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LLLCD 1657 Music composed and conducted by Michael Kamen Limited edition of 5,000 units Exclusive release: Sold exclusively here at www.lalalandrecords.com and 007Store.com for the first 90 days of release La-La Land Records, Metro-Goldwyn-Mayer, EON Productions and Universal Music Enterprises mark the 35th Anniversary of the sixteenth 007 film Licence To Kill, with a remastered and expanded 2-CD re-issue of composer Michael Kamen’s original motion picture score. Produced by Albert R. Broccoli and Michael G. Wilson, the 1989 film stars Timothy Dalton as James Bond in his second turn as 007 and is helmed by John Glen, directing his fifth Bond film. Oscar® nominated composer Michael Kamen joins the Bond music fold and unleashes a robust and propulsive score to Licence To Kill, a perfect complement to the harder-edged story, which sees Bond seeking revenge for the maiming of his friend Felix Leiter (David Hedison) and the killing of his new bride Della (Priscilla Barnes). Kamen’s thematic work honors the series’ iconic musical legacy with exciting variations of the classic “James Bond Theme,” while bringing his own unique style to the world of James Bond. Expanded beyond the original soundtrack album, Licence To Kill hits its target like never before within this deluxe presentation, which also includes two versions of the film’s title song, performed by Gladys Knight. Produced by Neil S. Bulk and mastered by Doug Schwartz from 1/4" stereo tapes and 3-track mag provided by MGM, this is a special 2-CD release, limited to only 5,000 units. The score presentation is spread across both discs, while Disc Two also includes the remastered 1989 soundtrack album, as well as additional music. The exclusive, new liner notes are by film music journalist and author Jon Burlingame and the art direction is by Dan Goldwasser. TRACK LISTING: DISC 1 SCORE PRESENTATION 91:36 1. Gun Barrel / Cray Cay Landing* 1:13 2. His Funny Valentine (Film Version) 1:46 3. Sanchez Is In The Bahamas / Shark Fishing (Extended Version)* 2:16 4. Bond Hooks Sanchez* 2:06 5. James & Felix On Their Way To Church (Film Version)* 0:54 6. Licence To Kill (Performed by Gladys Knight) 4:12 7. Sanchez Escapes 1:52 8. Della’s Goodbye 1:17 9. Torturing Felix 2:08 10. He Disagreed With Something That Ate Him 2:05 11. Let’s Go Shark Hunting 0:38 12. Ocean Exotica Break-In* 2:56 13. You Earned It 2:27 14. Hemingway House 1:48 15. Licence Revoked (Film Version) 1:15 16. Bond Aboard* / Sharkey Dead 4:50 17. Seaplane Escape* 7:06 18. Pam (Film Version)* 2:52 19. Enter Ms. Kennedy / Enter Lupe / Sanchez’s Office 3:37 20. Uncle Q / Let’s Get Some Rest* 2:09 21. Planting The Explosives* 4:06 22. Kwang* / Assassination Attempt 2:29 23. Ninja (Film Version) 3:59 24. Sanchez’s Home 1:11 25. Bond Sneaks Out* 1:26 26. Bond Confronts Pam 1:45 27. Framing Krest* 5:18 28. Leaving Harbour 1:19 29. Bond And Lupe 1:46 30. Q In Disguise 0:41 TOTAL DISC 1 TIME: 1:14:12 DISC 2 SCORE PRESENTATION CONTINUED 1. The Lab* / The Process* 2:22 2. The Conveyor Belt 2:46 3. Dario Sees Pam / Chewed Up 1:15 4. Escape From The Compound 2:11 5. Tanker Downhill* 1:17 6. Truck Chase* 4:42 7. Problem Eliminated / Get In 1:32 8. Pam And Bond 1:07 ADDITIONAL MUSIC 11:34 9. Bridal Chorus 0:19 10. Für Elise 1:10 11. Olimpatec Meditation Institute 2:52 12. Casino Source I 1:15 13. Casino Source II 0:30 14. Party Version I 0:40 15. Party Piano 2:33 16. Pam (Wild Guitar Excerpt) 2:04 ORIGINAL SOUNDTRACK ALBUM 45:37 17. Licence To Kill (Extended Version) (Performed by Gladys Knight) 5:13 18. Wedding Party (Performed by Ivory) 3:53 19. Dirty Love (Performed by Tim Feehan) 3:45 20. Pam* 3:49 21. If You Asked Me To (Performed by Patti LaBelle) 3:58 22. James & Felix On Their Way To Church* 3:53 23. His Funny Valentine 3:26 24. Sanchez Is In The Bahamas / Shark Fishing* 2:05 25. Ninja 6:02 26. Licence Revoked* 9:10 TOTAL DISC 2 TIME: 1:14:49 TOTAL ALBUM TIME: 2:29:01 * contains “James Bond Theme” written by Monty Norman

LLLCD 1646 Music by Trevor Jones Limited edition of 5000 Units La-La Land Records and The Jim Henson Company present an expanded 3-CD soundtrack set of renowned composer Trevor Jones’ (CLIFFHANGER) original motion picture score to the 1982 landmark fantasy feature film THE DARK CRYSTAL, directed by Jim Henson and Frank Oz. THE DARK CRYSTAL was a boundary-exploding feat of puppetry and cinema, re-inventing what had been previously thought possible and resulting in a breathtaking achievement of immersive world-building that still retains its power and wonder to this day. A vital part of this endeavor’s success is composer Trevor Jones’ outstanding original music score – a tremendous accomplishment that has also stood the test of time. Now, for the first time ever, this deluxe 3-CD release, conceived, assembled and produced by Trevor Jones himself, features the bounty of music the maestro composed for the initial, longer cut of THE DARK CRYSTAL, in its original intended order. Copies of the master tapes recorded at CTS Wembley were digitized along with the composer’s entire body of work, which is now archived at the University of Leeds. Jones personally reassembled and remastered the audio at Abbey Road for this special presentation. Produced by Trevor Jones and Tim Greiving, and mastered by Andrew Walter under the composer’s sole supervision and approval, this release includes a wealth of previously unreleased music within its newly Expanded Score Soundtrack presentation, which is spread across two discs, while the original 1982 soundtrack program is featured on Disc 3. Limited to 5000 units, this deluxe set includes a 32-page booklet containing exclusive, in-depth liner notes by Greiving (featuring new interviews with Trevor Jones and Frank Oz) and rare artwork and photos from the Henson Archive. The sharp art design is by Dan Goldwasser. TRACK LISTING: DISC 1 (46:58) 1. Power Ceremony And Main Title 4:35 2. Jen Plays Pipes And Mystic Master Dies 3:02 3. Skeksis Funeral Ceremony 2:06 4. Mystics Funeral Ceremony 3:25 5. Jen’s Journey And Council Chamber 2:04 6. Skeksis Fight Duel 3:29 7. Chamberlain Is Disrobed And Garthim Pursues Jen 3:53 8. Jen Encounters Aughra 1:29 9. Mystics 9-Tone Chant And The Observatory At Night 3:15 10. Garthim Attack Observatory And Mystics Leave Valley 4:08 11. Jen And Kira In Forest 2:29 12. Mindspeech, Nebrie And Mystics Journey 3:56 13. Skeksis Celebratory Banquet 3:03 14. Jen & Kira Duet 2:24 15. Introduction And Pod Dance 3:38 DISC 2 (48:54) 1. Kira Brings Down The Bat-Bird And Garthim Attack Pod Village 2:12 2. Jen & Kira Love Theme 4:12 3. In The Ruins Of The Gelfling Village 3:56 4. Landstriders Introduction And Journey 1:49 5. Chamber Of Life 3:29 6. Landstriders Battle With Garthim And The Second Mystics Journey 3:25 7. In The Sewer Of The Castle 1:55 8. Kira Removed To The Council Chamber 2:07 9. Kira In The Chamber Of Life 3:47 10. Kira Is Freed And Jen In The Garthim Lair 2:13 11. Jen And Aughra In The Chamber Of Life 1:48 12. Skeksis Panicked By Gelfling And Jen In The Crystal Chamber 4:25 13. The Great Conjunction And The Arrival Of The Mystics 4:53 14. The Mystics And Skeksis Fuse To Become The UrSkeks 5:22 15. Pod Dance (Reprise) And Finale 3:18 DISC 3 (41:04) 1. Overture 3:13 2. The Power Ceremony 3:54 3. The Storm 1:03 4. The Mystic Master Dies :51 5. The Funerals; Jen’s Journey 5:27 6. The Skeksis’ Duel 2:44 7. The Pod Dance 3:12 8. Love Theme 3:18 9. Gelfling Song 2:20 10. The Gelfling Ruins 2:45 11. The Landstrider Journey :43 12. The Great Conjunction 4:14 13. Finale 7:19 Total Album Time: 136:56 This is a CD format release

