Veröffentlichung BSX: MUSIC FROM THE X-FILES (Mark Snow) & THE ANGEL TRILOGY (Safan, Young, Allaman)

[Alexander Grodzinski]

Und da ist die X-Files-CD:

 

 

BuySoundtrax Records is proud to announce the release of
MUSIC FROM THE X FILES: 20TH ANNIVERSARY CELEBRATION, available digitally and now on
CD as of November 2nd, 2013.  The album features music composed by Mark Snow and is
produced and arranged by Dominik Hauser, Joohyun Park, and John Beal, recorded with respect toward
Snow’s original musical intentions and replicated faithfully to convey the essence of THE X FILES in a single collection. Drawn from specific episodes of the TV show and both feature films, this presentation
covers the provocative stylistic musical variations used throughout the series’ history.

Twenty years ago viewers were transfixed by the weekly drama starring David Duchovny and Gillian Anderson as Fox Mulder and Dana Scully – two FBI agents who investigate supernatural cases, knowing that the truth is out there.  Film and television veteran composer Mark Snow was brought in to lead the musical charge for this truth.  From the opening notes, the eerie whistle of the main title theme, viewers were immediately engaged in the series, which would eventually boast over 200 episodes and two feature-length movies. 

While best known for his music for THE X FILES and its close cousin MILLENNIUM, Snow’s compositional efforts have encompassed many series (including the popular shows SMALLVILLE and THE GHOST WHISPERER, as well as X FILES creator Chris Carter’s short-lived series THE LONE GUNMEN and HARSH REALM).  Snow has also scored numerous made-for-television movies as well as feature films, including several films for the legendary French director Alain Resnais. 

A Brooklyn native, Mark Snow has been making music since the 1950s. Following a start in the music industry as a popular recording artist with his band the New York Rock and Roll Ensemble, Mark made the switch to composer for television and film in the 1970s. His other TV credits include ONE TREE HILL, KOJAK, PASADENA, DYNASTY, FALCON
CREST, T.J. HOOKER, CAGNEY AND LACEY, STARSKY AND HUTCH, GEMINI MAN, FAMILY and HART TO HART.

Snow has been nominated 14 times for Emmys for his work on television series and television films including HELTER SKELTER, CHILDREN OF THE DUST, OLDEST LIVING CONFEDERATE WIDOW TELLS ALL
and SOMETHING ABOUT AMELIA.

BuySoundtrax Records presents MUSIC FROM THE X FILES: 20TH ANNIVERSARY CELEBRATION, featuring music composed by Mark Snow. The booklet includes liner notes written by author Randall Larson,
discussing the creation of this unique release.

MUSIC FROM THE X FILES: 20TH ANNIVERSARY CELEBRATION is a limited edition release of 1000 units. The first 100 copies will be autographed by composer Mark Snow.

 

BSXCD-8932

 

Music From
The X Files
A 20th Anniversary Celebration

 

Music by
Mark Snow

 

Performed by
John Beal,
Dominik Hauser and
Joohyun Park

 

$15.95

 

Suite from THE X FILES
Produced and Arranged by John Beal
01. Materia Primoris/The X Files Theme 10:38
02. Cantus Excio and Lamenta 7:56
03. Iter/Memoria 6:08
04. Fides Fragilis/Exoptare Ex Veritas/
Kyrie 6:48
05. The X Files Theme 1:51

Music from THE X FILES
Produced and Arranged by Dominik Hauser
06. The Post-Modern Prometheus:
JJ's Diner 3:02
07. This Is Not Happening: Suite 4:27
08. Dreamland Part 2: Suite 3:13
09. Christmas Carol: Mother Genes 3:17
10. Hollywood A.D.: Dancing Bones 1:39
11. The Truth Part 2: The Truth Is Inside 2:59

12. THE X FILES: Scully’s Serenade 3:52
Produced and Arranged by Joohyun Park
Guitar: Jaesung Song
Vocals: Katie Campbell

