BigBear

Verdammt viele große Namen, die sich am Ende diesen Jahres noch verabschiedet haben... Sehr schade um jeden einzelnen.

"Höre ich von euch noch einmal Kritik an der neuen GEZ-Gebühr, dann sorge ich dafür, daß ihr nach RTL2 strafversetzt werdet!"

Gute Besserung, Bastet und einen guten Rutsch ins (hoffentlich) gesunde Jahr 2013. Und Marcus: Schön einteilen und nicht alles auf einmal!

Ich wünsche ebenfalls allen ein frohes Weihnachtsfest!

Na, einfach überraschen lassen. Früher oder später werden wir es erfahren.

Naja, der Artikel ist fast ein Jahr alt. Und viele der Kommentatoren sehen das ähnlich, wie ich lese... Spocks Schiff wurde doch zerstört. Und er trägt sogar das selbe Kostüm wie im letzten Film...

Das ist doch aber ein Bild aus dem letzten Film, scheint mir...

Einen herzlichen Glückwunsch nachträglich!

Vorkommen soll er wohl nicht. Naja, er hat nix erzählt, weil die weiteren Filme, die da noch folgen mögen, dann eventuell ziemlich langweillig wären...

Godzilla - The Ultimate Edition (David Arnold)

Es gibt übrigens einen weiteren Teaser, mit einigen neuen, kurzen Szenen... Interessant finde ich eine Szene, die scheinbar eine Halle mit vielen "Hyperschlafkammern" ,oder ähnlichem, zeigt. Doch ein Hinweis auf Khan?

Herzlichen Glückwunsch Neo!

Herzlich Wilkommen Plissken.

Label: Intrada Special Collection Volume 224 Date: 1976 Tracks: 34 Time = 66:58 A mystery is solved! Intrada premieres two scores for same 20th Century Fox film, yet neither is in finished picture! Jerry Goldsmith fans know when composer is unavailable to score movie, final soundtrack from Andrew V. McLaglen western becomes compilation of selected tracks from earlier Fox/Goldsmith pictures including 100 RIFLES, RIO CONCHOS, MORITURI, STAGECOACH. But few fans know Lionel Newman actually re-recorded same selections at Fox with intention of using all-new recordings timed specifically for picture. Ironically, due to time pressure, famed music editor Len Engel and young Ken Hall instead end up cutting music for picture with actual original recordings, planned initially just as temporary placeholders while Newman newly-records same sequences. Even fewer fans know Leonard Rosenman actually writes complete score for film, long before Goldsmith music becomes involved! Tale of sadism and revenge with Charlton Heston, James Coburn is deemed harsh, unpleasant by Rosenman. With little sympathy for either character, composer focuses on tough landscapes, brutality inherent in story. Resulting music is harsh, brittle, full of tension, violence. Atonality abounds. Classic Rosenman! Only exciting finale ("End Titles") provides respite. Studio found score TOO reflective of grim movie, brought more accessible Goldsmith library tracks into play. Unusual Intrada CD offers both rejected scores: unused Rosenman score in stereo AND unused Goldsmith cues newly conducted by Lionel Newman in mono! Nick Redman, Mike Matessino produce, Matessino also offers insight into film production and troubled music history behind it. Leonard Rosenman conducts his score, Lionel Newman conducts Goldsmith score. Intrada Special Collection release available while quantities and interest remains! The Unused Score by Leonard Rosenman 01. The Spike 2:36 02. Men In The Water 2:38 03. Provo/Every Deputy 1:06 04. Dismount/Back To Work 2:38 05. Leroy Gets Stabbed 0:48 06. A Trap For Somebody 2:51 07. Oh Jeez/I'd Be Obliged 1:26 08. Posse Riding Through Barn 1:35 09. Y'Ah 3:13 10. Show Cause 1:20 11. Going After Susan/Sam's Last Line 1:56 12. Sam And Hal Riding/The Trap 2:46 13. Horses 1:38 14. She's Theirs 2:57 15. Before Fire 1:56 16. Menendez 1:51 17. End Titles 4:03 18. Barroom Piano 1:37 Re-Recordings of Jerry Goldsmith Scores 100 Rifles (1969) 19. 100 Rifles Theme (Main Title) 1:31 20. Verdugo's Revenge 1:30 21. The Ruins 1:32 22. A Cliff Hanger 1:26 23. Breakout Part 1 1:22 24. Breakout Part 2 1:13 25. March To The Wall 2:13 26. The Victors 1:43 Rio Conchos (1964) 27. Big Deal 1:40 28. The Intruder 2:06 29. Chief Bloodshirt 1:50 Morituri (1965) 30. Break Out 1:09 31. Abandoned Ship 3:27 Stagecoach (1966) 32. All Is Forgiven 3:04 100 Rifles (1969) 33. End Title 0:34 34. Theme (Reprise) 1:26