Kommt am 20.01. von Intrada:

LLLCD 1661 Music by Nile Rodgers Limited edition of 1500 units RETAIL PRICE: $22.98 La-La Land Records and Paramount Pictures present the world premiere release of acclaimed composer Nile Rogers’ original motion picture score to the 1994 feature film BEVERLY HILLS COP III, starring Eddie Murphy and Judge Reinhold and directed by John Landis. This second sequel in the legendary BEVERLY HILLS COP franchise would mark Eddie Muprhy’s third turn as the iconic Axel Foley while bringing on a new composer to the series, the acclaimed Nile Rodgers (COMING TO AMERICA). Rodgers honors the classic Axel F Harold Faltermeyer themes in fine fashion, giving them a whole new orchestral and rhythmic spin with his bold and inventive approach to the film’s score. This is big, orchestra-centric and exciting 90’s era action film music – a revelation as presented in this long-overdue release. Produced by Dan Goldwasser and mastered by Doug Schwartz, this special CD release is limited to 1500 units and, along with the film’s score presentation, features additional material, including Wonderland Theme Park music and demos! The exclusive, in-depth liner notes are by author Jeff Bond and feature new comments from composer Nile Rodgers and director John Landis. The art design is by Dan Goldwasser. TRACK LISTING: SCORE PRESENTATION 1. Axel F (version 1) 2:56 2. Chop Shop Raid 1:12 3. Your Cooperation* / Back To Beverly Hills† 1:25 4. Welcome To WonderWorld§ 0:36 5. Axel Saves The Kids (version 3) 3:53 6. Annihilator 2000 1:29 7. Raid On Truck 0:42 8. Axel Okey Dokey 0:32 9. Janice Falls In Love 1:19 10. Secret Room / Axel In Mirror† 2:54 11. Chase Through Park** 1:22 12. Axel & Dave† / Axel, Ellis & Dave† 2:22 13. Not The First Time / Bright Light† / Axel Out Of Bullets† 2:26 14. Axel Changes Matrix / Fool Named Axel / Sanderson Dies 1:59 15. Axel Fox§† 1:21 TOTAL SCORE TIME: 26:17 ADDITIONAL SCORE 16. Chop Shop Raid (alternate opening)* 0:40 17. Axel Saves The Kids (orchestral version 1A)* 1:40 18. Axel Saves The Kids (orchestral version 1B)* 2:07 19. Axel Saves The Kids (orchestral version 1C)* 2:38 20. Axel Saves The Kids (orchestral version 1DE)* 2:17 21. Axel Saves The Kids (version 2)** 4:08 TOTAL ADDITIONAL SCORE TIME: 13:25 WONDERWORLD THEME PARK 22. Wonderful WonderWorld (Instrumental) 2:06 23. American Patrol Carousel 2:21 24. Happy Train (Instrumental) 0:27 25. WonderWorld Marching Band 1:01 26. Wonderful WonderWorld #1 Orchestral Version 1:42 27. Prehistoric Ride #1 1:21 28. Over The Waves Carousel 1:54 29. WonderWorld Calliope 1:43 30. The Thunderer Carousel 1:42 31. Washington Post March Carousel 1:39 32. WonderWorld Calliope - Waltz Version 2:59 33. Prehistoric Ride #3* 1:38 TOTAL WONDERWORLD TIME: 20:09 UNUSED CUE DEMOS 34. DDOJSIOC (demo version 1)* 1:00 35. DDOJSIOC (demo version 2)* 0:58 36. Just This (demo)* 0:38 37. Need A Weapon (demo)* 0:17 TOTAL DEMOS TIME: 2:51 BONUS TRACK 38. Axel F (version 3 with horns) 2:56 TOTAL ALBUM TIME: 67:02 † Contains “Axel F” composed by Harold Faltermeyer § Contains “Wonderful WonderWorld” composed by Richard M. Sherman and Robert B. Sherman * not used in film ** contains material not used in film This is a CD format release

Hallo Soundtrack-Boarder, wir starten einen erneuten Versuch, die manchmal aufkommende Flut neuer Soundtrack-Veröffentlichungen ein wenig übersichtlicher zu kanalisieren. In diesen Thread sollen künftig Veröffentlichungen hinein, die höchstwahrscheinlich eher ein kleineren, sehr überschaubaren Kreis von Filmmusikfreunden ansprechen. Beispiele für solche Veröffentlichungen sind in der unten angeführten Grafik (courtesy of Stefan Jania ) angegeben. Score-Veröffentlichungen von hoher oder höherer Popularität bekommen weiterhin ihre eigenen, einzelnen Threads. Der Grund für diesen Sammelbereich liegt in der Tatsache begründet, dass zwar oft viele kleinere, obskurere Releases vorgestellt werden, es jedoch seitens der User sehr wenig bis gar kein Feedback dazu gibt. Darunter leidet die Übersichtlichkeit im "Veröffentlichungs-Unterforum". Sollte sich jedoch aus diesem Sammelthread heraus zu bestimmten Veröffentlichungen eine längere Diskussion entwickeln, werden wir Mods/Admins diese in einen separaten Thread auslagern, damit dort weiter debattiert werden kann.