THE X FILES:
FIGHT THE FUTURE
Produced and Arranged by
Dominik Hauser
13. Threnody in X 3:52
14. Facts 2:34
15. Crater Hug 1:58

THE X FILES:
I WANT TO BELIEVE
Produced and Arranged by
Dominik Hauser
16. The Trip to D.C. 3:42
17. The Surgery 2:58
18. Home Again 4:10

19. Theme from THE X FILES (Guitar Demo) 4:26
Produced and Arranged by Mark Snow

 

Total Time: 78:33

 

Und drei Scores auf einer CD:

 

 

 

BUYSOUNDTRAX Records  will be releasing THE ANGEL TRILOGY, featuring music composed by Craig Safan, Christopher Young and Eric Allaman for the three ANGEL feature films released during the 1980s. THE ANGEL TRILOGY collects the music together on one CD, including the premiere release of Berlin Game’s score for ANGEL III: THE FINAL CHAPTER.

Released in 1984, ANGEL was written and directed by Robert Vincent O’Neill and starred young actress Donna Wilkes (DAYS OF OUR LIVES, JAWS 2, SCHIZOID) as 15 year old  Molly Stewart, top of her class in high school who takes to the streets of Hollywood at night, working as a prostitute named Angel. Unbeknownst to her friends or teachers, she’s been abandoned by her parents and is able to keep up the rent on her apartment with her moonlighting while she ducks Social Services and maintains the illusion that her parents are still around. Molly eventually attracts the attention of a serial killer with a compulsion to dismember hookers and the sympathy of detective Lt. Andrews, who is investigating the murders in which Molly has now become both a witness and potential target.  With his support, Molly manages to avoid becoming a statistic and finds the courage to emerge from the street life she has assumed was her only option. The premise of the film and the tagline on the poster helped make ANGEL a big hit at the box office and it was inevitable that there would be sequels, which quickly followed over the next nine years.

The soundtrack to ANGEL was composed by Craig Safan, who was then scoring a number of low- to moderately-budgeted thrillers.  Safan was given a week to compose the score, as he learned that he was replacing someone else’s score. The theme for ANGEL is performed by a small orchestra favoring flute and strings, enhanced by a soft synth sound that resonates in a kind of glass harmonica fashion.  This is the sublime music that represents Molly the schoolgirl. In contrast, the straight-ahead urban groove of Hollywood Boulevard reflects Angel’s outward, street-walker persona that she adopts to make ends meet on her own. These two elements offset each other throughout the score. ANGEL also included a great deal of source music, including the signature song, “Something Sweet”. THE ANGEL TRILOGY includes a new version of this song, arranged and produced by synthesist Dominik Hauser, who carefully transcribed the music to replicate a new recording of the song.
The surprise success of ANGEL prompted a sequel a year later. AVENGING ANGEL was also written and directed by Robert Vincent O’Neill.  Actress Betsy Russell stepped into the title role as Molly, with actor Robert F. Lyons briefly assuming the role of Lt. Andrews, who helped Molly get into law school after the events of the first movie.  Returning from the first movie was Rory Calhoun as Molly’s friend, washed-up Western actor Kit Carson, and Susan Tyrell as loudmouth landlady Solly, who join her on the streets to catch the bad guys who have killed Andrews.  Ossie Davis co-stars as a police Captain heading the official investigation into Andrews’ murder. Composer Craig Safan was involved with scoring THE LAST STARFIGHTER at the time so the producers hired a new composer to score AVENGING ANGEL, Christopher Young. He had barely scored four films when AVENGING ANGEL crossed his path. Young  enhanced the second ANGEL movie with an approach similar to Safan’s, contrasting a soft and empathetic theme for Molly with a mix of jazzy trumpets and rocking electric guitars to personify the street that Angel must return to in order to avenge her fallen friend.