Label: Intrada Special Collection Volume 225 Date: 1949 / 1950 Tracks: 35 Time = 72:38 World premiere release of two Hugo Friedhofer scores to Paramount films directed by Mitchell Leisen. First is 1949 costume adventure about 15th-Century Borgia family, starring Paulette Goddard. Friedhofer took opportunity to write serious Renaissance-style score using several established "closed forms" including the passacaglia plus offering regal fanfares, courtly music, battle sequences, more. Score is rousing, profuse with period color. Second score is 1950 WWII espionage thriller with Alan Ladd. Here Friedhofer provides several action cues plus gorgeous love theme used judiciously in score. Famous Oscar-winning Jay Livingston/Ray Evans song "Mona Lisa" was featured in film as instrumental accordion piece warning O.S.S. officers of Nazi activities and this instrumental cue also appears on CD. Score here is dark-edged, dramatic with riffs of violence. Both scores appear in crisp mono sound from original Paramount elements. Hugo Friedhofer composes, Irwin Talbot conducts. Intrada Special Collection release available while quantities and interest remains! The Bride Of Vengeance Album 01. Prelude 1:09 02. The Bull Strikes 1:32 03. Cesare Or Nothing/The Black Pearl 3:06 04. Return From The Hunt 1:04 05. Borgia Court Music No. III/The Ring/Ferrara Calls 4:13 06. Michelotto's Bait/The Foundry 2:30 07. Failure 1:18 08. The Nightingale And The Rose (Victor Young & Clemence Dane, arr. Friedhofer) 1:54 09. Second Failure 1:05 10. The Foundry No. II 1:44 11. Wedded Bliss 1:12 12. The Gun/Oh, Cesare 1:47 13. The Potion 2:13 14. Tempered Metal 0:59 15. Cesare Marches/Borgia Camp 2:12 16. What Devil 2:42 17. Fanfare/Open Gates/The Attack/Defeat 5:59 18. Happy Ever After/Bride Of Vengeance Cast 1:32 Bride Of Vengeance Album Total Time: 36:49 The Captain Carey, U.S.A. Album 19. Prelude/Guitar No. 1 1:54 20. A Close Call 2:07 21. Carlo/Betrayed/Trapped 5:26 22. An Old Memory/A Job Of Murder 1:04 23. Reprisals 1:21 24. St. Christopher’s Medal/Luigi’s Murder/Unwelcome Visitor 3:02 25. The Local Detective/Sandro’s Assist/The Barefoot Man (Inc. Carnival of Venice) 2:48 26. Another Murder 1:06 27. Search Party/The Chase 2:23 28. A Rioting Crowd/The Betrayer Part 2 2:05 29. Too Long/Cast 2:01 Captain Carey, U.S.A. Album Total Time: 25:44 The Captain Carey, U.S.A. Extras 30 Mona Lisa (Jay Livingston & Ray Evans) 1:31 31 Accordion No. 1 1:05 32 Piano #1 (Brahms)/Piano #2 (Schumann) 0:48 Captain Carey, U.S.A. Extras Total Time: 3:28 The Bride Of Vengeance Extras 33 Borgia Court Music No. II 0:39 34 Street Dance 1:26 35 Ferrara Court Music No. I 1:59 Bride Of Vengeance Extras Total Time: 6:22

