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Unglaublich! Ich werd verrückt!!! *Luftsprung Aber, ja ein aber, hätte man bei der Länge nicht noch gleich nen Horner mehr drauf packen können:)?
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KIDCO Label: Intrada Signature Edition ISE1044 Date: 1984 Tracks: 19 Time = 46:50 World premiere release of hip, flavorful score by Michael Small to relatively obscure Ronald F. Maxwell comedy with hints of drama, starring Scott Schwartz, Tristine Skyler. Small writes for orchestra with additional guitars, synths, brings spirited humor to the fore. Outdoor themes, tinges of Americana around the borders add colorful musical appeal. CD produced by Nick Redman, presented in stereo from mint condition master elements courtesy of 20th Century-Fox. Michael Small conducts. Intrada Special Collection limited to 1000 copies! 600x600 Cover Play all clips 01. Main Title 2:48 02. The Feds 1:49 03. Stephen Foster 3:56 04. Colt Roping 0:49 05. Balls 1:11 06. Were In Business 1:51 07. June No. 1 5:03 08. Manure Time 1:37 09. Betty And Neil 1:27 10. Hot Dog 3:29 11. Sellers Permit 1:26 12. June No. 2 3:22 13. All For One 1:23 14. Night Ride 2:25 15. The Reporters 0:57 16. Sentences 0:54 17. Finale 3:22 18. End Credits 3:12 19. Main Title (Alternate) 5:27 TWO FLAGS WEST / NORTH TO ALASKA Label: Intrada Special Collection Volume 168 Date: 1950 / 1960 Tracks: 20 Time = 58:30 Exciting world premiere release of stunning, brass-dominated action score by Hugo Friedhofer for little-known Robert Wise Civil War-era western from 1950, released by 20th Century Fox, with Joseph Cotten, Jeff Chandler, Linda Darnell, Cornel Wilde. Friedhofer launches with declamatory trumpet-led main theme from the get-go then answers fanfare with powerful trombone idea in compliment. One of composer's most rousing musical statements ever! In bewteen are themes for tender moments, spectacular climactic Indian attack but triumphant brass melody always remains close by. Powerful Americana score! Having Alfred Newman conduct adds to dynamic appeal. Mint condition early stereo masters lovingly presented under supervision of producer Nick Redman add further appeal. Filling out CD are surviving stereo cues from 1960 Henry Hathaway "north-western" starring John Wayne, Stewart Granger, also courtesy 20th Century Fox. Lionel Newman anchors with now-familiar title tune sung by Johnny Horton, then creates flavorful cues for outdoor locale plus tender ideas for romantic segments. Julie Kirgo provides literate notes to compliment colorful package. Alfred Newman conducts former score, Lionel Newman, Harry Sukman share conducting duties on latter score. Intrada Special Collection release limited to 1000 copies! SOLD OUT! 600x600 Cover | 600x600 Cover Play all clips TWO FLAGS WEST 01. Main Title/Frontier Theme 3:05 02. The Broken South 3:48 03. The Major 3:06 04. I Cant Let You Go 2:42 05. Frustration 2:11 06. Dream Of Home 5:34 07. The Fort 4:51 08. Satank 5:41 09. Grim Dawn 2:58 10. Finale 2:38 Total Score Time: 36:44 NORTH TO ALASKA 11. North To Alaska 2:49 12. Go North 1:47 13. Angels Theme 3:20 14. Scenic View 2:11 15. Plie DAmour 1:19 16. Baked Alaska 1:48 17. Love In The Air 2:48 18. Northern Lights 1:46 19. If You Knew 1:27 20. End Title 2:13 Total Score Time: 21:42 Der Freidhofer ist schon SOLD OUT!