Intrada and Volta Music present a brand-new recording of Dimitri Tiomkin's 1958 Oscar-winning score to The Old Man and the Sea. The album was recorded with regular Intrada favorite, the Royal Scottish National Orchestra, under the baton of Richard Kaufman. The Old Man and the Sea was a golden opportunity for a composer. Rife with atmosphere and notably short on dialogue, the picture called for a composer who could “think big” and create a sprawling musical canvas reflecting the film’s theme of man vs. nature. In the mid-1950s, few (if any) film composers were routinely producing large works on the scale of Dimitri Tiomkin. Tiomkin composed nearly 80 minutes of rich orchestral underscore. His music encompasses a wide range of moods, including passages that reflect the lush seascapes and breathtaking sunsets of Howe’s cinematography with Impressionistic tone color and rhythm; bold dramatic cues for Santiago’s struggle with the marlin; periodic references to Latin-American rhythms for the film’s Cuban setting and quiet moments of repose to depict the tender relationship between Santiago and Manolin. Inspired by Hemingway’s story, Tiomkin crafted a score that supports the drama, in his words, “in the style of a symphonic poem for concert.” Five principal themes unify the mammoth composition. Featuring gorgeous cover art by Stéphane Coedel and liner notes by Frank K. DeWald, Warren M. Sherk and Patrick Russ, the CD includes nearly 130 minutes of music—the complete score plus additional arrangements. Remarkably, the original full-score manuscripts have survived for nearly 70 years thanks to Dimitri Tiomkin’s own preservation efforts. He donated all his music to the Dimitri Tiomkin Collection in the Cinematic Arts Library at The University of Southern California in Los Angeles, and the Warner Bros. Archives, also located on the USC campus. The Old Man and the Sea is a film adaptation of Ernest Hemingway's novella, directed by John Sturges and starring Spencer Tracy as the aging Cuban fisherman Santiago. Struggling with a long stretch of bad luck, Santiago embarks on a solitary fishing expedition, determined to catch a giant marlin that has eluded him. After an epic battle lasting several days, he successfully catches the fish but faces new challenges as he struggles to protect his catch from sharks on his journey home. The film explores themes of perseverance, human dignity, and the struggle between man and nature. Spencer Tracy's performance was widely praised, earning him an Academy Award nomination. Play all clips CD 1 THE COMPLETE SCORE (Beginning) 01. Cojimar Harbor And The Old Man (3:38) 02. Fisherman’s Cantina (3:01) 03. Boy Feeds Old Man (1:44) 04. The Boy (1:53) 05. Wake Up, Old Man (1:25) 06. The Old Man Loved The Boy (1:58) 07. The Early Dawn (1:00) 08. Coffee Chat/Mar Bravio (1:46) 09. And The Old Man Rowed Out To The Ocean (1:34) 10. Waiting For Luck (1:22) 11. The Old Man Catches His Bait, Part 1 (3:37) 12. The Old Man Catches His Bait, Part 2 (3:17) 13. Fish Finally Hooked (2:02) 14. Sunset And Red Clouds (2:29) 15. The Long Night (2:14) 16. A Small Bird (3:50) 17. Fish Is Coming To The Surface, Part 1 (1:09) 18. Fish Is Coming To The Surface, Part 2 (1:40) Total CD 1 Time: 40:02 CD 2 THE COMPLETE SCORE (Continued) 01. Taverna At Casa Blanca (3:16) 02. Just Before It Was Dark (2:21) 03. Porpoises (1:01) 04. Duel With The Fish (5:30) 05. Monster Fish (4:10) 06. Going Southwest (1:23) 07. The Shark Fight (1:58) 08. Second Shark Attack (3:37) 09. The Lost Fight (1:59) 10. Last Shark Attack (1:34) 11. Lights of Havana (1:37) 12. Defeat Return (2:30) 13. Same Old Hut (1:24) 14. Old Friends (0:54) 15. Cubana (1:23) 16. The Last Dream/Finale (3:09) Total Complete Score Time: 78:13 THE EXTRAS 17. I Am Your Dream (Violin Solo and Orchestra, arranged by Maurice de Packh) (2:58) 18. The Old Man And The Sea Theme (arranged by Pete King) (2:40) 19. The Old Man And The Sea Theme (Orchestra Version arranged by George Parrish) (2:15) 20. Tiomkin On The Old Man And The Sea (5:07) Total Extras Time: 13:00 Total CD 2 Time: 51:21

Quartet Records, in collaboration with Universal Music Enterprises, presents a 3-CD box set consisting of the three legendary albums that John Barry recorded for Polydor Records between 1972 and 1976, as well as some singles and curiosities. These beautifully designed albums contain some of the composer’s best-known themes, newly arranged and performed, and—in the case of AMERICANS—an original musical work for jazz soloists and orchestra. Ahead of his first public appearance conducting a symphony concert in October 1972, John Barry prepared a series of suites from some of his most successful triumphs, in a lavish and new symphonic orchestration, specially arranged to be performed by the Royal Philharmonic Orchestra under his baton. An extensive James Bond suite, a delightful suite from ALICE’S ADVENTURES IN WONDERLAND, the themes from MIDNIGHT COWBOY and MARY, QUEEN OF SCOTS, the theme from the TV series THE ADVENTURER, and two suites from his two Oscar-winning scores of the 1960s: BORN FREE and THE LION IN WINTER. For reasons still unknown, the suite from THE LION IN WINTER was omitted from the original LP, but since it was recorded and included on the master tape, we happily premiere it on this CD. John Barry’s next album, PLAY IT AGAIN, was recorded during several sessions over the course of an entire year beginning in July 1973. Most of these would be recorded with a smaller orchestra and many would be newly conceived arrangements. Barry took the chance to revisit some pieces that were originally conceived as songs, featuring new instrumental arrangements: THE DOVE, THE TAMARIND SEED, MONTE WALSH, as well as songs from his stage musicals LOLITA, MY LOVE and BILLY. He also provided new arrangements of major works such as WALKABOUT, BOOM!, and previously unreleased themes from TV films such as LOVE AMONG THE RUINS and THE GLASS MENAGERIE, as well as the theme from the TV series ORSON WELLES’ GREAT MYSTERIES. During the same period, Barry recorded other similar arrangements for Polydor, which were either released as singles or included on later compilations and reissues of PLAY IT AGAIN, such as A DOLL’S HOUSE, THE WHISPERERS, FOLLOW ME, and different arrangements of his iconic themes for DIAMONDS ARE FOREVER and THE ADVENTURER. The last album in this collection is perhaps the most special: his first concept album. AMERICANS, released in 1976, was a 36-minute compilation of impressions of the sights and sounds of America, written for orchestra and top jazz musicians. It was an ambitious work rooted in the composer’s love of jazz, American movies and the country itself. Barry recruited seven outstanding West Coast jazz soloists: Tony Terran, trumpet; Dick Nash, trombone; Ronnie Lang, alto sax; Jerome Richardson, tenor sax; Artie Kane, keyboards; Mike Rubin, bass; and John Guerin, drums. Israel Baker was concertmaster of the 42-piece orchestra, which was recorded over three days at Glen Glenn Sound on the Paramount Pictures lot. With little promotion and almost no reviews, Americans disappeared quickly from record bins and became a sought-after rarity. But for John Barry, who many years later called it “a thrilling experience,” it was an important artistic achievement—and one of the finest orchestral jazz albums of the era. He would employ alto sax player Ronnie Lang frequently thereafter, especially on jazz-based 1980s scores, and in the late 1990s, Barry would revisit the concept-album idea with his albums The Beyondness of Things and Eternal Echoes. The collection has been painstakingly produced and mastered by Chris Malone from original master tapes. The albums come in three separate jewel cases, housed—along with a separate 24-page booklet—in a handsome hardcover slipcase. Film music journalist and writer, and major Barry connoisseur, Jon Burlingame, provides exclusive, in-depth liner notes. CD1. THE CONCERT JOHN BARRY 1. James Bond Suite 17:59 -Goldfinger -James Bond Theme -From Russia With Love -Thunderball -007 -You Only Live Twice -On Her Majesty’s Secret Service -Diamonds Are Forever 2. Born Free 4:11 3. Alice’s Adventures in Wonderland 7:06 -Curiouser And Curiouser -I’ve Never Been This Far Before -The Me I Never Knew 4. Midnight Cowboy 3:47 5. Mary, Queen of Scots 3:19 6. The Lion in Winter 3:58 -Suite 7. The Adventurer 2:23 Total Disc Time: 43:06 CD2. JOHN BARRY PLAY IT AGAIN 1. Sail the Summer Winds 3:42 (From the Film “The Dove”) 2. Walkabout 3:14 3. Play it Again 2:27 (From the Film “The Tamarind Seed”) 4. Billy 2:43 (From the Stage Musical “Billy”) 5. The Good Times Are Coming 3:01 (From the Film “Monte Walsh”) 6. Lolita 3:02 (From the Stage Musical “Lolita, My Love”) 7. Orson Welles’ Great Mysteries 2:20 (From the TV Series “Orson Welles’ Great Mysteries”) 8. Love Among the Ruins 3:24 9. We Have all the Time in the World 2:27 (From the Film “On Her Majesty’s Secret Service”) 10. This Way Mary 3:30 (From the Film “Mary, Queen of Scots”) 11. Boom! 2:37 (From the Film “Boom!”) 12. The Gglass Menagerie 2:49 13. The Adventurer 2:10 (From the TV Series “The Adventurer”) 14. Follow, Follow 2:34 (From the Film “Follow Me”) 15. Diamonds Are Forever 3:01 (From the Film “Diamonds Are Forever”) 16. A Doll’s House 2:50 17. Curiouser and Curiouser 2:13 (From the Film “Alice’s Adventures in Wonderland”) 18. The Whisperers 2:10 Total Disc Time: 50:56 CD3. JOHN BARRY AMERICANS 1. Yesternight Suite 17:51 2. Downtown Walker 4:27 3. Scorpio 3:02 4. Social Swing 4:10 5. Strip Drive 3:21 6. Speaking Mirrors 2:36 Total Disc Time: 35:46

