Award Season 2013-2014

[Cody]

hast du 12YAS schon gesehen?

[Souchak]

hast du 12YAS schon gesehen?

 

Wo denn? Kollegen, die den in Toronto gesehen haben, waren recht verstört und sehr begeistert... Eigentlich sollte der Mittwoch in B. gezeigt werden, aber der Verleih hat den Start kurzfristig auf Anfang 2014 verschoben und alle Pressevorführungen erstmal abgesagt. Man will offenbar warten, bis die Welle der Begeisterung (Publikumspreis in Toronto!) in Vergessenheit geraten ist oder so

[TheRealNeo]

Ach der startet gar nicht mehr am 31. Oktober? Ok....

[Souchak]

Ach der startet gar nicht mehr am 31. Oktober? Ok....

 

Tja, daddy's quite unhappy, too

[TheRealNeo]

Schade, hatte mich darauf schon ein wenig gefreut.

[Cody]

auf imbd steht noch 31.10

[Souchak]

Wem glaubst Du mehr, einem wackeren Profi und Board-Kumpel oder einer seelenlosen Website?

[Soundtrack Composer]

Die diesjährigen Gewinner beim World Soundtrack Award:

Film Composer of the Year
Mychael Danna  (‘Life of Pi’)

 

Best Original Film Score of the Year
Life of Pi - Mychael Danna

 

Best Original Song written for a Film
Skyfall from ‘Skyfall’
Music & Lyrics: Adele & Paul Epworth / Performed by Adele 

 

Discovery of the Year Award
Dan Romer en Benh Zeitlin - ‘Beasts of the Southern Wild’

 

Public Choice Award
Rahman Altin - ‘The Butterfly’s Dream’ (Kelebeğin Rüyası) 

 

Sabam Award for Best Young European Composer
Gilles Alonzo

 

Lifetime Achievement Award
Riz Ortolani

 

Zur Verleihung und zum Konzert werde ich mich an anderer Stelle noch äußern.

[neo]

Die diesjährigen Gewinner beim World Soundtrack Award:

 

Zur Verleihung und zum Konzert werde ich mich an anderer Stelle noch äußern.

 

Naja, die ersten 2 Kategorien waren ja klar.

[Soundtrack Composer]

Aufgebot des Satelite Awards:

 

Original Score

• 12 Years a Slave - Hans Zimmer
• Philomena - Alexandre Desplat
• Gravity – Steven Price
• Her - Arcade Fire
• The Secret Life of Walter Mitty - Theodore Shapiro
• The Book Thief - John Williams

Original Song

• Young and Beautiful - The Great Gatsby- Lana Del Rey
• Let It Go – Frozen – Written by Kristen Anderson-Lopez and Robert Lopez
• I See Fire – The Hobbit: The Desolation of Smaug – Ed Sheeran
• So You Know What It’s Like – Short Term 12 - Keith Stanfield
• Happy - Despicable Me 2 - Pharrell Williams
• Please Mr. Kennedy – Inside Llewyn Davis – Written by Ed Rush, George Cromarty, T Bone Burnett, Justin Timberlake, Joel Coen, Ethan Coen

 

Und das für den Annie Award:

 

Music in an Animated Feature Production

• Alan Silvestri – The Croods – 
DreamWorks Animation
• Henry Jackman – Turbo
 – DreamWorks Animation
• Mark Mothersbaugh – Cloudy With A Chance Of Meatballs 2
 – Sony Pictures Animation
• Heitor Pereira, Pharrell Williams – Despicable Me 2
 – Universal Pictures
• Danny Elfman – Epic – Blue Sky Studios
• Randy Newman – Monsters University
 – Pixar Animation Studios
• Kristen Anderson-Lopez, Robert Lopez, Christophe Beck – Frozen
 – Walt Disney Animation Studios
• Dominic Lewis – Free Birds – 
Reel FX

Music in an Animated TV/Broadcast Production

• Alan Williams – Estefan – Silverscreen Music
• Guy Moon – T.U.F.F. Puppy – 
Nickelodeon Animation Studio
• Peter Luyre, Stuart Kollmorgen, Peter Zizzo – Peter Rabbit
 – Nickelodeon Animation Studio
• Kevin Kliesch, Craig Gerber, John Kavanaugh – Disney Sofia the First
 – Disney Television Animation
• Christopher Willis – Disney Mickey Mouse
 – Disney Television Animation
• Andy Bean – Disney Wander Over Yonder
 – Disney Television Animation

