Veröffentlichung Kurz & knapp: Sammelthread für "kleine" Veröffentlichungen

[Stefan Jania]

Von Netflix Music gibt es nun THE CURSE OF BRIDGE HOLLOW, komponiert von Christopher Lennertz. Recht "saisonal", groß, sehr nett im Ohr. Gefällt mir wesentlich besser als z.B. zuletzt Debneys HOCUS POCUS 2.

 

 

[Stefan Jania]

Am 7.10.2022 um 14:50 schrieb Neuanfang:

Zwar (noch) keine Veröffentlichung im eigentlichen Sinne, aber passt hier vielleicht am besten. Ein sehr entspannter Score von Carter Burwell zu THE BANSHEES OF INISHERIN als FYC. Tut nach HELLRAISER richtig gut.

https://www.searchlightpictures.com/fyc/film/banshees-inisherin/soundtrack/

30 Minuten, viele kurze Tracks. Ich hoffe, dass in der Form kein Album erscheint, sondern einige Tracks kombiniert werden.

Schade. Das Album von Hollywood Records zu Carter Burwells The Banshees Of Inisherin spiegelt mehr oder weniger die FYC-Fassung. Zwar drei Minuten länger, ein wenig wurde kombiniert, aber ansonsten viele kurze Tracks. Dennoch sehr schöne Musik von Burwell. Wer z.B. Mr. Holmes mag, der wird den Score hier auch mögen.

 

[Oliver79]

Von GAD Records kommt am 28. November eine CD mit Henryk Kuzniaks Musik für 'Anna' i wampir (1982).

Zitat

Master of Polish film music, known, among others from the music to both parts of the film "Vabank" or "Sexmission" in the most uncompromising edition. "» Anna «and the vampire" is a dark search in ambient and industrial circles. A fascinating study of how to paint a fog with sound. Original soundtrack from 1981 plus a contemporary postscript made by Henryk Kuźniak in 2022 on the album.

In the early 1980s, Janusz Kidawa, a respected documentary filmmaker, made a feature film about the case of the Vampire from Zagłębie. Dark, hard to read, although for some people a cult image intrigued by the use of original materials from the investigation and melted the entire narrative in low-suspended mists. Kidaw invited Henryk Kuźniak to prepare the music, with whom they knew each other very well from their work at the Documentary and Feature Film Studio in Warsaw. It is difficult to call what Henryk Kuźniak prepared for the needs of "Anna and the Vampire" as film music in the strict sense. It is a Polish search on the border of ambient and industrial - and all this before these notions were even more widely used in our country. A sound design that paints over with sound what the image could not convey to the director in the fog of screens.

The material was remastered from the original tape from the composer's archive. The program of the album was complemented by a contemporary composition, made in 2022, which is a tribute to the victims of the Vampire. The booklet contains extensive text about the film and music, as well as photos from the set.

 

[Oliver79]

Auch dieses Jahr haben Howlin' Wolf Records zu Halloween einen thematisch passenden Score veröffentlicht: 10 / 31 Part 3 von Rocky Gray.

Zitat

Howlin' Wolf Records proudly presents Rocky Gray's score for 10/31 PART III, the third installment in the gruesomely popular 10/31 Anthology Series, with segments directed by renowned cult-cinema directors Michael Ballif (THE WITCHING SEASON, THEY LIVE INSIDE US), Jacob Perrett (WEIRD FICTION, CREATURE IN THE DARK), Brad Twigg (KILLER CAMPOUT, SHRIEKSHOW), Zane Hershberger (FORCE TO FEAR, and 10/31 PART II segment "Treaters"). 10/31 PART III is a perfectly eerie companion to create your own spooky Halloween ambiance. The soundtrack pays homage to great synth scores from the '80s accented by flourishes harkening back to scores by Italian progressive rock icons Goblin and Fabio Frizzi.

Rocky Gray is an award-winning composer of over 30 features, shorts, and video games. An accomplished musician, he was the original drummer for the multi-platinum goth rock band Evanescence, and later drummer and lead guitarist for We Are The Fallen and Living Sacrifice, respectively. He most recently earned raved reviews and a "Best Score" win for THE BARN II at the 2022 GenreBlast Film Festival.

