Beaverhausen

Hui, da hat Elmer aber gut bei sich selbst geklaut für "The Good Son" . Schönes Release.

müsst nicht langsam die Pressemitteilung raus sein:)?

Gute Frage. Aber ich hab auch die neuen Funktionen und den ganzen anderen umgestellten Kram hier im Forum nicht geschnallt. Finds auch nicht wirklich besser. By the way: @ einen Admin: Gibs hier irgendwo schon nen Threat in dem man sich zu der Umstellung äußern kann?! Es gitb so einiges, was echt nicht so toll läuft. Unter anderem die Such-Funktion. Ein Witz. Über google find ichs, über die eigene Suchfunktion hier nicht. Das kann doch nicht sein:)) Würd mich freuen. LG, Uschi

Kann ich verstehen. Da wäre ich auch mehr als angep.... !! Finds auch echt frech von Doug!

och find ich gut:)

ATTENTION! POLICY ALERT!!... EXPLORERS is already just about sold out! We're not happy to see people get left out of such an exciting release. So we're arranging to quickly re-press an additional batch, enabling more people a chance to purchase the CD. So... Effective immediately, Intrada plans on tweaking our limited edition model to have the quantity of CDs be more reflective of the demand. Golly! The AFM historic rates policy remains in effect so these will, by definition, have a cap at 10,000 in any case. But our concern right now is avoiding sell-outs in 24 hours... or in this case, even less than that!! We'll still produce limited editions, per se. If you folks love the title, we'll make enough to get around. BUT... there's always a but... the caveat will be that if you people have little interest in something we release (and we have plenty of limited editions that misfire) then we'll quickly drop that title from our active catalog and move on. As such, you may still need to make something of a quick decision on less obvious projects. Otherwise, you might check back in a few weeks to get a lowball item and it'll be gone. So we're going to keep some pressure on folks to prioritize. Our goal isn't to mothball the idea of limited editions. It's to avoid having people left out within the first day or two of release. When a limited edition sells really well, we'll make enough to meet your demand. When it slows down, we'll do the same. And if it just stalls, we'll cut it loose. YOU people get to be in charge!! Bottom line. This is an experiment on our part to help get all of you folks who support this music a chance to get the releases you want. It's a window. It can't stay open for long, we still have licensing and AFM rules to play by. But it will allow us to make enough copies to meet your demands without overstocking... which would just sink our ship. And people who love to speculate will stay have a place in the strategy: we all will be guessing what the demand is on many titles anyway. If we're stuck with more copies than we'd like on something right off the bat... we'll delete it. And speculators may come out ahead. Personally, I'm saddened to see a title sell out instantly. Sure, I love the income. It's my livelihood. But I don't love seeing people lose out. So here's hoping this new limited edition policy at Intrada will help put you guys in the driver's seat on quantities. This policy has no effect - obviously - on titles in which we are fortunate enough to control long-term licenses. Things like that will be in our catalog for the long haul: SILVERADO, TOMBSTONE, FIRST BLOOD, PATTON, THE WIND AND THE LION and so forth. We try to keep them around for generations, so to speak. Anyway, this is a dramatic change for the limited edition model we helped establish in the marketplace but perhaps we all may come out winners! This goes without saying, I suppose, but this policy is an experiment. If it turns out that a lot of you folks buy titles like this JUST because they are limited, irregardless of the music, then we'll admit we shot ourselves in the foot. We'll put bandages on and follow your lead. Like I said, we're just trying right now to let YOU have some control. We understand that without you... there is no we.

Eben. Was will lala da bitte rausbringen? Es sei den sie haben 30min unused Musik gefunden-was ich erstmal stark bezweifeln tu;)

Ich will ja keine Spielverderberin sein, aber auch mit Rücksicht auf diejenigen unter uns, die DIESEN Threat verfolgen, um zu erfahren was so in der Gerüchteküche so los ist: BACK TO THE TOPIC, please:)

Ach du ahnst es nicht! Also da hat ja wirklich so gut wie nichts gefehlt. Gut, das Album war über die Jahre schwer zu finden, aber nun wird es doch langsam sehr absurd..... !!!!

Ne, nur Horner drauf stehen!

Ach naja, die Zwischenhändler werden sich auch wohl damit eingedeckt haben. Ich selbst - Horner Fan - find die Musik eher.. wie soll ich sagen... hmpf! Bei dem Score zu Commando macht sich einzig und allein der Name HORNER bezahlt. Faltermeyer und Co. haben in der Zeit auch nichts anderes geschrieben. Wenn bei Commando "Faltermeyer" drauf stehen würde, wäre die "Begeisterung" doch weitaus geringer. Menschen ticken komisch.....

und was steht da nun wirklich?

Hat jemand die "Knack" und kann nen Vergleich ziehen mit der alten Ausgabe? LG

Expected new collaboration between the Academy Award winner Spanish director Pedro Almodóvar and the composer Alberto Iglesias (two-times Academy Award nominee for The Constant Gardener and The Kite Runner.) After the success achieved in its seven previous collaborations (includingVolver, Talk to Her, All About My Mother, Bad Education or Broken Embrances.) Alberto Iglesias has created for this film his absolute masterpiece for the Almodóvar cinema. A passionate, lyrical and emotional journey through the darker side of human beings. Performed by The London Session Orchestra, the album includes the complete Iglesias score and various songs by Concha Buika, Tretmöller and Chris Garneau, which form an important part in the plot of the movie. Los vestidos desgarrados (2:34) Tema de Vera (2:26) El Cigarral (3:45) La convivencia (1:23) El asalto del hombre tigre (7:36) Between the Bars (3:05) Chris Garneau Shades of Marble (5:51) Trentmöller Por el amor de amar (2:40) Concha Buika Una patada en los huevos (1:48) Prometeo encadenado (5:00) La pared transparente (2:21) En el calor de la noche (5:59) Libertad vigilada (2:34) Petite Fleur (3:06) Se me hizo fácil (4:05) Concha Buika Duelo final (7:50) Tributo a Cormac McCarthy (1:35) Rojo y Negro (4:03) La pared-diario (1:21) Créditos-La identidad inalcanzable (3:57) Total Disc Time: 73:08 http://www.quartetrecords.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=58&category_id=5&option=com_virtuemart&Itemid=11〈=en

Man kann den Markt auch kaputt machen, und irgendwie sind die grad alle aufm Weg dahin....

