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Caldera Records proudly presents Zbigniew Preisner’s score for Fernando Trueba’s movie “Haunted Heart.” Trueba’s Highsmith- and Hitchcock-inspired suspense thriller tells the story of Alex (Aida Folch), a young woman who moves to an island in Greece to work at a restaurant. There, she meets the mysterious Max (Matt Dillon), her superior. While everybody warns her against him, Alex can not resist his charisma and quickly falls in love. When the restaurant closes in winter, and the couple is among the only ones who stay on the island, Alex discovers haunting secrets about her partner that threaten to destroy their relationship - and Alex. “Haunted Heart” reunites Trueba and his composer Zbigniew Preisner, who made a name for himself internationally with Kieslowski’s “Dekalog” and the “Three Colours Trilogy.” For his new film, Preisner developed a sultry and suspenseful score that captures the thrill of a blossoming relationship and the danger that Alex finds herself in. As Preisner elaborates: “I wrote the music from the perspective of mystery that is present all the time in Max and Alex’s relationship. Alex, a young, open woman full of emotions, is entangled in those secrets. I wanted to describe the mystery that entwines their relationship musically.” For that purpose, the composer used an orchestra, solo woodwinds, and electronic instruments. One of the highlights of the score is his new arrangement of Leonard Cohen’s “Alexandra Leaving,” here recorded by guitarist Javier Mas and singer Sofia Cordoba. The 57th CD-release of Caldera Records features a detailed booklet text by Stephan Eicke and elegant artwork by Luis Miguel Rojas. The CD was mastered by Leszek Kamiński and produced by Stephan Eicke and Zbigniew Preisner. C6057 Music Composed and Produced by Zbigniew Preisner CD Produced by Stephan Eicke Executive Producers for Caldera Records: John Elborg, Stephan Eicke Album Art Direction and Design by Luis Miguel Rojas 1. Blue Waves (2:09) 2. First Dinner at Anna’s Restaurant (1:35) 3. Good Morning, Alex (0:44) 4. Flowers for Max (0:46) 5. Second Dinner (1:36) 6. Secrets of Max (1:38) 7. Romantic Evening (1:02) 8. Alex and Max’ First Night Together (0:58) 9. Beautiful Morning (0:58) 10. Mysterious Photo (0:44) 11. Jealous Max (1:49) 12. Chico and the Mysterious Recordings (1:50) 13. Mysterious Dream of Max (1:19) 14. Message from Chico (1:18) 15. Chico’s Death (1:13) 16. Horror Call (3:14) 17. In a Drugged Sleep (1:10) 18. Alex in a Panic (1:58) 19. Escape of Alex (0:53) 20. Searching for Revenge (2:16) 21. Max Reveals Secrets (0:51) 22. Tragic Breakfast/Max’ Death (0:38) 23. Alexandra Leaving (5:01) For more information and sound clips, please visit our homepage: https://www.caldera-records.com/haunted-heart

C6043 Caldera Records is proud to present Zbigniew Preisner’s score for the motion picture “Forgotten We’ll Be” from 2020, directed by Fernando Trueba. Trueba’s acclaimed film is inspired by Héctor Abad Faciolince’s memoir “Oblivion: A Memoir” in which he describes with great tenderness the life and work of his father, the revered Colombian scientist and activist Hector Abad Gómez who was killed by mercenaries in 1987. Adapted by Trueba’s brother David, the film focuses on two major time periods: the 70s and mid-80s. While the latter part – shot in black and white – mainly deals with Gómez’ political agenda and achievements, the scenes set in the 70s – shot in color – paint Gómez as a devoted family man. They also describe the turmoil experienced by him and his family through the hands of his young son Hector who runs over a woman in his car and throws stones through the window of a Jewish family’s home. After their collaboration on “The Queen of Spain”, “Forgotten We’ll Be” marked a new collaboration between the revered director and renowned composer Zbigniew Preisner. “Forgotten We’ll Be” is similar to other Preisner scores released by us at Caldera Records – namely “Valley of Shadows” and “Lost and Love” in that childhood and the loss of childhood innocence play a pivotal role. “Valley of Shadows” and “Forgotten We’ll Be” are even partly told from a child’s point of view. Hence there was no question that Preisner’s score for Fernando Trueba’s most recent film should capture themes of childhood musically. Hence, the composer devised gentle and yet poignant themes for orchestra, choir and solo instruments such as the harp which features prominently in one of Zbigniew Preisner’s most haunting and touching scores. The 43rd CD-release of Caldera Records – a world premiere – features a detailed booklet-text by Stephan Eicke and elegant artwork by Luis Miguel Rojas. The CD was mastered by Leszek Kaminski and produced by Stephan Eicke and John Elborg. Music Composed by Zbigniew Preisner Album Produced by Stephan Eicke Executive Producers for Caldera Records: John Elborg, Stephan Eicke Forgotten We’ll Be 1. Return to Medellín (3:22) 2. Child’s Play (0:51) 3. Children’s Hospital (1:06) 4. Letter To The Father (4:00) 5. Letter From The Father (1:59) 6. In Cartagena (1:31) 7. The Morgue (1:18) 8. Van den Budenmayer: Farewell Part I (0:41) 9. Marta’s Disease (0:24) 10. Van den Budenmayer: Farewell Part II (1:03) 11. Torino (1:44) 12. Flashback (0:46) 13. The End of Happiness (1:49) 14. Return To The University (1:16) 15. The Crime (2:35) 16. Letter From The Father (Harp Version) (1:57) 17. The Pain (5:12) 18. Deep Sorrow (1:34) 19. Van den Budenmayer: Farewell (2:18) 20. Héctor Abad Gómez’s Funeral – End Credits (2:43) 21. Van den Budenmayer: Farewell (Coro Transcription) (2:21) For more information and sound clips, please visit: http://caldera-records.com/portfolio/forgotten-well-be/