10/31 PART III is beautifully packaged in a jewel case with a 24-page booklet including a foreword by film music journalist John Mansell and notes from segment directors (Ballif, Perrett, Twigg, Hershberger) and composer Rocky Gray, all presented against a frighteningly colorful web of All Hallows' Eve imagery with jack-o-lanterns, witches, bats, monsters, and demons. The booklet features original cover artwork by Gaz Jackson at Sinister Arts and beautiful packaging designs by Howlin' Wolf Records' acclaimed Art Director, Luis Miguel Rojas.

 

[Stefan Jania]

Mercury hat wunderschöne symphonische Musik von Abel Korzeniowski zu Till veröffentlicht. Schwelg....

 

[Alexander Grodzinski]

Neu von Dragon's Domain:

Dragon’s Domain Records presents BRUTAL, featuring music composed and performed by Alan Howarth for the 2012 horror film written by Michael Patrick Stevens, directed by Darla Rae and Michael Patrick Stevens, starring A. Michael Baldwin (PHANTASM), Reid Luttrell, Jamie McCall, Annie Molnar, Camryn Molnar, Jennifer Wilde and Michael Patrick Stevens as Brutal.

Released in 2012, BRUTAL begins with Carl Gibson (Baldwin) waking up in a dingy basement, naked from the waist up and chained to a chair. The basement belongs to a stoical dungaree-wearing loner named Brutal. Subjected to a seemingly endless game of torture, Carl wonders if he will ever see his family again.

BRUTAL is the writing, producing, directing and acting debut of Michael Patrick Stevens. The music for BRUTAL is composed by genre favorite Alan Howarth.

Alan Howarth, in addition to being a composer, is an accomplished sound designer and editor, having worked on films such as STAR TREK: THE MOTION PICTURE, POLTERGEIST, TOTAL RECALL, ARMY OF DARKNESS, BRAM STOKER’S DRACULA, STARGATE and many others. He has been a frequent music collaborator with John Carpenter on his films beginning with ESCAPE FROM NEW YORK in 1980 and including HALLOWEEN II & III, CHRISTINE, BIG TROUBLE IN LITTLE CHINA, THEY LIVE and PRINCE OF DARKNESS and Alan has scored many films on his own, including RETRIBUTION, HALLOWEEN 4 & 5, THE DENTIST, HEADLESS, BOO!, EVILUTION and most recently, HOUSE AT THE END OF THE DRIVE, SHINER and HOAX.

Dragon’s Domain Records presents BRUTAL, featuring music composed and performed by Alan Howarth. The music has been mastered by James Nelson at Digital Outland.

BRUTAL is a limited edition release of 500 units and is expected to begin shipping the week of November 1st, 2022. The first 50 copies sold through our website will include an autograph by the composer.

1. Brutal Main Titles and Carl’s Family (5:17)
2. Sander (3:34)
3. Nail Gun (3:34)
4. Rock, Paper, Scissors (5:40)
5. Wheel Of Torture (2:33)
6. Potato Peeler (5:40)
7. Injection (3:02)
8. Hot Foot (6:14)
9. It’s Only a Game (5:07)
10. You Lose, You Die (5:55)
11. 16th Birthday (5:55)
12. 8 Months Later (3:51)
13. Can’t Live Without You (4:15)
14. Forgive Me (2:53)
15. Live With the Pain (5:15)
Total Time: 69:21

Dragon’s Domain Records presents THE PETER BERNSTEIN COLLECTION, VOLUME 3 , featuring music composed by Peter Bernstein for two projects from his filmography, FIFTY/FIFTY and MIRACLES.

Released in 1992, FIFTY/FIFTY tells the story of Jake (Peter Weller) and Sam (Robert Hays), two mercenaries who run into each other on Tengara, a remote South Seas island where a revolution seems to take place every other day. Recruited by the CIA to overthrow a power-mad dictator, they are tasked to raise an army. But the choices are few and the odds against them are high, until they meet Suleta (Ramona Rahman), a beautiful freedom fighter who helps them get started.