[Soundtrack Composer]

Das diesjährige Grammy Aufgebot:

 

Best Score Soundtrack for Visual Media

• Argo (Alexandre Desplat)
• The Great  Gatsby (Craig Armstrong)
• Life of Pi (Mychael Danna)
• Lincoln (John Williams)
• Skyfall (Thomas Newman)
• Zero Dark Thirty (Alexandre Desplat)

 

Best Compilation Soundtrack Album for Visual Media

• Django Unchained - Loma Vista/Universal Republic
• The Great Gatsby (Deluxe Edition) – WaterTower Music/Interscope
• Les Miserables (Deluxe Edition)- Universal Republic
• Muscle Shoals - Universal Republic
• Sound City: Real to Reel  – RCA Records/Roswell Records

 

Best Song Written For Motion Picture, Television Or Other Visual Media

• Atlas (From The Hunger Games: Catching Fire) – Guy Berryman, Jonny Buckland, Will Champion & Chris Martin, songwriters (Coldplay), [universal Republic; Publisher: Universal Music Publishing MGB Ltd.]

• Silver Lining (From Silver Linings Playbook) – Diane Warren, songwriter (Jessie J), [sony Classical; Publisher: Realsongs]

• Skyfall (From Skyfall) – Adele Adkins & Paul Epworth, songwriters (Adele), [Columbia Records/ XL Recordings; Publishers: Universal Music Publishing Ltd./EMI Music Publishing Ltd.]

• We Both Know (From Safe Haven) – Colbie Caillat & Gavin DeGraw, songwriters (Colbie Caillat Featuring Gavin DeGraw), [Relativity Music Group/RCA/Universal Republic; Publishers: G Degraw Music Inc./Plummy Lou Music]

• Young and Beautiful (From The Great Gatsby) – Lana Del Rey & Rick Nowels, songwriters (Lana Del Rey), [WaterTower Music/Interscope; Publishers: EMI Music Publishing Ltd./R-Rated Music/EMI April Music, Inc.]

• You’ve Got Time (From Orange Is the New Black) – Regina Spektor, songwriter (Regina Spektor), [sire; Publishers: Soviet Kitsch Music/EMI Blackwood Music Inc.]

[Sebastian Schwittay]

Wieso sind die dem Geschehen eigentlich immer ein Jahr hinterher?

[Soundtrack Composer]

Die Grammy Leute haben irgendwie schon immer eine äußerst merkwürdige Deadline für ihre Nominierungen gehabt. Filmmusikexperten scheinen die ja auch nicht grade zu sein, naja.

In ca. 10 Tagen gibt die hfpa die Nomis für die Globes raus. Oscars Nomis wie immer Ende Januar oder so.

[Stempel]

Les Miserables als Compilation zu bezeichnen ist auch eher ein Witz oder?

 

Und für Statistiker: Es ist Johnnys 63. Grammy-Nomimierung!

Bearbeitet 7. Dezember 2013 von Stempel

[Soundtrack Composer]

Globe Nomis kommen morgen nachmittag zwischen 14 und 15 Uhr. Irgendwo auf der hfpa Seite gibts auch einen Livestream wo dann die 10 Hauptkategorien präsentiert werden, der rest kommt wie immer via Pressemitteilung Online.

[Stempel]

 

"The Book Thief" has been nominated for this year’s Golden Globe Awards in the Best Original Score category. The other nominees are "Gravity" by Steven Price, "12 Years a Slave" by Hans Zimmer, "All Is Lost" by Alex Ebert, and "Mandela: Long Walk to Freedom" by Alex Heffes. The 71st annual Golden Globe Awards will be presented Jan. 12 at the Beverly Hilton Hotel in Los Angeles.

 

JWFan.net

Bearbeitet 12. Dezember 2013 von Souchak
Zitate bitte ins Kästchen (und Quellen gerne auch als Link). Merci.

[Sebastian Schwittay]

Schön eigentlich, drei eher wenig bekannte Leute dabei. ALL IS LOST muss ich mir jetzt mal anhören.