The Great Santini (1979) Composed by:Elmer Bernstein View CD Page at FSM Site (More Details) The Great Santini(1979) was novelist Pat Conroy’s semi-autographical tribute to his father, a Marine fighter pilot who struggled with being a loving father and husband while keeping up his aggressive machismo image. The film featured Oscar-nominated performances by Robert Duvall as Col. “Bull” Meechum and Michael O’Keefe as his eldest son, Ben. Blythe Danner played Meechum’s wife, Lillian. In the late ’70s and early ’80s, Elmer Bernstein seemed temporarily type-cast as a composer of low-brow comedies such asAnimal House,Meatballs and Airplane!, but his score for The Great Santini amply demonstrated his undiminished gift for poignant and emotional drama. The lyrical melodies he composed for Santini perfectly capture the film’s characters and their complex interrelationships. In addition to these evocative themes, suitably percussive, dissonant and dramatic passages mirror the darker elements of the story. There are several source music cues in the film—including an arrangement of Henry Mancini’s “Moon River” (from Breakfast at Tiffany’s) by Bernstein’s orchestrator, David Spear—that reflect the story’s early 1960s time-frame. With the exception of two cues taken from the film’s monaural music stem, this premiere presentation of Bernstein’s complete score for The Great Santini has been mixed from the original Warner Bros. 1/2" three-track stereo masters. In addition, FSM has included a delightful bonus (recorded during the Santini sessions but not related to the film): a march Bernstein composed for the inauguration of Charles Huttenback as the third chancellor of the University of California, Santa Barbara. The 16-page booklet designed by Joe Sikoryak contains films stills, poster art, and notes on the film and music by Scott Bettencourt and Frank K. DeWald. Additional background informationis also available—for free—at FSM’s growing repository of online notes. The Great Santini is a prime example of the art of film scoring by one of its greatest practitioners and makes a significant addition to the FSM catalog of Bernstein titles. The Great Santini Music Composed and Conducted by Elmer Bernstein The Santini Mystique (Main Title—original version) 2:14 Restaurant Source 3:24 Fascination (Fermo Dante Marchetti & Maurice de Féraudy)1:23 Ben and Bull 1:36 New Home 1:10 Bull in the Rain 1:47 Mother and Son 1:13 The Boys/Idyll 2:57 Ben's Birthday Gift 2:16 Birthday Letter 1:23 Officers' Club 2:41 Getting Drunk 3:16 Bees and... 1:34 Locker Room 2:00 Trouble/Ben Finds Toomer/Aftermath 5:52 Looking for Bull 1:48 Arabelle 1:08 Radio Source 1:07 Moon River (Henry Mancini & Johnny Mercer) 2:17 Goodnight, Sweetheart (Ray Noble, Jimmy Campbell & Reg Connelly) 1:20 Lillian 1:10 Confession 2:25 Intro to End Credits/End Credit Overture 3:22 Total Time: 50:21 Bonus Tracks The Santini Mystique (Main Title—film version) 2:27 Inauguration (UCSB) 4:07 Total Time: 6:36 Total Disc Time: 57:04 http://www.screenarchives.com/title_detail.cfm/ID/16067/THE-GREAT-SANTINI/

bei facebook Somewhere, somehow, someone's... going to release James Horner's COMMANDO on August 30th

Geld gespart! Juhu! Kann mit diesem Barry leider so nix anfangen. Schön für die, dies können:)

Da hat jemand den neuen Bernstein unterschlagen

Ich glaube da liegt der Unterschied: Ich benutze halt den CD Player zum hören. Und schliesse nix an irgendeine Anlage. Es kommt halt drauf an was man will und wie man was nutzen möchte.

Aber wenn du die CDs eh in realer Form besitzt, reicht doch mp3 aus. Musik Daten immer auf ne externe Platte speichern. Macht sonst einfach auch schnell den Rechner langsam. Dann ab und an nen Backup von der externen machen und gut. Und wenn die Platte mal abstürzt what ever, sind die CDs ja noch im Schrank zum einlesen. Es sei den man viel gekauften kram, aber mit dem Backup ist man gut bedient. Hab ne verstanden warum Leute in so reisen Formate wie FLAC oder WAV die Sachen abspeichern. Ja, es ist ein klanglicher unterschied, aber hey, es sit eh nur für mal unterwegs oder fürs kopieren ums mal im Auto zu hören. Da reicht doch mp3 vollkommen aus.

oder vielleicht auch eher hier und da kleine sekundenhafte underscore-cues. so wie bei "In Treatment".

Ganz recht Mephisto, Gott des Gemetzels! Großartiges Stück. Geht auch laut imbd auch "nur" 80 Minuten. Na viel Musik wird es sicher nicht. Bin gespannt wie die vier das machen werden....

Klär uns auf;)!

Mehr als das.... Schnarch