FIFTY/FIFTY was directed by veteran actor Charles Martin Smith, who also co-stars as Martin Sprue, the CIA handler in charge of Jake and Sam. Filming was split between the island of Penang and the Central Malaysian state of Perak, according to the production notes.

FIFTY/FIFTY is an orchestral score, recorded with an orchestra of 65 musicians. Bernstein’s music is based around a single primary theme, energized by propulsive brass attacks and powerful intonations of full orchestra.

Released in 1986, MIRACLES tells the story of Jean (Teri Garr) and Roger (Tom Conti), a newly divorced couple who learn the hard way that when you are meant to be together, nothing can keep you apart. As the film continues, Jean and Roger keep running into each other, literally... A robbery gone wrong results in a police chase, with the robber crashing into Jean’s car and then Roger’s car, which happens to be nearby. The robber kidnaps both Jean and Roger and forces them to drive, leading to an elaborate madcap chase across international borders, multiple crazy situations and ultimately to Jean and Roger’s reunion.

For MIRACLES, Peter Bernstein provides an appropriately exciting musical score for this wild comedic ride. Bernstein’s breathtaking score ranges from the exotic drums and synth of the opening jungle sequence to a richly arranged celebratory finale. The score was recorded at the old CTS Studios in Wembley, England, on the world’s first DSP digital mixing console and performed by members of the Royal Philharmonic Orchestra.

The son of Academy Award winning film composer Elmer Bernstein (THE MAN WITH THE GOLDEN ARM, THE TEN COMMANDMENTS, THE MAGNIFICENT SEVEN, TO KILL A MOCKINGBIRD, GHOSTBUSTERS), Peter Bernstein grew up around recording stages, watching his father work and absorbing as much as he could. His musical education began with piano lessons. He eventually decided he wanted to be a bass player and studied bass with Carol Kaye, a member of the legendary ‘Wrecking Crew’ group of LA studio musicians. Around the same time, Peter was also studying with pioneering electronic music composer Morton Subotnick. He began his professional career as a rock n’ roll bass player at age 14 and worked in the record business as a touring bass player, band member, session player, arranger and record producer for the next 20 years. As time passed it became clear that there was going to be more opportunity for him as a composer and Peter began by working for other composers as an orchestrator and arranger. He orchestrated all or part of almost all of his father’s scores from 1974-1986, while still working in the rock n roll record business. Orchestration credits from the era include ANIMAL HOUSE, TRADING PLACES and GHOSTBUSTERS, as well as the scored portions of Michael Jackson’s THRILLER video. His credits as composer include HOT DOG… THE MOVIE, BOLERO, THE EWOK ADVENTURE, MY SCIENCE PROJECT, EWOKS: THE BATTLE FOR ENDOR, THE ALAMO: THIRTEEN DAYS TO GLORY, CANADIAN BACON and PUPPET MASTER VS DEMONIC TOYS. For television, his credits include 21 JUMP STREET, BOOKER, FALLEN ANGELS, CHICAGO HOPE, ROUGH RIDERS, MOWGLI: THE NEW ADVENTURES OF THE JUNGLE BOOK and HONEY, I SHRUNK THE KIDS: THE TV SHOW.

Dragon’s Domain Records presents THE PETER BERNSTEIN COLLECTION, VOLUME 3, featuring music composed and produced by Peter Bernstein for FIFTY/FIFTY and MIRACLES, presented for the very first time on compact disc. The music has been mastered by James Nelson at Digital Outland and the liner notes have been written by noted author Randall Larson, with the participation of the composer.

THE PETER BERNSTEIN COLLECTION, VOLUME 3 is a limited edition release of 500 units. THE PETER BERNSTEIN COLLECTION, VOLUME 3 is expected to begin shipping the week of November 1st, 2022. Composer Peter Bernstein will sign the first 50 copies of THE PETER BERNSTEIN COLLECTION, VOLUME 3 sold through the website.