With the weak performance of AVENGING ANGEL, a sequel was not immediately forthcoming but was eventually realized with ANGEL III: THE FINAL CHAPTER in 1988. Released straight to video, the film was written and directed by Tom DeSimone.  In the film, Molly, now played by actress Mitzi Kapture,  is now working as a freelance photographer. She briefly reunites with her long-absent mother and, when mom is killed no long afterwards, Molly must become Angel once again to solve the killing and rescue her half-sister from a slave prostitution ring. To score the film, the electronic duo Berlin Game (Eric Allaman and Reinhard Scheuregger) was hired, whose previous score for Cannon’s 1987 thriller DOWN TWISTED had attracted them to ANGEL III’s producers. Allaman, a classical pianist, had worked with pioneering German electronica band Tangerine Dream on several of their film scores in the early 1980s (including LEGEND), after which he had formed Berlin Game, which was on the way to becoming a kind of alternative electronic combo with a style not unlike Tangerine Dream.  Scheuregger, however, was committed to touring Europe with The Motels’ Martha Davis, giving Allaman the bulk of the labor on scoring ANGEL III. The music is a pure electronic score, enhanced with a live saxophone and electric guitar.

BUYSOUNDTRAX Records presents THE ANGEL TRILOGY, with ANGEL and AVENGING ANGEL remastered by James Nelson at Digital Outland, along with music from ANGEL III: THE FINAL CHAPTER, appearing for the first time on compact disc. The booklet includes liner notes by author Randall Larson, including recent insights from the composers on these three scores.

 

BSXCD-8937

 

Original Motion Picture Soundtracks
The Angel Trilogy

 

Music by
Craig Safan
Christopher Young and
Eric Allaman

 

$15.95

Shipping the week of 11/20/13

 

ANGEL - Craig Safan
01 Something Sweet 3:31
Written by The Allies
Produced and Arranged by Dominik Hauser
Performed by Melody Michalski
02 Angel 2:45
03 Hollywood Boulevard 3:31
04 He Kills 3:12
05 Drag Fight 3:51
06 Yo-Yo Man 1:30
07 Killer's Haircut 1:49
08 Reflecting Angel 2:08
09 Back on the Street 4:01
10 Angel's Triumph 6:11
11 Honor Student 3:54

AVENGING ANGEL - Chris Young
12 Kit Carson 2:26
13 Overdrive 3:16
14 Molly Mey 2:22
15 Ratamacue 2:42
16 Dark Angel 4:23
17 Never 1:06
18 Good Golly Solley 2:40
19 Bughouse Bust 2:09

ANGEL III - Eric Allaman
20 Angel III Titles 3:40
21 Bust at Party 1:58
22 Shirley Enters Nadine's 1:40
23 Angel in Taxi 0:51
24 Darkroom 2:21
25 Three in a Car 2:06
26 Final Shootout 2:37
27 Final Car Chase 3:26
28 Angel in Apartment 1:09

 

Total Time - 78:29

 

[Souchak]

ANGEL war eine echt unangenehme Mist-Serie, imho.

[Alexander Grodzinski]

Ich muss zugeben, noch nie davon gehört zu haben.

[Gast]

Ist aber keinesfalls so unüble Musik. Den Safan- wie auch den Young-Anteil der neuen BSX-CD gab's ja schon vor langer Zeit von Intrada. Safans Score ist überwiegend symphonisch (was man für so einen Film gar nicht vermuten würde), hat ein sehr schönes Thema und sein Markenzeichen, das tiefangeschlagenene Klavier, hört man auch sehr oft. Der Young ist sehr vielseitig und überraschend hörbar. Etwas Comedy, rauchiger Jazz, Action (a la Horners 48 Hours und Youngs eigenem Bat-21), dazu eines seiner wunderbaren lyrischen 80'er-Themen und Atonales gibt's auch. Das alles auf 21 Minuten. Den dritten Score kenne ich nicht und der interessiert mich eigentlich auch nicht die Bohne.