HOOSIERS Label: Intrada Special Collection Volume 226 Date: 1986 Tracks: 17 Time = 59:48 At last! Long-awaited world premiere complete presentation of endearingly popular Academy Award-nominated score by Jerry Goldsmith to endearingly popular sports drama starring Gene Hackman, directed by David Anspaugh, written by Angelo Pizzo. Goldsmith score originates on wonderful LP with duration of 39 minutes but never appears on CD in U.S. International releases (some under U.K. title Best Shot) all have same contents as original LP. Goldsmith emphasizes rousing basketball music but, interestingly, omits several more serious ideas from his album, including one important theme represented only in this new complete version. Titled "No More Basketball", saddened cue offers haunting tune for woodwinds, strings and actually appears twice in finished film. Another important new cue is "Someone I Knew", featuring serious solo line for cello over strings as Coach Dale (Hackman) confesses tragic mistake in his past. Rich piece is darkest moment in score and brings entirely new level to Goldsmith's impressive score. Also find for first time transparent, delicate piece ("The Gym") underscoring small town team's first sights at big-time gymnasium plus rousing orchestral fanfare ("Free Shot") for regional finals. Several other new cues add additional depth as well. Goldsmith was fond of his score, even creating a couple of beautiful longer cues out of shorter ones for his original album. We have retained those assemblies while otherwise presenting complete score in picture sequence. The best of both worlds! Highlights abound in this moving musical slice of Americana but unforgettable trumpet solo playing main theme for opening & closing of score stands front & center. Intrada proudly presents entire score from actual digital session masters combining mixing talents of two legendary engineers: Mike Ross, Bruce Botnick. Project took years to develop, finally came together through courtesy of both MGM, Universal Music. A definitive presentation of one of Goldsmith's most beloved works! Jerry Goldsmith conducts. Intrada Special Collection available while quantities and interest remains! 01. Theme From Hoosiers* 4:02 02. Main Title - Welcome To Hickory 3:47 03. Chester 1:23 04. First Workout 1:55 05. Get It Up 2:17 06. You Did Good* 7:01 07. No More Basketball 1:33 08. Town Meeting* 4:02 09. The Coach Stays* 2:40 10. The Pivot* 3:27 11. Get The Ball* 1:45 12. Last Foul 0:43 13. Free Shot 1:11 14. Someone I Know 2:18 15. Empty Inside 1:42 16. The Gym 2:41 17. The Finals* 15:17 * = Previously Released on Polydor 831 475-1 Y-1

Herzlichen Glückwunsch und alles Gute zum Geburtstag, Thomas! Hab einen schönen Tag... Und ebenso einen herzlichen Glückwunsch an Ludwig und Csongor!

Und im ersten Pilotfilm "The Cage" gab es eine auch eine Zelle mit viel Glas, wenn auch nicht an Bord der Enterprise. Aber das ist ja im Grunde auch egal... Wer auch immer der Gegenspieler ist und wer auch immer im Film das Zeitliche segnet, der Teaser sieht für mich gut genug aus, um mich auf den Film zu freuen.

Ähnliche Arrestzellen gab es in Star Trek doch schon lange vor den oben genannten Filmen... Und der Name John Harrison klingt für mich irgendwie nach einem PR Gag.

Okay, im Grunde schon... Aber naja, da kommt der Sammler wieder durch... Wobei, Alien 3 fand ich gar nicht so übel.

Ich hab den Film bisher noch gar nicht gesehen. Aber als Alien Fan ist er ohnehin ein "Muss" für mich...

Heute eingetroffen: Prometheus

Um mal wieder zum eigentlichen Thema zurückzukommen... Bei mir heute neu: Contagion

Battlestar Galactica - Vol.4 (Stu Phillips)

Kann ich nur zustimmen. Eine echte kleine Perle, die hier leider etwas untergegangen ist...