FIFTY/FIFTY
1. Main Title/Escaping the Palace (3:39)
2. Training Montage/Village Attack (4:03)
3. Under Attack/Suleta's Sacrifice (4:39)
4. Tense Montage/Final Attack (4:09)
5. Liberation/End Title (3:09)

MIRACLES
6. Opening Titles/The Sick Girl/The Big Storm (3:49)
7. Explosion and Power Outage at the Hospital/
Police Chase/The First Big Car Crash (3:30)
8. Juan Kidnaps Jean and Roger/Drive to Hideout/Police Surround the Hideout (3:15)
9. Race To The Airfield/Miraculous Events/Roger and Jean Catch A Moving Plane/The Takeoff/Roger Comforts Jean/Juan and Harry/Get Their Parachutes (5:22)
10. Uncontrolled Dive/Leveling Off/Skimming The Mountaintop/Avalanche/
Crash Landing/Stranded In The Desert/A Car/Federales At The Plane/
Roger and Jean Arrested (5:12)
11. Jean’s Story/Juan Rescues Jean and Roger/Federales Chase/Racing To The Boat/Pier Shootout With Federales (4:20)
12. Rekindled Romance On The High Seas/The Storm/Taking Roger To The Village/This Was A Miracle (4:07)
13. Villagers Walk To Church/The Operation And Recovery/Explosion/
The Second Big Car Crash/Reunited (4:40)
14. End Credits (3:12)
15. Acoustic Guitar Source (0:52)
Total Time: 58:40

Dragon’s Domain Records presents a new release of THE PIT & THE PENDULUM, to be distributed through Buysoundtrax.com. THE PIT & THE PENDULUM features music composed and conducted by Richard Band (RE-ANIMATOR, FROM BEYOND, GHOST WARRIOR, TROLL) for the 1991 version of the classic story written by Edgar Allan Poe, adapted by Dennis Paoli, directed by Stuart Gordon (RE-ANIMATOR) and starring Lance Henriksen. Stephen Lee, Rona De Ricci, Jonathan Fuller, William Norris, Mark Margolis, Frances Bay, Carolyn Purdy-Gordon, Jeffrey Combs and Oliver Reed.

First published in 1842, Poe’s PENDULUM is a ghastly tale of torture and execution told by a forsaken narrator sentenced to death for heresy by the Spanish Inquisition. This adaptation follows a pair of young bakers drunk on love and brimming with marital bliss. While peddling loaves of bread in the town square, Maria (De Ricci) and Antonio (Fuller) are separated by an unruly mob while a battered woman is paraded into the square to be burned at the stake as a witch by the Spanish Inquisition. Maria and Antonio reunite only to be forced by church authorities to stand witness to the grotesque human barbecue unfolding before their eyes. The expression of Maria’s disgust and her pleas for Christian mercy at the feet of Grand Inquisitor Torquemada (Henriksen) convinces the over-zealous witch hunter to arrest, torture and prosecute Maria as a ward of Satan.

THE PIT & THE PENDULUM was a continuation of the creative collaboration between director Stuart Gordon and Richard Band, which includes films such as RE-ANIMATOR, FROM BEYOND, CASTLE FREAK and episodes from the anthology series MASTERS OF HORROR. The one thing Gordon routinely offered Band was total creative independence. The director and composer would meet once or twice early in the scoring process so that Band could bounce initial ideas off his director; once those decisions were agreed upon, Gordon left his composer alone to do the job he was hired to do. As is the case with most low-cost films, the limited music budget guided Band’s compositional hand as much as its story elements. Calculated decisions were necessary to blend live orchestral and choir elements with supplemental electronic tracks to create the aural illusion of spending more on the score than was actually allocated.

Richard Band was born in Los Angeles on December 28, 1953. He is the son of film producer-director-writer Albert Band (THE RED BADGE OF COURAGE – screen adaptation), brother to producer-distributor Charles Band and uncle to young rock star Alex Band of the rock group ‘The Calling’. Shortly after his brother Charles had formed his first movie company, Richard decided to take a break from music and began to work as an assistant director on some of his films. He then went from assistant director to production manager, to associate producer and finally producer on over 13 films. Richard has since gone on to score over 75 feature films and many television productions.

