Veröffentlichung BSX Records: Lalo Schifrin - The Fourth Protocol

[horner1980]

BUYSOUNDTRAX Records presents the original motion picture soundtrack for THE FOURTH PROTOCOL, featuring music composed by Lalo Schifrin (BULLITT, MISSION: IMPOSSIBLE, ENTER THE DRAGON) for the 1987 spy thriller directed by John Mackenzie (THE LONG GOOD FRIDAY), based on the novel written by Frederick Forsyth, starring Michael Caine, Pierce Brosnan, Ned Beatty,  Joanna Cassidy, Michael Gough, Julian Glover, Ray McAnally, Ian Richardson, Anton Rodgers, Alan North, Betsy Brantley and Matt Frewer.

To score THE FOURTH PROTOCOL, the producers hired Lalo Schifrin. His music for the film is a rare example of the composer scoring an action film orchestrally. While his musical roots in jazz have found their way into his best-known scores, Schifrin has always shown himself proficient with orchestral scores, although the majority of his modern action scores have largely embodied a modern jazz musical milieu. As a result, THE FOURTH PROTOCOL is a kind of cousin to his orchestral score for TELEFON, in which Charles Bronson played a Soviet agent sent on a covert mission into the US. Like that earlier score, the music for THE FOURTH PROTOCOL is played mostly in the dark registers – lots of cello, bass clarinet, and bassoon evoking the dark possibilities inherent within the film’s title. Schifrin’s music for THE FOURTH PROTOCOL is not generally a character-driven score. With few exceptions, he uses the music to drive the story’s action rather than evoke personalities and perceptions.

As a pianist, composer and conductor, Lalo Schifrin is equally at home conducting a symphony orchestra, performing at an international jazz festival, scoring a film or television show, or creating works for the Los Angeles Chamber Orchestra, the London Philharmonic and even The Sultan of Oman. As a young man in his native Argentina, Lalo Schifrin received classical training in music, and also studied law. He came from a musical family, and his father, Luis Schifrin, was the concertmaster of the Philharmonic Orchestra of Buenos Aires at the Teatro Colon. Lalo Schifrin continued his formal music education at the Paris Conservatory during the early 1950s. Simultaneously, he became a professional jazz pianist, composer and arranger, playing and recording in Europe. When Schifrin returned to Buenos Aires in the mid 1950s, he formed his own big concert band. It was during a performance of this band that Dizzy Gillespie heard Schifrin play and asked him to become his pianist and arranger. In 1958, Schifrin moved to the United States and thus began a remarkable career.

Lalo Schifrin has written more than 100 scores for films and television. Among the classic scores are MISSION IMPOSSIBLE, MANNIX, THE FOX, COOL HAND LUKE, BULLITT, DIRTY HARRY, THE CINCINNATI KID and THE AMITYVILLE HORROR. Recent film scores include TANGO, BRINGING DOWN THE HOUSE, THE BRIDGE OF SAN LUIS REY, AFTER THE SUNSET, ABOMINABLE, RUSH HOUR, RUSH HOUR 2 and RUSH HOUR 3.

Among Schifrin’s conducting credits are the London Symphony Orchestra, the London Philharmonic Orchestra, the Vienna Symphony Orchestra, the Los Angeles Philharmonic, the Israel Philharmonic, the Mexico Philharmonic, the Houston Symphony Orchestra, the Los Angeles Chamber Orchestra, the Mexico City Philharmonic, the Atlanta Symphony Orchestra, the Orchestra of Saint Luke (New York City), the National Symphony Orchestra of Argentina, the Sydney Symphony Orchestra, and the Lincoln Center Chamber Orchestra.

Originally released in 1987 on vinyl by DRG and on compact disc the same year by England’s Filmtracks label, THE FOURTH PROTOCOL was one of the first soundtracks to be released on compact disc, and one of the most elusive.  The original CD release had some sonic issues and fans of the composer have been waiting a long time for that to be addressed. Buysoundtrax is excited to present a new compact disc release of THE FOURTH PROTOCOL, with liner notes written by author Randall Larson and new mastering from Digital Outland, making it possible to completely enjoy all the details of Lalo Schifrin’s music for the film.