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Walt Disney Records: THOR - Patrick Doyle
Beaverhausen antwortete auf BigMacGyvers Thema in Scores & Veröffentlichungen
Wie kommst du den auf dieses Pferd? -
Kritzerland: Philippe Sardes PIRATES
Beaverhausen antwortete auf ein Thema in Scores & Veröffentlichungen
du, dank eurer FLAC Diskussion, konnte man nicht anders, als es zu überlesen:) -
Kritzerland: Philippe Sardes PIRATES
Beaverhausen antwortete auf ein Thema in Scores & Veröffentlichungen
Tja, und weg ist sie,... -
Kritzerland: Philippe Sardes PIRATES
Beaverhausen antwortete auf ein Thema in Scores & Veröffentlichungen
Hmm und wie ist das gut Stück nun? Die Meinungen scheinen ja sehr auseinander zu gehen:) -
FSM veröffentlicht Nathan van Cleaves ROBINSON CRUSOE ON MARS
Beaverhausen antwortete auf Ludwigs Thema in Scores & Veröffentlichungen
Oh meine ist gerade eingetroffen:) -
Als Delerue und Mancini Fan ein Pflichtkauf. Aber ich denke, es wird wie immer sein: Hammsterkäufe von Privatleuten und Händlern und letzten Endes liegen sie dann doch wie Blei in deren Regalen. Ich freu mich, dass ich schnell genug war. Ich fänds ja nicht schlecht, wenn manche Labels die Regel einführen würden, nicht mehr als - sagen wir zwei - gleiche Titel auf einmal zu ordern. Aber auch dennen gehts natürlich um den Absatz. Naja, egal. Haben wir ja auch alles schon ausgiebig an anderer Stelle diskutiert. Sonnige Grüße, Uschi
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La-La Land Records: IT´S A MAD, MAD, MAD WORLD - Ernest Gold
Beaverhausen antwortete auf peter-anselms Thema in Scores & Veröffentlichungen
was hat man den jetzt von dieser version zu halten? -
La-La Land Records: IT´S A MAD, MAD, MAD WORLD - Ernest Gold
Beaverhausen antwortete auf peter-anselms Thema in Scores & Veröffentlichungen
Nun zu bestellen!!!!! IT'S A MAD MAD MAD MAD WORLD: LIMITED EDITION (2CD-SET) SHIPPING MARCH 18th LIMITED EDITION OF 2000 UNITS ORDER ITS A MAD MAD MAD MAD WORLD: LIMITED EDITION (2CD-SET) NOW and get yours at a special sale price of ONLY $19.98 EACH! (Regular price $24.98. Presenting the world premiere release of the original Film Version of composer Ernest Golds (ON THE BEACH, EXODUS, CROSS OF IRON) rousing orchestral score to the 1963 United Artists epic comedy classic ITS A MAD MAD MAD WORLD, directed by Stanley Kramer and starring Spencer Tracy, Milton Berle, Sid Caesar, Buddy Hackett, Ethel Merman, Mickey Rooney and just about every other comic legend of the era. For the first time, Golds original soundtrack cues from the film are presented here on disc one, along with the original soundtrack LP release on disc 2 (with the songs moved to the end to make for a better listening experience). Produced by Ford A. Thaxton and Ray Faiola, and digitally edited and mastered by Ray Faiola at Chelsea Rialto Studios, this special 2-CD Set also features in-depth liner notes by film music writer Jeff Bond. This is a limited edition of 2000 Units. And heres producer Ray Faiola to tell you more ! Producing the Original Soundtrack by Ray Faiola, Chelsea Rialto Studios "As one of those die-hard fans of IAMMMMW (my 16mm IB/Scope print is one of my most prized possessions), it has long been a wish of mine to have a recording of the complete original soundtrack score. For some time it was believed that the dubbing stems survived, but this turned out not to be the case. So, weve taken an extreme step and used the limited range rear recording angles from the original six-track composite soundtrack. This presented us with both positive and negative aspects of the materials. The positive was that, for the most part, the tracks were music-only. Only one cue had a major sound effect that commandeered the tracks, necessitating a portion of re-modulating and replacing those few bars of music. The negative was that while many of the cues were overt and took primary occupation of the track space, many others were dubbed far beneath dialogue sequences. This resulted in several cues having a noise-to-signal ratio of nearly 70 per cent. In bringing the music level to acceptable volume, the radically increased noise had to be suppressed as best as possible. Thus, some cues are of significantly lesser fidelity than others. Also, the entire soundtrack had to be corrected for audio-dipping during dialogue portions that lasted from moments to many seconds. All-in-all, many hundreds of edits, adjustments, transitions, and, yes, even a few artistic choices had to be made. The rear channels were, in fact, a single split signal, similar to the early Re-Channeled-for-Stereo LPs had been. Rather than have two channels each with partial information, they have been recombined into two pure mono channels. Since all the program music (Overture, entracte, exit music) as well as the chorals from the main, intermission and end titles