Williams hat da aber eigentlich nix verloren.

[Stempel]

Legenden-Bonus.

[Soundtrack Composer]

Dass von den RC-Scores 12 Years Nominiert wird habe ich befürchtet. Superman, müssen wir nicht drüber reden. Lone Ranger ist gut, hat aber kein Award Profil. Rush ist auch nicht so schlecht, aber naja.

12 Years haben die ja quasi irgendwie noch drangehängt, nach dem Motto "Was haben wir zuletzt gemacht ? Lone Ranger ? Ok recycleln wir halt was davon."

[Lars Potreck]

12 Years haben die ja quasi irgendwie noch drangehängt, nach dem Motto "Was haben wir zuletzt gemacht ? Lone Ranger ? Ok recycleln wir halt was davon."

ich glaube es war anders herum. 12 years wurde schon anfang 2013 fertiggestellt und danach kam erst lone ranger.

[Csongor]

Schön eigentlich, drei eher wenig bekannte Leute dabei. ALL IS LOST muss ich mir jetzt mal anhören.

Williams hat da aber eigentlich nix verloren.

Das sehe ich ganz anders! Gute Entscheidung!

Ich freue mich, dass Gravity dabei ist.

[Soundtrack Composer]

Die Liste der für die Oscars Qualifizierten Scores:

“Admission,” Stephen Trask, composer

“Ain’t Them Bodies Saints,” Daniel Hart, composer

“All Is Lost,” Alex Ebert, composer

“Alone Yet Not Alone,” William Ross, composer

“The Armstrong Lie,” David Kahne, composer

“Arthur Newman,” Nick Urata, composer

“At Any Price,” Dickon Hinchliffe, composer

“Austenland,” Ilan Eshkeri, composer

“Before Midnight,” Graham Reynolds, composer

“The Best Man Holiday,” Stanley Clarke, composer

“The Book Thief,” John Williams, composer

“The Butterfly’s Dream,” Rahman Altin, composer

“The Call,” John Debney, composer

“Captain Phillips,” Henry Jackman, composer

“Closed Circuit,” Joby Talbot, composer

“The Company You Keep,” Cliff Martinez, composer

“The Conjuring,” Joseph Bishara, composer

“Copperhead,” Laurent Eyquem, composer

“The Counselor,” Daniel Pemberton, composer

“The Croods,” Alan Silvestri, composer

“Despicable Me 2,” Heitor Pereira, composer

“Elysium,” Ryan Amon, composer

“Ender’s Game,” Steve Jablonsky, composer

“Enough Said,” Marcelo Zarvos, composer

“Epic,” Danny Elfman, composer

“Ernest & Celestine,” Vincent Courtois, composer

“Escape from Planet Earth,” Aaron Zigman, composer

“Escape from Tomorrow,” Abel Korzeniowski, composer

“Evil Dead,” Roque Baños, composer

“47 Ronin,” Ilan Eshkeri, composer

“42,” Mark Isham, composer

“Free Birds,” Dominic Lewis, composer

“Free China: The Courage to Believe,” Tony Chen, composer

“Fruitvale Station,” Ludwig Goransson, composer

“G.I. Joe: Retaliation,” Henry Jackman, composer

“Gangster Squad,” Steve Jablonsky, composer

“Gravity,” Steven Price, composer

“The Great Gatsby,” Craig Armstrong, composer

“The Hangover Part III,” Christophe Beck, composer

“Hansel & Gretel Witch Hunters,” Atli Örvarsson, composer

“Haute Cuisine,” Gabriel Yared, composer

“Her,” William Butler and Owen Pallett, composers

“The Hobbit: The Desolation of Smaug,” Howard Shore, composer

“Hollywood Seagull,” Evgeny Shchukin, composer

“Hours,” Benjamin Wallfisch, composer

“How Sweet It Is,” Matt Dahan, composer

“The Hunger Games: Catching Fire,” James Newton Howard, composer

“Identity Thief,” Christopher Lennertz, composer

“The Incredible Burt Wonderstone,” Lyle Workman, composer

“Insidious: Chapter 2,” Joseph Bishara, composer

“Instructions Not Included,” Carlo Siliotto, composer

“The Internship,” Christophe Beck, composer

“The Invisible Woman,” Ilan Eshkeri, composer

“Iron Man 3,” Brian Tyler, composer

“Jack the Giant Slayer,” John Ottman, composer

“Jobs,” John Debney, composer

“Kamasutra 3D,” Sreejith Edavana and Saachin Raj Chelory, composers

“Labor Day,” Rolfe Kent, composer

“Lee Daniels’ The Butler,” Rodrigo Leão, composer

“Live at the Foxes Den,” Jack Holmes, composer

“Love Is All You Need,” Johan Söderqvist, composer

“Mama,” Fernando Velázquez, composer

“Man of Steel,” Hans Zimmer, composer

“Mandela: Long Walk to Freedom,” Alex Heffes, composer

“The Missing Picture,” Marc Marder, composer

“Monsters University,” Randy Newman, composer

“The Mortal Instruments: City of Bones,” Atli Örvarsson, composer

“Mud,” David Wingo, composer

“Murph: The Protector,” Chris Irwin and Jeff Widenhofer, composers

“Now You See Me,” Brian Tyler, composer

“Oblivion,” Anthony Gonzalez and Joseph Trapanese, composers

“Oldboy,” Roque Baños, composer

“Olympus Has Fallen,” Trevor Morris, composer

“Oz The Great and Powerful,” Danny Elfman, composer

“Pacific Rim,” Ramin Djawadi, composer

“Pain & Gain,” Steve Jablonsky, composer

“Percy Jackson: Sea of Monsters,” Andrew Lockington, composer

“Philomena,” Alexandre Desplat, composer

“The Place beyond the Pines,” Mike Patton, composer

“Planes,” Mark Mancina, composer

“Prisoners,” Jóhann Jóhannsson, composer

“R.I.P.D.,” Christophe Beck, composer

“Reaching for the Moon,” Marcelo Zarvos, composer

“Romeo & Juliet,” Abel Korzeniowski, composer

“Runner Runner,” Christophe Beck, composer

“Rush,” Hans Zimmer, composer

“Safe Haven,” Deborah Lurie, composer

“Salinger,” Lorne Balfe, composer

“Saving Mr. Banks,” Thomas Newman, composer

“The Secret Life of Walter Mitty,” Theodore Shapiro, composer

“Short Term 12,” Joel P. West, composer

“Side Effects,” Thomas Newman, composer

“The Smurfs 2,” Heitor Pereira, composer

“The Spectacular Now,” Rob Simonsen, composer

“Star Trek Into Darkness,” Michael Giacchino, composer

“Stoker,” Clint Mansell, composer

“Thor: The Dark World,” Brian Tyler, composer

“Tim’s Vermeer,” Conrad Pope, composer

“Trance,” Rick Smith, composer

“Turbo,” Henry Jackman, composer

“12 Years a Slave,” Hans Zimmer, composer

“2 Guns,” Clinton Shorter, composer

“The Ultimate Life,” Mark McKenzie, composer

“Unfinished Song,” Laura Rossi, composer

“Wadjda,” Max Richter, composer

“Walking with Dinosaurs,” Paul Leonard-Morgan, composer

“Warm Bodies,” Marco Beltrami and Buck Sanders, composers

“We Steal Secrets: The Story of WikiLeaks,” Will Bates, composer

“We’re the Millers,” Theodore Shapiro and Ludwig Goransson, composers

“What Maisie Knew,” Nick Urata, composer

“Why We Ride,” Steven Gutheinz, composer

“The Wind Rises,” Joe Hisaishi, composer

“Winnie Mandela,” Laurent Eyquem, composer

“The Wolverine,” Marco Beltrami, composer

[Souchak]

Ich versteh die Auswhl-Kriterien immer noch nicht. Kein ADORE, kein DISCONNECT, kein ONLY GOD FORGIVES?

[Soundtrack Composer]

Auch Heftes klasser Score zu Emperor taucht da nirgendwo auf. Aber dafür immerhin Laurent Eyquem mit Copperhead und Winnie Mandela.

[Souchak]

Das nicht alle persönlichen Lieblinge auftauchen, ist ja irgendwie klar. Aber bei den genannten Titeln ist das schon sehr ärgerlich...