scorefun

Gab es das hier schon? - Läuft wohl jetzt in ausgewählten Kinos... Hans Zimmer & Friends: Diamond in the Desert

Ich hatte Dein Posting sehr wohl registriert und mich nur gewundert, daß Du keine Quelle genannt hast Aber anscheinend erlaubt Kickstarter keine Verlinkung https:// www.kickstarter.com/projects/129145902/abbott-and-costello-meet-frankenstein-soundtrack-recording/posts/4334557 (Leerzeichen vor www entfernen)

Tracklisting 1 We're Always Connected 2:45 2 The Year the World Changed 4:26 3 Do You Feel the Air on Your Face 3:08 4 Kid Cosmo Arrives 3:12 5 It's Time to Zoom 3:04 6 The Dr. with the Glasses 4:25 7 Power Save Mode 1:44 8 Not Some Spring Break Hot Spot 3:50 9 He's Marked for Deactivation 1:56 10 Scavenger Bots 3:34 11 See Where the Day Takes Us 2:33 12 The Cradle of a New Mechanized Civilization 2:57 13 Kid Cosmo Movie Night 3:03 14 Nothing but Oil Stains and Screws 3:24 15 What's the Call Pops 3:41 16 The Butcher of Schenectady 3:43 17 Consequences 3:37 18 You're Not Alone 3:20 19 Here's Johnny 3:22 20 Poor Taco 3:48 21 God Bless America 4:06 22 It's Coming from Me 2:45 23 We're Running out of Time 3:41 24 The Day Is Ours 1:02 25 We Live 1:38 Total Time - 78:44 https://music.apple.com/nz/album/the-electric-state-soundtrack-from-the-netflix-film/1796040767

Und Powell hat keine Themen von Schwartz in seinen Score implementiert? (Kenne das Musical nicht)

habe ich bei der Ankündigung auch gedacht, das wäre ein Doppelpack mit Original und Remake

scheint so https://www.facebook.com/varesesarabanderecords/posts/pfbid027veRuvbxgFfTvQYXrJ7up5Wxdq2KXqbpaSyBfxrA8wG7En9TWXXH1Ryc8mLE2Hohl

Quelle Quartet Records, Universal Pictures, Amblin Entertainment, Universal Music Special Markets and Geffen Records present an expanded and remastered 2-CD edition of Elmer Bernstein’s adaptation of Bernard Herrmann’s music for CAPE FEAR, the 1991 remake directed by Martin Scorsese from the 1962 Universal classic film noir for which Herrmann composed the original score. Starring Robert De Niro, Nick Nolte, Jessica Lange, Juliette Lewis—with special appearances by the main actors of the original film, Robert Mitchum and Gregory Peck—the film is a harrowing thriller about a convict released from prison after serving a fourteen-year sentence, who then stalks the family of the lawyer who originally defended him. Both Scorsese and producer Steven Spielberg were clear from the start that they wanted to use Herrmann’s iconic score from the original film in their new version, knowing that Herrmann’s music could still move audiences in 1991 as it had three decades earlier. Elmer Bernstein, a close friend and scholar of Herrmann, was the best choice to adapt the score to the needs and editing of the new film. Parts of Herrmann’s rejected score for his last collaboration with Alfred Hitchcock, TORN CURTAIN, as well as some original music by Bernstein in Herrmann’s style, were incorporated here and there to give the new score more consistency. Bernard Herrmann’s last score was for Scorsese’s TAXI DRIVER, and it was his meeting with Elmer Bernstein on CAPE FEAR that marked the beginning of a fruitful professional relationship, making this score an important cornerstone in the New York director’s filmography. This expanded collection has been produced by GRAMMY nominee Mike Matessino and Neil S. Bulk and mastered by Mike Matessino from original 6-track mixes by engineer Shawn Murphy recorded in New York and London. Disc 1 includes the film score presentation with never-before-released material and additional bonus tracks. The remastered original MCA album, which features performance variations and alternate mixes in some tracks, appears on Disc 2. The package includes an in-depth essay by film music writer Jeff Bond. Tracklisting DISC 1. SCORE PRESENTATION 1. Cape Fear Main Title / Max (Film Version) 5:39 2. Sam Sees Cady 0:38 3. Keys / Threat / Fireworks 1:16 4. Love? (Film Version) 2:19 5. Sam Tells Broadbent 1:14 6. Leigh’s Studio / Cady Drives Away 1:55 7. Strip Search (Film Version) 3:38 8. Parade 1:10 9. Rape And Hospital 3:56 10. Elgart’s Idea / Sam Calls Lori / Kersek Meets Cady 1:54 11. Frightened Sam 2:17 12. Cady Meets The Girls (Film Version) 1:44 13. Max Sees Danny / Sam Warns Cady 0:53 14. Sam Leaves Bar 0:37 15. Thugs 0:28 16. Sam Hides 2:20 17. Drive To Airport 1:26 18. Cady’s Lawyer / Cady Strings / Back Home 0:55 19. Teddy Bear Wired 2:47 20. Kersek And Sam 1:06 21. Kersek Killed 3:38 22. Leaving Town 0:42 23. Cady Rides Along 1:45 24. Cady Follows Boat 1:16 25. Storm Starts 0:56 26. The Fight 1:57 27. Destruction (Film Version) 2:40 28. The End 5:38 ADDITIONAL MUSIC 29. Parade (Alternate) 1:26 30. Danny Meets Cady (Alternate) 1:30 31. Thugs (Alternate) 0:31 32. The Fight (Film Version Opening) 0:29 33. The Fight (Film Version Ending) 0:41 Total Disc Time: 62:09 DISC 2. REMASTERED ORIGINAL SOUNDTRACK ALBUM 1. Max 5:41 2. Sam’s Story 1:50 3. Love? 2:01 4. Strip Search 3:39 5. Rape And Hospital 3:57 6. Frightened Sam 2:16 7. Cady Meets The Girls 2:09 8. Sam Hides 2:20 9. Drive 1:14 10. Teddy Bear Wired 2:48 11. Kersek Killed 3:40 12. Houseboat 1:49 13. The Fight 1:57 14. Destruction 2:37 15. The End 5:38 Total Disc Time: 43:47 Two-Disc Total Time: 1:45:56