1. Fourth Protocol (3:38)

2. Govorshin, Karpov, Borisov (2:27)

3. Petrofsky, Preston (2:50)

4. Berenson (0:49)

5. Mr. Ross, Telecommunications,

The Cast, The Freezer (2:44)

6. The Disc, Gregoriev,

Glasgow Docks (1:29)

7. Uranium I, Uranium II,

How About A Drink?, Heathrow (2:22)

8. Windows (2:40)

9. Vassilievna (2:08)

10. Detonator (4:50)

11. Zero Time (0:48)

12. Before I Go, Kill Her,

I Feel Lucky, Got Him,

Shredder (3:44)

13. Traffic Jam (1:40)

14. The Attic (2:12)

15. Explosions,

The Congregation (2:36)

16. Going Home, End Titles (3:46)

Total Time: 41:21

THE FOURTH PROTOCOL is a limited edition release of 1000 units.

Quelle: http://buysoundtrax.stores.yahoo.net/foprorsobyla.html

 

[Oliver79]

Der Mann heißt allerdings Schifrin. 

[horner1980]

Der Mann heißt allerdings Schifrin. 

 

Nennen wir es ein Leichtsinnsfehler.. danke dir für den Hinweis. 

[Gast]

The original CD release had some sonic issues...

 

Das einzige "sonic issue", das ich der alten CD ankreiden kann, ist die Lautstärke. Die CD war extremst leise gemastert. Ich habe mir mein eigenes Exemplar gebrannt, bei dem ich den Score dann normalisiert habe und ich bin seit vielen Jahren glücklich damit. Die Filmtrax-CD (im Werbetext fälschlicherweise als Filmtracks bezeichnet - und das bei BuySoundtracksx ) gehört allerdings zu der Reihe der in den späten 80'ern bei Nimbus gepressten CDs und zeichnet sich heute durch ein klebrige Labeloberfläche aus (=> Suchfunktion hier im Board).

[peter-anselm]

Da kann man auch mit Glasreiniger nix machen, das Ding klebt. Find den Score als solchen aber recht gut.

[Souchak]

Ich habe mir mein eigenes Exemplar gebrannt, bei dem ich den Score dann normalisiert habe

 

Am Heimrechner geremastert?

[Gast]

Am Heimrechner geremastert?

 

Normalisieren ist mit jedem halbwegs brauchbaren Audioprogramm möglich. Da braucht es keinen James Nelson zu.

 

Da kann man auch mit Glasreiniger nix machen, das Ding klebt.

 

Von solchen Versuchen rate ich bei diesen klebrigen Nimbus-CDs dringensd ab. Ich habe einmal versucht meine klebrige Red Heat-CD unter kaltem Wasser abzuspülen. Große Teile des Aufdrucks und der Lackschicht sind mit dem Wasser im Ablauf verschwunden. Unser Oli hat jetzt diese CD, ich hatte noch eine andere klebige...

[Souchak]

 Ich habe einmal versucht meine klebrige Red Heat-CD unter kaltem Wasser abzuspülen. Große Teile des Aufdrucks und der Lackschicht sind mit dem Wasser im Ablauf verschwunden.

 

Aubacke...

[horner1980]

Ich habe einmal versucht meine klebrige Red Heat-CD unter kaltem Wasser abzuspülen. Große Teile des Aufdrucks und der Lackschicht sind mit dem Wasser im Ablauf verschwunden. Unser Oli hat jetzt diese CD, ich hatte noch eine andere klebige...

 

Ach das ist die Geschichte hinter der Red Heat-CD... hatte ich total vergessen. Egal.. ich hab mich darüber gefreut und sie läuft auch noch einwandfrei  

[Gast Stefan Jania]

Der Score ist seit Dezember 2016 übrigens digital erhältlich.

 

[sound67]

Leider wie so viele Schifrin-Scores der 80er eine dünne Suspense-Soße, der einzige autarke, anhörbare Track sind die End Titles.