Quartet Records is proud to present a brand-new recording conducted by Fernando Velázquez of another film score that is either lost or inaccessible – in this case no fewer than five films scores by John Barry: a suspense classic from the ’60s, a film adaptation of a classic play, and three television movies starring Katharine Hepburn. John Barry would have turned 90 on November 3, 2023. The unforgettable music of this five-time Oscar winner continues to be celebrated around the world, and indeed the impact of his innovative scores for dozens of movies from the 1960s through the ’90s continues to reverberate to this day. Disc 1 includes the complete score of SÉANCE ON A WET AFTERNOON (1964), a major work previously missing from the composer’s discography. It was one of his masterpieces for Bryan Forbes that, unfortunately, remained unreleased due to the absence of master tapes. Orchestrated for a small ensemble featuring vibrant percussion and woodwinds, it’s a mysterious, suggestive, unsettling score, reaching its culmination in the long rescue sequence. As a bonus, we have included another rarity that deserves to be rescued. A DOLL’S HOUSE (1973) was one of Barry’s briefest scores: a single, sad melody for celeste, harp, harpsichord and piano, repeated three times during the film’s length. Disc 2 is devoted to three lovely telefilms: a trilogy of period play adaptations starring Katharine Hepburn. LOVE AMONG THE RUINS and THE CORN IS GREEN, both directed by George Cukor in 1975 and 1979, respectively, contain memorable main and love themes, brilliantly orchestrated. The two scores are stylistically similar, featuring strings, woodwinds, piano and harpsichord. THE GLASS MENAGERIE, adapted from Tennessee Williams’ famous play and directed by Anthony Harvey (with whom Barry had previously worked on THE LION IN WINTER) was written for solo piano, performed by the composer himself, who always claimed to be a not-very-good pianist, but it was precisely this innocence and imprecision that Harvey was looking for. For our recording, celebrated pianist Silvia Mkrtchian has approximated the spirit of the original Barry recording. If there is one thing that the five scores presented here have in common, it’s John Barry’s great ability to work with small, almost chamber-like ensembles, seeking the specific sound of each story without being an intrusive voice, always with a British personality of reserve and deftness. Leigh Phillips has painstakingly reconstructed and orchestrated all five scores. They are performed by the prestigious Orquesta de Córdoba conducted by Fernando Velázquez. Recorded and mixed by Marc Blanes, the audio has been meticulously mastered by Chris Malone in the spirit of Barry’s original recordings. Elegant design by Nacho B. Govantes with cover art designed by Jim Titus graces a 28-page booklet with an in-depth essay by film music journalist and writer (and major Barry connoisseur) Jon Burlingame. DISC 1. SÉANCE ON A WET AFTERNOON (1964) 1. Main Title From Séance On A Wet Afternoon 2:14 2. The Room 0:41 3. The Plan 0:22 4. Myra Remembers 5:26 5. Billy Leaves 0:55 6. Kidnapped 1:24 7. The Ransom Letter 1:01 8. The Prayer / Good Morning, Amanda 1:04 9. The Drop (Part 1) 2:09 10. The Drop (Part 2) 2:44 11. The Drop (Part 3) 3:02 12. We’re Mad 0:33 13. Mrs. Clayton’s Reading / The Woods 1:21 14. The Final Reading 1:21 15. Arthur’s Waiting 0:54 16. Finale From Séance On A Wet Afternoon 1:51 A DOLL’S HOUSE (1973) 17. Main Title From A Doll’s House 1:26 18. The Children 0:29 19. Tarantella 0:48 20. End Title From A Doll’s House 1:19 Total Disc Time: 31:08 DISC 2. LOVE AMONG THE RUINS (1975) 1. Main Title From Love Among The Ruins 1:41 2. There She Is 3:10 3. You Look, You Look… / Don’t You Remember? 0:36 4. The Boy Who Loved You 1:09 5. First Time I Saw You 1:53 6. I Pray You Know Me When We Meet Again 0:39 7. The Fire’s Gone Out 0:26 8. Freedom’s Prisoner 1:44 9. A Day In Court 0:50 10. Sauerbraten With Egg And Milk 5:31 11. Vision Of Portia 2:02 12. End Title From Love Among The Ruins 2:44 THE CORN IS GREEN (1979) 13. Main Title From The Corn Is Green 1:44 14. First Look / Get The Rights 1:19 15. Going To See The Squire 1:03 16. Morgan Dreams 0:27 17. Good Day, Sir 0:56 18. First Composition 1:12 19. Morgan Enrolls 1:44 20. Two Year Birthday 0:41 21. Lady Moffat Studies 0:37 22. Morgan Upset 0:38 23. To The Squire, Again 1:26 24. How Kind You Are 0:48 25. Moffat Home 0:26 26. Enraged Morgan 0:46 27. I Don’t Understand You 1:06 28. Moffat Alone 1:29 29. Off You Go 0:21 30. To Oxford 2:13 31. Reflection 1:19 32. The Lady Gets A Baby 0:53 33. Morgan Decides 2:51 34. End Title From The Corn Is Green 1:08 THE GLASS MENAGERIE (1973) 35. Main Titles From The Glass Menagerie 1:11 36. An Old Maid / Father’s Charm 1:07 37. The Argument / A Nailed-Up Coffin 0:42 38. Laura’s World 1:14 39. The Unicorn 2:11 40. Goodbye 1:41 Total Disc Time: 56:46 Total 2-CD Time: 87:54

Intrada hat eine erweiterte CD der Musik zu FUNERAL IN BERLIN von Konrad Elfers veröffentlicht:

Exclusive release: Sold exclusively here at www.lalalandrecords.com and 007Store.com for the first 90 days of release La-La Land Records, Metro-Goldwyn-Mayer, EON Productions and Universal Music Enterprises mark the 45th Anniversary of the eleventh 007 film Moonraker, with a remastered and expanded 2-CD re-issue of composer John Barry's original motion picture score. The 1979 film stars Roger Moore as James Bond in his fourth turn as 007 and is produced by Albert R. Broccoli and directed by Lewis Gilbert. Oscar® winning composer John Barry continues to bring his creative mastery to the Bond franchise with a thrilling, often romantic score that not only takes 007 around the world… but propels him into outer space. Shirley Bassey returns for her third Bond title song featuring lyrics by Hal David. Expanded beyond previous soundtrack editions and with highly enhanced audio quality, Moonraker blasts off like never before within this deluxe presentation. Produced by Neil S. Bulk, remixed by Mike Matessino from high-resolution digital transfers of 2” tapes provided by MGM, and mastered by Doug Schwartz, this is a special 2-CD release, limited to only 5,000 units. Disc One presents the score in chronological order and features music never before available, followed by source music recorded for the film and additional versions of score cues. Disc 2 presents the original 1979 soundtrack album, newly assembled for this release, followed by alternate versions of the title song, including two early versions with lyrics and vocals by Oscar® and GRAMMY® winner Paul Williams. The exclusive, new liner notes are by film music journalist and author Jon Burlingame and art direction is by Dan Goldwasser. TRACK LISTING: DISC 1 SCORE PRESENTATION 56:02 1. Gun Barrel And Hijackers 1:25 2. Last Leg And Freefall Sequence 2:23 3. Main Title – Moonraker (Performed By Shirley Bassey) 3:12 4. California And The Drax Residence 1:36 5. Look After Mr. Bond And Chang’s Entry 1:34 6. Centrifuge 1:09 7. You Presume A Great Deal, Mr. Bond 1:19 8. 18-Carat 1:30 9. Corrine Put Down 1:30 10. Venini Glass And Bond Follows Holly 2:01 11. Funeral Barge – Venice Boat Chase 3:15 12. Bond Smells A Rat (Extended Version) 2:31 13. It Could Have Its Compensations 1:23 14. Bond Arrives In Rio 1:08 15. Cable Car Fight 1:58 16. Hello Dolly (Romeo & Juliet) 0:54 17. The Magnificent Seven 0:46 18. South American Boat Chase And Hang Glider Crash 1:58 19. Bond Lured To Pyramid (Film Version) 2:10 20. Snake Fight 1:12 21. Launch Program Commence And I Bid You Farewell 2:26 22. Flight Into Space 6:27 23. Marines Get Ready And Emergency Stop 1:44 24. Space Laser Battle 2:47 25. Jaws And Dolly Reunited And Jaws Lends A Hand 1:40 26. Globes Destroyed 2:38 27. End Title – Moonraker (Extended Version) (Performed By Shirley Bassey) 2:48 ADDITIONAL MUSIC 17:38 28. Moonraker (Instrumental) 3:14 29. Prelude, Op. 28, No. 15 (“Raindrop”) 0:56 30. Bugle Call 0:23 31. Mardi Gras 4:39 32. Morning After 2:34 33. Gregorian Chant 0:48 34. Funeral Barge – Venice Boat Chase (Alternate Mix) 3:15 35. Emergency Stop (Film Ending) 1:12 36. Intro To End Title 0:25 TOTAL DISC 1 TIME: 1:13:47 DISC 2 ORIGINAL SOUNDTRACK ALBUM 30:42 1. Main Title – Moonraker (Performed By Shirley Bassey) 3:10 2. Space Laser Battle 2:47 3. Miss Goodhead Meets Bond 2:46 4. Cable Car And Snake Fight 3:06 5. Bond Lured To Pyramid 2:04 6. Flight Into Space 6:28 7. Bond Arrives In Rio And Boat Chase 2:37 8. Centrifuge And Corrine Put Down 2:35 9. Bond Smells A Rat 2:22 10. End Title – Moonraker (Performed By Shirley Bassey) 2:33 BONUS TRACKS 13:38 11. Moonraker (Early Lyrics, Slow Version) (Performed By Paul Williams) 4:13 12. Main Title – Moonraker (Alternate Instrumental) 3:02 13. Moonraker (Early Lyrics) (Performed By Paul Williams) 3:18 14. End Title – Moonraker (Alternate Instrumental) 3:00 TOTAL DISC 2 TIME: 44:27 TOTAL ALBUM TIME: 1:58:14 This is a CD format release

Quartet Records, in collaboration with Metro-Goldwyn-Mayer, Sony Music and the Henry Mancini Estate, present the premiere release of the original film tracks of Henry Mancini’s Academy Award-nominated, iconic score for the no-less-iconic Blake Edwards film THE PINK PANTHER (1964), celebrating its 60th anniversary. A cornerstone of sophisticated heist comedy and romance, and a classic that began a saga about the clumsiest policeman in history: Inspector Clouseau, brilliantly played by Peter Sellers, who would reprise the role for four more films before his passing. In addition to Sellers, THE PINK PANTHER stars David Niven, Capucine, Robert Wagner and Claudia Cardinale. The film was shot on luxurious locations in Cortina d’Ampezzo, Italy, with some sequences shot in Rome, Paris and Los Angeles. Henry Mancini had previously composed several acclaimed scores for Blake Edwards, including BREAKFAST AT TIFFANY’S, DAYS OF WINE AND ROSES and the TV series PETER GUNN. The theme he created for the animated main titles of THE PINK PANTHER immediately became a classic—one of the most famous pieces in the history of cinema and popular music culture. Mancini went on to write a fantastic catalog of melodies—all refined with his redoubtable good taste—and an exciting underscore that has remained unreleased for sixty years. Together with Johnny Mercer, he wrote another of his great songs, “It Had Better Be Tonight (Meglio Stasera),” which appears on this CD in its original version, performed by Fran Jeffries. This double CD presents in the first disc the actual film score from the original master recordings with the original session at the Samuel Goldwyn Studios in 1963, preserved in mint condition and originally recorded in mono. It also includes some alternate versions and unused music. The second disc contains the remastered album Mancini recorded for RCA with new arrangements of the more commercial tracks. Carefully produced, restored and mastered by Chris Malone, the package includes a 24-page booklet with extensive liner notes by film music writer Jeff Bond. DISC ONE. The Original Film Score 1. Main Title (Theme From The Pink Panther) 3:04 2. Meanwhile. 5:10 3. Ski For Two 1:53 4. Cortina (Film Version) 2:48 5. More Ski For Two / How Did It Go? 2:39 6. Nasty Little Habits 2:25 7. Dinner Party (Guitar Solo) 2:37 8. She Shall Have Milk 1:38 9. Champagne And Quail (Film Version) 2:38 10. Piano And Strings (Film Version) 2:01 11. The Lonely Princess (Film Version) 3:24 12. Royal Blue (Film Version) 4:05 13. Imbecile! 2:26 14. It Had Better Be Tonight (Meglio Stasera) Vocal: Fran Jeffries 3:52 15. The Village Inn (Film Version) 4:18 16. Oh, Darling 1:56 17. Uncle Charles 2:44 18. Stand Back 1:52 19. The Tiber Twist (Film Version) 3:29 20. It Had Better Be Tonight (Meglio Stasera) Chorus 4:02 21. Something For Sellers (Film Version) 2:01 22. The Safe’s Empty 3:00 23. Shades Of Sennett (Film Version) / End Titles 1:20 Bonus Tracks 24. Main Title (Theme From The Pink Panther) Alternate 3:34 25. It Had Better Be Tonight (Meglio Stasera) Alternate 2:05 26. Once Upon A Time… 1:15 27. More Dinner Party (Guitar Solo) 2:51 28. It Had Better Be Tonight (Meglio Stasera) Instrumental 2:05 29. La Marsellaise 0:13 Total Disc Time: 78:03 DISC TWO. The RCA album Recording 1. The Pink Panther Theme 2:39 2. It Had Better Be Tonight (Meglio Stasera) Instrumental 1:47 3. Royal Blue 3:14 4. Champagne And Quail 2:49 5. The Village Inn 2:39 6. The Tiber Twist 2:54 7. It Had Better Be Tonight (Meglio Stasera) Chorus 2:02 8. Cortina 1:58 9. The Lonely Princess 2:31 10. Something For Sellers 2:51 11. Piano And Strings 2:39 12. Shades Of Sennett 1:29 Total Disc Time: 29:33 Total Collection Time: 107:36