Ist immer noch (oder wieder?) verfügbar - und auf ebay versuchen manche Anbieter es ebenso immer noch mit dreistelligen Preisen...

Muß ich das verstehen? Craig hin oder her... er war nur ein Bond-DARSTELLER wie viele andere zuvor Es ist aber die FIGUR/PERSON/MENSCH (nennt es wie Ihr wollt) "James Bond" gestorben - das ist doch ein großer Unterschied, oder?

Wieso? James Bond ist TOT Verschiedene Schauspieler gab es in der Vergangenheit genug, und nur weil Daniel Craig nicht mehr wollte, haben die Filmemacher die FIGUR "James Bond" jetzt sterben lassen... Was soll einen neuen JB-Film rechtfertigen? Ein unehelicher Sohn, der sein Erbe annimmt? Eine plötzliche Wiederauferstehung wie bei DALLAS?

Tolles Konzert - der Moderator nervt aber ein wenig mit seinem Gelaber...

Wie so oft heutzutage...

Ein zusätzlicher Track gegenüber der Prometheus - Aber deswegen kaufe ich das Album nicht nochmal...

Digital kam der Score schon im letzten Jahr raus... Den Film empfand ich als Schrott - Score im (mehr oder weniger) typischen Bloodsport-Style...(blieb aber wenig hängen) Da hatte man doch tatsächlich die betagte Cynthia Rothrock (deren Filme ich aus den 80ern gerne gesehen habe) aus der Rente geholt...haha

Warum fügst Du das Tracklisting nicht direkt hier rein? THE SCORE 1. Drive From Country 1:26 2. Empty House – Charlie’s Memories 1:20 3. Drive To Bank And Wallbrook 1:28 4. Leaving Wallbrook 1:44 5. Traffic Accident And Aftermath 4:06 6. Train Crossing – Walk, Don’t Run 1:49 7. Farmhouse 1:08 8. Putting Ray To Bed – On The Road 3:24 9. Las Vegas 7:02 10. Smoke Alarm, Aftermath 1:27 11. Pancakes 1:11 12. My Main Man 1:39 13. Train Station Goodbye 1:59 14. End Credits 3:19 BONUS TRACKS 15. Rain Man 2000 Concert Suite (Demo) 5:08 16. Piano Music (Source) 1:11 17. On The Road (Panpipe & Bass) 1:18 18. Smoke Alarm, Aftermath (Alternate) 1:27 ORIGINAL ALBUM TRACKS 19. Leaving Wallbrook – On The Road 2:52 20. Las Vegas – End Credits 8:21 Quelle