Band has composed the music for more than 10 interactive computer/video games over the years and has had many soundtracks that have been released of his film works. He has also scored many documentaries including the award-winning series’ MOST DECORATED, BRUTE FORCE and WEAPONS OF WAR and has also contributed much music to other series’ like THE REAL WEST, CIVIL WAR JOURNALS and BIOGRAPHIES. His experience over the years has brought him to record over 22 film scores with internationally renowned orchestras such as THE ROYAL PHILHARMONIC ORCHESTRA, THE LONDON SYMPHONY and THE ROME PHILHARMONIC. He has also had his music recorded in Prague, Romania, Croatia and Munich.

For this new presentation of Richard Band’s score for THE PIT & THE PENDULUM, the music is presented on two CDs, newly remixed from the master tapes courtesy of engineer Matt LaPoint, with liner notes written by author and composer Brian Satterwhite, with the participation of the composer. The first disc is a representation of Band’s complete score as featured in the movie. The second disc is a collection of various alternate tracks, most of them isolated synth tracks without their orchestral or choral counterparts. The inclusion of these rare isolated synth tracks gives the listener the most comprehensive plunge into one of Richard Band’s greatest and more gratifying film scores of his career.

THE PIT & THE PENDULUM is a limited edition release of 500 units. THE PIT & THE PENDULUM is expected to begin shipping the week of November 7th, 2022. The first 50 copies ordered through the website will be autographed by the composer at no extra charge.

CD 1

1. The Crypt / The Whipping Of The Corpse (2:26)
2. The Pit And The Pendulum Main Title (3:58)
3. The Chase And Onslaught (2:33)
4. Auto Da Fe (2:35)
5. The Arrest Of Maria / Maria Is Searched (2:48)
6. Torquemada's Flogging / Antonio Searches Dungeon (3;40)
7. Esmeralda's Meadow Of Peace (1:32)
8. Torquemada Takes Maria / Maria Is Shown Chamber (2:36)
9. Antonio Battles The Guards / The Pope's Envoy (6:12)
10. The Rape of Maria (6:00)
11. Esmeralda Comforts Maria (1:41)
12. Maria's Burial / Esmeralda's Curse (5:19)
13. The Pit And The Pendulum(8:45)
14. Hidden Action (5:06)
15. Gordon’s Shop (2:25)
16. Maria Rises From The Crypt (5:19)
17. Resurrection And Finale And End (5:52)
Total Time CD 1: 68:47

CD 2
1. Auto Da Fe (2:36)
2. The Night Auto Da Fe / Esmeralda's Revenge (Album version) (2:36)
3. Antonio Battles The Guards (4:01)
4. Torquemada Cuts Out Maria's Tongue (2:23)
5. The Crypt / Main Title (No choir) (5:05)
6. The Chase And Onslaught / Auto Da Fe Again (4:51)
7. Esmeralda's Meadow Of Peace (1:32)
8. Antonio Battles The Guards (4:03)
9. The Rape of Maria (3:44)
10. Maria's Burial / Mendoza Sees Torquemada
By Maria's Crypt (2:25)
11. The End of Torquemada (4:35)
12. Resurrection And Finale (3:08)
13. Main Theme from The Pit And The Pendulum (2:48)
Total Time Part 2: 43:47
Total Running Time: 1:52:34

[Oliver79]

 

Bei Kadokawa ist ein Set zu dem japanischen SF-Film Segoku jietai * Time Slip (1979) mit Sonny Chiba erschienen. Zum umfangreichen Bonusmaterial zählt auch eine CD mit dem Score von Kentaro Haneda.

Zitat

In commemoration of the first anniversary of the death of Shinichi Chiba, who played the lead role of Yoshiaki Iba and was also the action director of this film, "Sengoku Jieitai" (aka "Time Slip", "I Want To") is now available on 4K Digital Restoration Ultra HD Blu-ray [HDR Version]!

