. Play Ball (Alternate) 1:11 31. Silent Moment With Merchants (Short Alternate) (Mono) 0:17 32. First Major Loss (Film Version) 1:42 33. First Major Loss (Alternate) 1:42 34. Street Pitching (Film Version) (Mono) 1:27 35. Kelly Rebels (Alternate Mix) 1:17 36. Buttermaker Goes Corrupt (Original) 0:47 37. Joe Won’t Throw (Original) 1:00 38. Montage #2 (Part 1) (Alternate) 0:36 39. Montage #2 (Part 1) (Alternate, Orchestra Only) 0:36 40. Lupus’ Big Catch (Original) 0:26 41. Lupus’ Big Catch (Alternate) 0:28 42. Cliff Hanger (Alternate) (Mono) 2:53 43. Cliff Hanger (Alternate) (Stereo Segment) 1:07 44. Next Year (Orchestra Only) 0:52 45. End Credits (Alternate) 2:02 46. The Bad News Bears Song (Extended Instrumental) 1:56 TOTAL ALTERNATES TIME 19:35 BONUS TRACKS 47. Selections from Carmen #1 (Piano Guide Track) (Mono) 1:18 48. Selections from Carmen #2 (Piano Guide Track) (Mono) 1:14 49. Dancing School Pianos (Source Music) 0:37 50. Improvised Drums (Source Music) (Mono) 0:22 51. Wild Band 1:08 TOTAL BONUS TRACKS TIME 4:00 TOTAL ALBUM TIME 60:22 This is a CD format release

Snow Files of the Week: "Go Home/Cold Heart/Contrast" aus "You ain't seen nothing yet" (2012). Dieser Film war die dritte Zusammenarbeit zwischen Mark und Alain Resnais. Nachdem sie bei „Private Fears in Public Places" 2006 zum ersten Mal miteinander arbeiteten, vertonte Mark noch drei weitere Filme für Resnais. Seine Filme sind voller Melancholie und schräger Ereignisse, was Mark mit seiner Musik perfekt einfängt. Dieser Score ist keine Ausnahme. Mark komponierte ein wundervolles Hauptthema, sowie kleinere Piano-Motive, die sich durch den Score ziehen. Auch der Viloinen-Sound aus „MillenniuM" taucht hier wieder auf. Das Album wurde digital veröffentlicht und auf einer Doppel-CD, zusammen mit der Musik zur zweiten Snow-Resnais-Arbeit „Wild Grass". Diese Doppel-CD wurde allerdings nur in Frankreich veröffentlicht und ist bereits ein rares Sammlerstück geworden. Viel Spaß beim Hören!