Intrada announces an expanded edition of what is regarded as one of John Barry's finest: the Oscar-winning music to the 1985 Universal Pictures film Out of Africa. It is also one of the last albums produced by Doug Fake, to whom this release is dedicated. The lengthy film is sparsely scored, especially considering the expansive nature of the film and beautiful scenery. The 37-minute score is just all the more powerful when it does appear, including the spectacular "Flight Over Africa" sequence. Included in this release are themes and ideas not present on the original MCA album released at the time of the film, premiering some true Barry gems. The release was mastered by Doug Fake and Chris Malone and features liner notes by Barry expert Jon Burlingame. The complete soundtrack is sourced from Dan Wallin’s original half-inch 15 I.P.S., Dolby-A-encoded three-channel stereo mixes made on November 4, 5, 6 & 8, 1985. After the regular scoring sessions were completed, Barry had one last pickup session to record two additional alternate cues. Barry also supervised the traditional African piece and the other source cues. Out of Africa, directed by Sydney Pollack, is a romantic drama based on the autobiographical book by Karen Blixen. The film stars Meryl Streep as Blixen, a Danish woman who moves to Kenya in the early 20th century to run a coffee plantation with her husband, played by Klaus Maria Brandauer. The story follows her personal journey as she navigates the challenges of life in Africa, forms deep relationships with the locals, and embarks on a passionate affair with a British hunter, played by Robert Redford. The film explores themes of love, loss, and the beauty of the African landscape. It won seven Academy Awards in addition to Best Score: Best Picture, Best Director, Best Adapted Screenplay, Best Cinematography, Best Art Direction and Best Sound. Play all clips CD 1 Out of Africa – The Score 01. I Had A Farm In Africa (Main Title) (3:16) 02. Alone On The Farm (Karen’s Theme) (0:59) 03. The Farm (0:47) 04. Have You Got A Story For Me? (1:18) 05. Bror Returns (Karen’s Theme) (0:59) 06. W.W. I (0:48) 07. Short Wait (0:27) 08. I’m Better At Hello (Karen’s Theme) (1:21) 09. Cuckoo Clock (0:27) 10. Karen’s Journey Starts (Revised) (2:06) 11. Karen’s Journey – Masai (Mix With Percussion) (1:46) 12. Karen’s Journey Ends (1:01) 13. Karen Returns From Border – III (1:23) 14. Syphilis (0:35) 15. I Had A Compass From Denys (0:28) 16. Karen Builds A School (1:16) 17. Harvest (Karen’s Theme) (2:01) 18. Safari – Part I (1:01) 19. Safari – Part II (0:37) 20. Safari – Part III (1:19) 21. Return From Safari (0:48) 22. Strange Love (1:00) 23. Flight Over Africa (2:57) 24. Don’t Move (0:40) 25. She Said Yes (0:58) 26. Meeting On The Porch (0:46) 27. Beach At Night (1:01) 28. The Dam Breaks (0:38) 29. I Think God Is Coming (0:37) 30. Trying To Get Land (Detached Strings) (0:44) 31. You’ll Keep Me Then (0:58) 32. If I Know A Song Of Africa (2:16) 33. You Are Karen M’ Sabu (1:28) 34. Out Of Africa – End Credits (2:53) Total Score Time: 41:39 Score Alternates 35. W.W. I. (Alternate) (0:50) 36. Karen’s Journey Starts (Mix With Percussion) (2:06) 37. Karen’s Journey Starts (Mix Without Percussion) (2:06) 38. Karen’s Journey – Masai (Alternate Mix With Percussion) (1:46) 39. Karen’s Journey – Masai (Mix Without Percussion) (1:46) 40. Safari – Part III (Alternate Opening Bar) (1:10) 41. Flight Over Africa (Alternate) (2:58) 42. Trying To Get Land (Alternate) (0:42) 43. Trying To Get Land [Revised] (0:48) 44. If I Know A Song Of Africa (Alternate) (W.W. & Harp Opening) (2:16) 45. Out Of Africa – End Credits [Wild] (2:51) 46. Theme No. 1 On Oboe (1:55) 47. Theme No. 2 On Oboe (1:43) Alternates Time: 22:57 CD 1 Total Time: 64:36 CD 2 Source Music 01. Siyawe (African Traditional) (2:15) 02. Concerto For Clarinet And Orchestra In A (K. 622) – 2nd Movement (Mozart) (7:29) 03. Sinfonia Concertante – Andante (Mozart) (10:17) 04. Divertimento In D (K. 136) (Mozart) (13:07) 05. Piano Sonata In A – 1st Movement (Mozart) (4:22) 06. The Flowers That Bloom In The Spring (W.S. Gilbert/Arthur Sullivan) (1:32) 07. Duet – From The Mikado (W.S. Gilbert/Arthur Sullivan) (2:14) 08. Let The Rest Of The World Go By (Ernest R. Ball/J. Keirn Brennan) (3:17) Total Source Music Time: 44:33 Original 1985 Soundtrack Album 09. Main Title (I Had A Farm In Africa) (3:12) 10. I’m Better At Hello (Karen’s Theme) (1:18) 11. Have You Got A Story For Me? (1:15) 12. Concerto For Clarinet And Orchestra In A (K. 622) – 2nd Movement (Mozart) (2:50) 13. Safari (2:44) 14. Karen’s Journey/Siyawe (African Traditional) (4:50) 15. Flying Over Africa (3:25) 16. I Had A Compass From Denys (Karen’s Theme II) (2:31) 17. Alone On The Farm (1:57) 18. Let The Rest Of The World Go By (Ernest R. Ball/J. Keirn Brennan) (3:17) 19. If I Know A Song Of Africa (Karen’s Theme III) (2:12) 20. End Title (You Are Karen) (4:01) Total Album Time: 33:32 CD 2 Total Time: 78:05

Demnächst von Waxwork Records (CD, LP, Download und !!! Kassette): Tolle Sache, da ich die Musik im Zusammenhang mit dem Film immer als besonders effektiv empfunden habe. Eine durch und durch gelungene Soundcollage, ohne die der Film nicht so wirkungsvoll geworden wäre. Schön, dass nach nunmehr 50 Jahren der Score erscheint. Hier schon einmal der Main Title mit den Grabgeräuschen im Hintergrund: https://filmmusicreporter.com/2024/11/02/world-premiere-release-of-tobe-hoopers-wayne-bells-the-texas-chainsaw-massacre-score-announced/

Auf Gordy Haab ist im Bereich Game-Scores immer Verlass 😉

Kann auf dieser Seite vorbestellt werden: https://www.sacredbonesrecords.com/products/sbr-355-robin-carolan-nosferatu?srsltid=AfmBOorwTzIUEZcc90NWyDy3WP_wBsS4hHbts-sO0O2S4q7I-c7YTRvD Und hier zwei Clips, die - wenn auch kurz - mir sehr gut gefallen. https://filmmusicreporter.com/2024/09/30/first-tracks-from-robin-carolans-nosferatu-score-released/

Ich habe heute Morgen wieder einmal die neuen Scores auf Spotify gecheckt. Hier doch hängen geblieben. Ich hatte nur Sounddesign erwartet und wurde mit einem großen symphonischen old-school Score überrascht. Dass es so etwas noch gibt. Für 'nen Zehner gleich gekooft. https://www.qobuz.com/de-de/album/supercell-original-motion-picture-soundtrack-corey-wallace/xblq5t00zo6ia

Kommt am 11.11. von Intrada.

Kommt auch auf Vinyl, einmal schwarze Pressung und einmal weiß mit blauem Streifen, limitiert auf 400 Stück, beziehungsweise 100 Stück.

Quartet Records, in collaboration with Paramount Pictures, presents a remastered, remixed and expanded edition of one of Henry Mancini’s most evocative and powerful dramatic scores: THE MOLLY MAGUIRES. Directed by Martin Ritt in 1970, starring Sean Connery, Richard Harris, Samantha Eggar and Frank Finlay. Written by Walter Bernstein, the movie is set in Pennsylvania coal country in 1876 and is loosely based on the true story of a small band of Irish miners/terrorists called the Molly Maguires. Henry Mancini was hired to compose the film score after the previous one by Charles Strouse (BONNIE AND CLYDE), famous composer of stage musicals and some film scores, was rejected. Mancini wrote a sensitive, dramatic, delicate score with an Irish flavor that was always close to his heart; he considered it one of his favorites. Originally released on vinyl at the time of its premiere, the album has been reissued on CD several times, most recently in 2012 by Kritzerland in a limited edition that included Mancini’s score and the premiere of the rejected Strouse. For this centenary celebration of Henry Mancini, Chris Malone remixed the score, eliminating the unpleasant hiss in previous editions using new technology. We were also fortunate that new elements appeared in the Paramount vaults, and the score has been released in a more complete form, with more than 20 minutes of previously unreleased cues, and revised and alternate versions. Finally, Mr. Strouse’s unused score has been newly remixed and included in this set. The 24-page package includes in-depth new liner notes by film music writer Jeff Bond. 1. Theme From The Molly Maguires (Pennsylvania, 1876) 4:24 2. The Mollys Strike 2:51 3. Main Title 1:52 4. Room And Board 1:58 5. Sandwiches And Tea 2:15 6. Work Montage 2:18 7. Pennywhistle Jig / On Your Knees 1:52 8. A Hard Day’s Work 1:11 9. Jamie And Mary 2:48 10. Trip To Town 1:49 11. Strike Two / Strike Three 2:33 12. The Hills Of Yesterday 1:43 13. There’s More 1:06 14. The Mollys Strike Again 1:24 15. A Suit For Grandpa 2:16 16. Kehoe Lights Up / The Last Strike 0:57 17. The End 0:48 Bonus Tracks 18. Fiddle And Fife (Film Version – Fiddle Only) 2:00 19. A Brew With The Boys (Film Version – Fiddle Only) 1:43 20. Pennywhistle Jig (Album Version) 1:55 21. Jamie And Mary #1 (Film Version) 0:55 22. Jamie And Mary #2 (Film Version) 1:53 23. The Hills Of Yesterday (Film Version) 1:41 24. Bye Bye Jamie 0:35 25. The Hills Of Yesterday (Alternate 1) 1:48 26. Room And Board (Alternate) 3:08 27. The Hills Of Yesterday (Alternate 2) 1:49 28. Fiddler #4 (Fiddle Only) 2:25 29. Fiddle And Fife (Album Version) 2:01 30. A Brew With The Boys (Album Version) 1:45 31. Pennywhistle Jig (Alternate) 0:37 The Charles Strousse Unused Score 32. Sabotage 1:41 33. Fuse 1:06 34. Work In The Mine 1:24 35. Bleak Street / To Find A Room / To Work 2:18 36. The Long Walk 1:23 37. Widow Shopping 0:52 38. Truant Picnic-ers 1:44 39. The Last Rites 1:04 40. The Company Store (Parts I And II) 2:10 41. Arson 1:12 42. End Titles 0:48 Total Disc Time: 77:19