* The original motion picture score from"Sengoku Jieitai" is included on CD for the first time!
6mm sound source that was said not to exist until now has been unearthed! In the past, a collection of image songs was released as the "Sengoku Jieitai" soundtrack (1979 LP, 1995 CD *currently out of print), but this time, the remastered 6mm play accompaniment that was unearthed has been released on CD for the first time!

* First time the original audio from the theatrical release is included!
In addition to the original 4-channel stereo sound, monaural sound and dubbed sound produced for overseas release are included for the first time!
* For those films with 5.1ch sound, Dolby Atmos conversion has been reconverted.
In this film, the 5.1ch remix sound source supervised by Fumio Hashimoto, a recording engineer, was converted to Dolby Atmos when it was released on DVD in 2005!
* Remastered in Dolby Vision!
UHD-BD is a triple-layer disc (100GB) in order to record the ultimate picture quality.
The original trailer and special features are also converted to 4KHDR and recorded in UHD.

* Sengoku Jieitai" Complete Document Collection is included!
The "Sengoku Jieitai" Complete Documentation Collection, consisting of newly discovered stills and interviews with related parties, is included in the package.

* "SENGOKU JIEITAI" with overseas version (English dubbing) selection playback function!
When the newly discovered English dubbed audio is selected, playback switches to the overseas version (English opening title and English ending roll), allowing you to watch the international version for export! In addition, Japanese subtitles can be selected for the English audio.

Release Date: 2022.10.28(限定盤)

 

[Oliver79]

Bei Incunabulum Records ist Jozef van Wissems Neukomposition für F.W. Murnaus Nosferatu, eine Symphonie des Grauens auf CD und LP erschienen.

Zitat

Jozef van Wissem – Lute, Electronics, Beats, Electric Guitar, Found Bird Sounds

I was commissioned by Cinémathèque Française in Paris to compose the soundtrack to the restored original version of the “Nosferatu” film (1922). When I was writing the score I found a Dutch double 7 inch record with sounds of extinct birds on the streets of Rotterdam. I manipulated these found bird sounds by using electronics and added them to the score. “Beginning with a lute solo, his soundtrack incorporates electric guitar and distorted recordings of extinct birds, graduating from subtlety to gothic horror.” My soundtrack goes from silence to noise over the course of 90 minutes, he said, culminating in “dense, slow death metal.” The New York Times

 

[Alexander Grodzinski]

Und auch hier auf Vinyl von Quartet, Hable con ella (Talk to her).

Zitat

Quartet Records and El Deseo present the 20^th anniversary premiere vinyl release of Alberto Iglesias’ warm and passionate score for Pedro Almodóvar’s unforgettable film HABLE CON ELLA (aka TALK TO HER), Oscar winner for Best Original Screenplay in 2002. It was their fourth film together.

Alberto Iglesias’ romantic, emotional, highly inspired and moving score features echoes of Spanish flavor imbued with melancholy. The original CD edition released in 2002 was a big success, selling more than 500,000 units just in France and becoming a classic. But it has never been released in vinyl before.

To celebrate its 20^th anniversary, this 2-LP Quartet edition, newly remastered from the original master tapes by the original sound engineer, José Luis Crespo, has been pressed in red and blue audiophile 180 GM vinyl, and is presented in a gatefold jacket.

DISC 1

SIDE A

1. Sabana Santa (1:04)
2. Hable con ella (5:18)
3. El grito (3:29)
4. La mesita de noche (1:45)
5. Jordania (2:52)

SIDE B

1. El amante menguante (8:28)
2. Maria Santísima de Araceli (2:12)
3. La noche y el viento (1:11)
4. Trincheras / Decadance (3:29)

DISC 2

SIDE C

1. Cucurrucú Paloma. Caetano Veloso (3:51)
2. Habitación de Alicia (1:51)
3. A Portagayola (1:48)
4. La discusión viaja en coche (3:45)
5. Alicia vive (2:46)
6. Los olivos (1:14)

SIDE D

1. The Plaint: O let me Weep, for ever Weep. Henry Purcell (7:53)
2. Amanecer Agitato (1:58)
3. Soy Marco (2:21)
4. Raquel. Bau (4:12)

 

[Oliver79]

Von Milan Records kommt eine CD von Anne-Sophie Versnaeyens Musik zu Nicolas Bedos' Gaunerkomödie Mascarade mit Pierre Niney, Isabelle Adjani, Francois Cluzet und Marina Vacth in den Hauptrollen.