are in full stereo, the mono score channels have been separated by a third of a frame to give expansion and create graceful segues into the stereo chorals and program tracks. It should be noted that the harmonica solo at the beginning of Exit Smiler Grogan did not appear on the surround channels and is irrevocably combined with dialogue. Nor did the Shirelles 31 Flavors appear on the surrounds. Finally, none of the rear surround music from the so-called restored sequences were available and our soundtrack represents the general release print of the film. The resulting disc is certainly not an optimum recording of the soundtrack score. But, given that these are the materials that survived we have made our best effort create a complete symphonic presentation." * TRACK LISTING: DISC ONE Overture (Stereo) (2:26) Main Title (4:11) Smiler Fades Out /Follow the Leader / Stealthy Pike (5:01) Schwartz Swings #1 / Culpepper Flips His Lid (0:49) Away We Go! / Banjo Eyes / Kareening Kooks (5:17)* Pike Pedals / Meyer Approaches / Gullible Meyer / Pike Piqued (2:34) Ill-Fated Dream / Pike Scuffles Along (1:53) Old Fitzgerald / Truck on Down (3:33) Benny / Up-Sa-Daisy / Musical Cars (1:31) Mired Meyer / Meyer Still Mired / Down There? (2:16) Dinkler Dood It / Whole Tone Blues (1:35) Wheeling Along / Mixed Up Melange / The Living End - End of Part 1 (3:57) Intermission / Entracte (Stereo) (3:41) Fizzled Fuse / Three Chords (1:12) No More Calls / The Plot Thickens / Good Old X-27 (2:49) Instant Chase(2:21) A Lone Hand / Adios Santa Rosita (1:17) Unhappy Landing(1:05) Cab Ballet / Rots of Ruck (2:20) The Big W / Whos He? / The Marcus March / Emmeline Knows (6:06) Eureka / Equal Shares / Culp Plays Hand! (1:24) Turnabout / Get Going / Still Going / Auto Mania (6:03) Loose Loot / Mad Chase Ends / Retribution (6:30) Pratfall & End Title (Stereo) (0:52) Exit Music (Stereo) (2:17) Total Time - Disc One: 73:00 DISC TWO (LP Reissue)* Performed by the Hollywood Studio Orchestra Overture (2:20) Main Title (3:16) Follow the Leader( 3:35) Away We Go (3:33) Gullible Otto Meyer (2:06) The Living End (Act 1) (3:05) Adios Santa Rosita (2:05) Instant Chase (2:05) The Big W (4:40) The Great Pursuit (3:12) Retribution (2:41) Its A Mad, Mad, Mad, Mad World(2:16) Music published by Ole Grand Filmsc/o EMI April Music Inc. c/o EMI Music Publishing ASCAP You Satisfy My Soul (2:00) (Ernest Gold, Mack David)* Performed by The ShirellesPublished By EMI U Catalog *c/o EMI Music Publishing ASCAP* Thirty-One Flavors (2:14) (Ernest Gold, Mack David)* Performed by The Shirelles Published By EMI U Catalog c/o EMI Music Publishing ASCAP* Total Time - Disc Two: 39:08 Total Time - Both Discs:112:08* RETAIL PRICE: $24.98 SPECIAL SALE PRICE: $19.98 LLLCD 1167 $19.98 -
Veröffentlichung (USA) - MAX STEINER: Don Juan
Beaverhausen erstellte ein Thema in Scores & Veröffentlichungen
Info von SAE: March 8 - THE ADVENTURES OF DON JUAN newly recorded complete score coming soon from Tribute Film Classics! Teaser HERE! [ame] [/ame] -
La-La Land Records: IT´S A MAD, MAD, MAD WORLD - Ernest Gold
Beaverhausen antwortete auf peter-anselms Thema in Scores & Veröffentlichungen
Autsch. Sicher toll. aber mal ehrlich: Was für nen Quatsch! -
Intrada: WRONGFULLY ACCUSED - Bill Conti
Beaverhausen antwortete auf Csongors Thema in Scores & Veröffentlichungen
Wobei die Musik zu Spy Hard sehr komisch ist. Conti greift dort quasi alle Themen der Filme auf, die verwurstet werden. Natürlich in abgeänderter Form. Echt cool. Grade noch ET, schon gehts zu Speed und True Lies,.. Sehr lustig. Diesen Score kenn ich NOCH nicht. Aber Conti ist ja immer gut:) Freu mich sehr! -
Mark McKenzie - THE GREAT MIRACLE
Beaverhausen antwortete auf Thomas Nofzs Thema in Scores & Veröffentlichungen
Nur download? Schande! -
Alexandre Desplat ~ LA FILLE DU PUISATIER
Beaverhausen antwortete auf Soundtrack Composers Thema in Scores & Veröffentlichungen
Der Gute hat ja echt viel zu tun. Was hätte die Filmindustrie ohne ihn gemacht? Aber auf der anderen Seite schade, das andere irgendwie "verschwinden". Shearmur, z.b., oder auch Portman, Revell,,... und Shaiman. Was für ein begnadeter Mann! -
Thomas Newman - ADJUSTMENT BUREAU
Beaverhausen antwortete auf Marcus Stöhrs Thema in Scores & Veröffentlichungen
Ach naja, es muss nicht alles gepresst werden! -
CAPTAIN AMERICA - Alan Silvestri
Beaverhausen antwortete auf Soundtrack Composers Thema in Scores & Veröffentlichungen
na solange das nicht so nen reinfall wie das a-team wird,.. -
Thomas Newman - ADJUSTMENT BUREAU
Beaverhausen antwortete auf Marcus Stöhrs Thema in Scores & Veröffentlichungen
So. Itunes-Version gehört. Hmm komischer Score. Klingt als hätten sie Powell nicht bekommen und alles andere typisches Newman "geplänkel", was man eher einem Road-Movie zuordnen würde. Merkwürdig. Hm. -
und schade das du auf keine nachrichten antwortest