Quartet Records, in association with Paramount Pictures, Sony Music, the Henry Mancini Estate and the Johnny Mercer Estate, presents a remastered and extensively expanded deluxe edition of Blake Edwards’ 1970 big-budget musical-war-romantic comedy DARLING LILI, starring Julie Andrews and Rock Hudson. DARLING LILI is not a conventional musical in which characters burst into song as a narrative substitute for speech or interior monologue. Rather, director Blake Edwards has taken pains to describe it as “a romantic comedy with music.” Inspired by the life of Mata Hari, the film tells the story of supposedly British singer Lili Smith (Julie Andrews), who triumphs in France during World War I. In reality, she’s a German citizen named Lili Schmidt, working for German military espionage. The film was a resounding failure at the box office and led to a several-year hiatus in the relationship between Blake Edwards and Henry Mancini, due to some disagreements and misunderstandings during postproduction. But it was also the movie where Edwards met Julie Andrews, who became his wife for the rest of his life. It was also the first collaboration between Julie Andrews and Henry Mancini, two musical souls destined to meet. Henry Mancini and his favorite lyricist, Johnny Mercer, wrote a number of wonderful songs for the picture, including “Whistle Away the Dark,” one of their most beautiful creations, which was nominated for an Academy Award for Original Song in 1970. Mancini also wrote a powerful symphonic and dramatic score that has never been heard outside of the movie. The score and songs were also nominated in the Best Music Original Songs Score category. This edition has been painstakingly produced, restored and mastered by Chris Malone, working from the first-generation album master and mono and stereo elements provided by Paramount Pictures. It includes the historic RCA album with the original songs beautifully performed by Julie Andrews, Mancini’s complete underscore for the film, plus some curious extras such as the demos played by Johnny Mercer before filming that include two unreleased Mancini-Mercer songs that were not included in the film. Instrumental versions of the songs round out the program. A treat for fans of Julie Andrews, Henry Mancini and the Mancini-Mercer songs. The lavishly designed package includes a 24-page booklet with extensive liner notes by film music writer John Takis. DISC 1. The RCA Album recording 1. Overture 4:06 2. Whistling Away The Dark 3:47 3. The Little Birds (Les P’tits Oiseaux) 2:58 4. The Girl In No Man’s Land 3:36 5. Gypsy Violin 3:21 6. I’ll Give You Three Guesses 3:35 7. Darling Lili 2:51 8. Smile Away Each Rainy Day 2:29 9. The Can-Can Café 2:07 10. I’ll Give You Three Guesses 2:06 11. Skäl (Let’s Have Another On Me) 1:43 12. Your Good-Will Ambassador 2:14 13. Whistling Away The Dark 3:45 The Henry Mancini Underscore 14. Overture 4:05 15. Red Cockpit / Nazi Mess Call / Up Your Zeppelin / Up Your U-Boat 2:12 16. The Can-Can Café 2:03 17. Picnic Sequence / Best Time, No Ants 2:57 18. Darling Lili 1:43 19. Some Kind Of Spy 2:12 20. Strolling In The Sun 1:40 21. Gypsy Violin (Mother Machree) 1:41 22. Plot Thickener / Wet Job / Warm Water Job 1:51 23. Entr’acte 3:04 24. The Great Escape 2:54 25. Get The Car 1:10 26. Tear Jerker 1:28 27. Sour Kraus And Kessler / Hands Up—Kraus Down 2:26 28. Message To R-5 / Anybody Here? 1:08 29. Showdown 1:29 30. Drop The Hankie / Temporary Peace 1:50 31. Finale And End Titles 1:43 32. Exit Music 3:04 Total Disc Time: 79:17 DISC 2. The Johnny Mercer Demos 1. Darling Lili (Demo) 1:56 2. Whistling Away The Dark (Demo) 3:02 3. Piccadilly Circus (Demo) 2:39 4. The Girl In No Man’s Land (Demo) 2:21 5. Skäl (Let’s Have Another On Me) (Demo) 1:35 6. I’ll Give You Three Guesses (Demo) 2:17 7. The Little Birds (Les P’tits Oiseaux) (Demo) 3:27 8. Steal Two Eggs (Demo) 1:24 9. Your Good-Will Ambassador (Demo) 2:26 10. Smile Away Each Rainy Day (Demo) 2:16 11. Whistling Away The Dark 3:48 French Version 12. Henry Mancini Piano Ballad 3:10 Instrumental Versions 13. Whistling Away The Dark 3:39 14. Main Title Medley 2:30 15. The Girl In No Man’s Land 3:34 16. Smile Away Each Rainy Day 1:36 17. Skäl (Let’s Have Another On Me) 1:00 18. It’s A Long, Long Way To Tipperary 1:18 19. Mademoiselle From Armentieres 1:06 20. French Montage 1:49 21. Lili Of The Roses 3:25 22. I’ll Give You Three Guesses 3:25 23. The Little Birds (Les P’tits Oiseaux) 2:16 24. Your Good-Will Ambassador 2:30 25. I’ll Give You Three Guesses (Strip Version) 2:26 Total Disc Time: 60:54 Total Collection Time: 140:11

Intrada hat die Musik zu BREAKFAST AT TIFFANY'S von Henry Mancini veröffentlicht: http://intrada.net/cv6/BreakfastTiffanys_a_600.jpg

Intrada announces the digital release of Frank Ilfman's latest score, A Mistake. The 2024 film, directed by Christine Jeffs and adapted from Carl Shuker’s novel, is a gripping medical drama that delves into the consequences of a critical surgical error. The story follows Elizabeth Taylor (played by Elizabeth Banks), a highly skilled surgeon who, during a routine operation, allows her younger colleague to take charge. This decision leads to a mistake with irreversible consequences, sparking an intense fallout. As Elizabeth faces mounting scrutiny from the patient’s family and the hospital’s administration, the film explores themes of accountability, ethics, and the ripple effects of human error. It examines how one moment of vulnerability can unravel professional reputations and personal lives, raising questions about blame, responsibility, and the pressure within high-stakes medical environments. The movie premiered at the Tribeca Festival in June 2024 and received attention for its nuanced storytelling and a strong performance by Elizabeth Banks. For the score, composer Frank Ilfman created a poignant, understated depth for the unfolding drama, aligning musically with the film's exploration of vulnerability, accountability, and personal resilience. It avoids grandiosity— instead emphasizing delicate, emotive themes that reflect the characters' internal struggles. Ilfman recorded the score at the famed Abbey Road Studios. The album is available digitally wherever music is available, including Amazon, Spotify, and many others. Play all clips 01. Opening (1:48) 02. Relived (3:42) 03. The Water Front (3:09) 04. Blurred Glass (2:31) 05. After (4:33) 06. My Name Is Liz Taylor (1:53) 07. Night And Day (2:20) 08. I Am Sorry (1:47) 09. Where is He (1:33) 10. Richard Suicide (3:01) 11. The Infestation (3:39) 12. Time To Say Goodbye (3:48) 13. A Suite From A Mistake (4:15) 14. End Credits (4:33)