Zitat

Présentée à Cannes, la nouvelle comédie dramatique de Nicolas Bedos "Mascarade" réunit un casting prestigieux : Pierre Niney, Isabelle Adjani ou encore François Cluzet. Pour la musique de ce film, Nicolas Bedos s’est une fois de plus tourné vers Anne-Sophie Versnaeyen, après le succès public et critique de "La Belle Epoque" (2019) ainsi que du dernier "OSS 117 : Alerte rouge en Afrique noire" (2021). La talentueuse compositrice nous offre une sublime partition subtile où le romantisme se fait l'echo de thèmes plus sombres.

Connue pour ses sublimes morceaux en piano, Anne-Sophie Versnaeyen a souhaité s’entourer cette fois-ci de la violoniste soliste Sarah Nemtanu, du violoncelliste Gregoire Korniluk et du pianiste Julien Carton pour composer cette sensationnelle Bande Originale.

On y retrouve de magnifiques valses, des ballades émouvantes ainsi que des morceaux ou se répondent piano et violoncelle qui accompagnent avec perfection le quatrième long métrage de Nicolas Bedos.

Une musique poignante, sentimentale, touchante mais aussi entraînante qui n’est pas sans rappeler la BO de Jóhann Jóhannsson « The Theory of everything »

 

[yakuza]

Am 10.9.2022 um 14:24 schrieb Oliver79:

Am 2. November von Cinema-Kan: Ein 3-CD-Set mit den vollständigen Scores zu Hanzo the Razor: Sword of Justice (Kunihiko Murai), Hanzo the Razor: The Snare (Isao Tomita) und Hanzo the Razor: Who's Got the Gold (Hideaki Sakurai).

 

http://www.cinemakan.com/catalog/cink143

Bin durch den Hinweis hier aufmerksam geworden und habe mir zunächst die Filme angeschaut. Puh, ich hab' schon viel gesehen - aber japanischen Samurai-Trash kannte ich noch nicht. Eine recht bizarre Filmreihe um einen rechtschaffenden Samurai (Shintarō Katsu), der sich gegen die Korruption im Polizeiapparat auflehnt und gegen Kriminelle auch in höheren Schichten auf eigene Faust vorgeht. Faust trifft es nicht so richtig, ja, er hat auch ein Schwert, aber seine wirkungsvollste Waffe trägt er zwischen den Beinen: Hanzo ist gut bestückt und setzt sein Gemächt mit Vorliebe im Verhör ein...bis er eine befriedigende Antwort erhält. Die Storys sind ansonsten recht dünn und lösen sich nicht immer verstehbar auf, es gibt die typischen "spritzigen" japanischen Blutorgien, einen interessanten Cast (toll hysterisch: Hanzo's aalglatter und windiger Vorgesetzter (Kô Nishimura); schön, dass es in den Folgefilmen jeweils ein Wiedersehen mit Freunden und Feinden von Hanzo gibt) - aber vor allem die Musik sticht heraus: die Handlung spielt zur Edo-Zeit in Japan (so um 1700), untermalt wird das Ganze aber mit Funky-Soul, Disco und Electro-Klängen. Das kommt im Film noch besser rüber (passt mit sleazigen Nummern und gehauchten Frauenchören wunderbar zu den unüblichen Sexszenen) als für sich alleine auf CD.

Das 3er-Set ist liebevoll gemacht mit einem hübschen Booklet, musikalisch haben mir Teil 1 und 3 mit Philly-Sound (Teil 1 von Kunihiko Murai) und brass-lastigem Hauptthema (Teil 3 von Hideaki Sakurai) am besten gefallen. Aber insgesamt gibt es zu wenig einprägsame Melodien für 3 CD's (immerhin rund 80€), eine CD für alle Filme zusammen hätte es auch getan. Klanglich alles top.