Jetzt schon digital erhältlich, eine CD reicht Intrada im Herbst nach. INTRADA Announces: KILLING ME SOFTLY WITH HIS SONGS Music by CHARLES FOX INTRADA INT 7180 The spirited 2024 documentary Killing Me Softly With His Songs, directed by Danny Gold, follows composer Charles Fox around the world exploring his past while showcasing songs performed by various groups and singers from around the world. Fox traveled from the US to Paris to Havana, Cuba. Following closely on Intrada's 2-CD release of Fox's Foul Play, this new release features brand new songs written with Rita Wilson, Common, Alain Boublil and Cuban songwriters, Edesio and Cristian Alejandro. The film has garnered numerous awards at film festivals and Best Music Documentary at the Hollywood Music In Media Awards. The album also includes new and innovative arrangements of some of Fox's most classic tunes, performed by the following wonderful artists: Sing a Brand New Song (Donald Webber, Jr.) Viene Acabando (Charles Fox with Cuba All Star Band Featuring Orquesta Aragon) At The Movies (Rita Wilson and Jason Alexander) Wonder Woman (Cristian Alejandro) I Got a Name (A. J. Croce) Night Life (Charles Fox Paris Sextette) On N'aime Qu’une Fois Comme Ça (Anne Sila) Sin Tu Amor (Cristian Alejandro) Ballade (Charles Fox with Cuba All Star Band) Elle Chantait Ma Vie En Musique (Anne Sila) Blue Pachanga (Charles Fox Paris Sextette Featuring Alexandre Desplat) Happy Days (Barenaked Ladies) A Day Our Love Has Put Together (Charles Fox with Cuba All Star Band) Salsa Suite (Charles Fox Paris Sextette Featuring Alexandre Desplat) Killing Me Softly With His Song (Charles Fox, Piano Solo) The film follows Fox’s life and career from the Bronx to Paris and the conservatoire in the Palace of Fontainebleau, France, where he studied with the legendary composition teacher Nadia Boulanger (who taught Aaron Copland, Quincy Jones, Elliot Carter, Michel Legrand and others), through his fabled career in Hollywood, and finally to his musical roots in Havana, Cuba. All of this is interspersed with some of the most phenomenal live music—shot with an emphasis on capturing the interactions of gifted musicians joyously making music together. Featuring Anne Sila (winner of the French version of The Voice), A.J. Croce (son of the legendary Jim Croce), Henry Winkler (Happy Days, Barry), Paul Williams (Academy Award-winning composer), Rita Wilson (recording artist, actor, producer), Jason Alexander (Seinfeld, and Tony Award winner), Donald Webber, Jr. (Hamilton), Alexandre Desplat (two-time Academy Award winner, and Alain Boublil (Tony Award-winning book writer/lyricist known for Les Misérables and Miss Saigon)—the film is a musical feast … with a great story! INTRADA INT 7180 Retail Price: $18.99 Bar Code: 7 20258 71800 6 Available digitally now on all major streaming platforms. CD coming this fall.

Exclusive release: Sold exclusively here at www.lalalandrecords.com and 007Store.com for the first 90 days of release La-La Land Records, Metro-Goldwyn-Mayer, EON Productions and Universal Music Enterprises mark the 50th Anniversary of the ninth 007 film The Man With The Golden Gun, with a remastered and expanded 2-CD re-issue of composer John Barry's original motion picture score. Produced by Albert R. Broccoli and Harry Saltzman, the 1974 film stars Roger Moore as James Bond with Christopher Lee as Francisco Scaramanga, and is directed by Bond veteran Guy Hamilton. Hot off a stellar debut in Live And Let Die, Moore returns in The Man With The Golden Gun, a film that would also mark the return of Oscar® winning composer John Barry to the franchise, providing his first score for Moore’s 007. The composer accompanies the globe-trotting adventure with yet another accomplished work – with 007 motifs, familiar and new, blended within an irresistible meld of classic orchestra, rock and jazz. With lyrics by Don Black, the bombastic title song is brought to life by iconic Scottish singer Lulu. Expanded beyond previous soundtrack editions and with highly enhanced audio quality, The Man With The Golden Gun is unleashed like never before within this deluxe presentation. Produced by Neil S. Bulk, remixed by Chris Malone from high-resolution digital transfers of 2" tapes provided by MGM and mastered by Doug Schwartz, this 2-CD release, limited to only 5,000 units, showcases the music of The Man With The Golden Gun in thrilling and comprehensive fashion. Disc 1 presents the score in chronological order and features music never before available. This is followed by additional music including source music recorded for the film and the demo take of the title song. Disc 2 presents the original 1974 soundtrack album, newly assembled for this release. The new, exclusive liner notes are by journalist and author Jon Burlingame, and the art design is by Dan Goldwasser. TRACK LISTING: DISC 1 SCORE PRESENTATION 65:49 1. Gun Barrel / The Island 1:36 2. Scaramanga’s Fun House 4:37 3. Main Title: The Man With The Golden Gun (Performed By Lulu) 2:35 4. Getting The Bullet 2:43 5. Macau / Forever Hold Your Piece 2:04 6. Following Andrea 1:43 7. Scaramanga Strikes 2:05 8. Hip’s Trip 3:19 9. Chew Me 2:03 10. Quite Titillating 1:02 11. Grisly Land 2:12 12. Take Mr. Bond To School / Chula / Escape 1:30 13. Kung Fu Fight 1:54 14. 20,000 Baht 1:22 15. J.W. Pepper / Bond Rides Off 0:39 16. The Death Of Hai Fat / New Chairman 1:22 17. Moments 1:01 18. Goodnight Goodnight 5:22 19. You Must Be Good / In The Boot / Car Keys 2:07 20. Let’s Go Get ’Em 3:48 21. Flying Car 0:58 22. In Search Of Scaramanga’s Island (Film Version) 2:33 23. Bond’s Arrival / The Solex Agitator / The Sun / Solar Power 1:32 24. Return To Scaramanga’s Fun House 6:26 25. Absolute Zero 0:59 26. Retrieving The Solex Agitator 2:45 27. Slow Boat From China 1:38 28. End Title: The Man With The Golden Gun–Reprise (Performed By Lulu) 3:06 ADDITIONAL MUSIC 11:04 29. Lost Charm :48 30. Bottoms Up I 2:14 31. Bottoms Up II 2:48 32. In Search Of Scaramanga’s Island (Alternate) 2:31 33. The Man With The Golden Gun (Demo Instrumental) 2:35 TOTAL DISC 1 TIME: 1:17:00 DISC 2 ORIGINAL SOUNDTRACK ALBUM 43:11 1. Main Title: The Man With The Golden Gun (Performed By Lulu) 2:35 2. Scaramanga’s Fun House 4:37 3. Chew Me In Grisly Land 3:59 4. The Man With The Golden Gun (Jazz Instrumental) 2:29 5. Getting The Bullet 2:43 6. Goodnight Goodnight 5:21 7. Let’s Go Get ’Em 3:41 8. Hip’s Trip 3:19 9. Kung Fu Fight 1:54 10. In Search Of Scaramanga’s Island 2:28 11. Return To Scaramanga’s Fun House 6:26 12. End Title: The Man With The Golden Gun–Reprise (Performed By Lulu) 3:06 TOTAL ALBUM TIME: 2:00:11 This is a CD format release