 

Ich bin den Mitgliedern des Boards immer wieder dankbar für schon so viele interessante Tipps - Hanzo sollte man auf jeden Fall mal in Augenschein nehmen

Bearbeitet 6. November 2022 von yakuza
falsche Rubrik

[Stefan Jania]

Von Backlot kam Ende letzter Woche der kleine und hübsche Gitarren-lastige Score von Christopher Spelman zu Armageddon Time. Nur knapp 14 Minuten lang. Ich kannte von Spelman bisher nur seinen Score zu The Lost City Of Z, den ich auch sehr gelungen fand.

 

[TheRealNeo]

Danke für den Hinweis!
Dann arbeitet der Rest des Films wohl mit Songs oder klassischen Stücken.

[Oliver79]

Neben dem bereits in einem anderen Thread erwähnten Reissue des Hill/Spencer-Titels von De Angelis, bringen Beat Records am 10. November auch eine Neuauflage von Ennio Morricones Scores für die beiden Provvidenza-Filme (der zweite Teil co-komponiert mit Bruno Nicolai).

Zitat

Beat Records is glad to propose again on CD the brilliant music by Ennio Morricone for LA VITA, A VOLTE, È MOLTO DURA, VERO PROVVIDENZA? directed in 1972 by Giulio Petroni and by Ennio Morricone and Bruno Nicolai for CI RISIAMO, VERO PROVVIDENZA? directed in 1973 by Alberto De Martino, two comic westerns starring the legendary Tomas Milian.

For Provvidenza's first adventure, Ennio Morricone composed a cheerful and brilliant score in which a recurring piece of religious/folk flavor emerges for female choir, with pop rhythms and tubular bells. A truly varied OST with suspense music, saloon pieces for piano, a romantic orchestral love theme, Indian music with sitar and a piece that winks at Rossini's Figaro. For the sequel, the varied soundtrack bears the signature of both Ennio Morricone and Bruno Nicolai (who'd previously worked with director De Martino on the films ''Dalle Ardenne all'inferno," ''OK Connery," ''Roma come Chicago'' and ''L'anticristo''). The prestigious duo composed a comic main theme with pop rhythms and choir alternating with square dance music, the delicate love theme ''Bocca a bocca'', saloon pieces, baroque pop music, Asian atmospheres and a great orchestral Can-Can. This long-running CD (76:45), derived from the stereo masters of the original sessions, will transport the listener to the torrid lands of the West in the company of Provvidenza, the funny, kind-hearted character who mocks Charlot with pleasant background music by Ennio Morricone and Bruno Nicolai.

 

[Oliver79]

Bei Alpha Classics ist eine CD mit Guillaume Roussels Musik für das französische Drama Couleurs de l'incendie erschienen.

 

[Stefan Jania]

Wirklich schöne Musik von Jeff und Mychael Danna zum neuen Netflix-Animation-Film My Father's Dragon. Toller Titel-Song, gesungen von Anohni.

 

[Stefan Jania]

Von Milan gibt es Ryuichi Sakamotos Musik zur Netflix-Serie Exception. Schon seit einem Monat draußen. Gibt es als kürzere CD-Version (27 Tracks) oder über zwei Stunden digital (58 Tracks). 

 

[Oliver79]

Bei Soundtrack Pub erscheint am 23.11. ein Doppelalbum mit Yusuke Hommas Kompositionen für die japanischen Kiddie-Shows Omoikkiri Tanteidan Hakurakugumi und Jaman Tanteidan Makonigumi.

Zitat

The first soundtrack album that contains the music (BGM) from the TV drama "Toei Fushigi Comedy Series" for children broadcasted in the 80's and 90's!
The theme song and music (BGM) of the 1987 broadcast "Omoikkiri Tanteidan Hakunugumi" and the 1988 broadcast "Jaman Tanteidan Maringumi" were compiled into two CDs.

The music is in charge of Yusuke Homma, who works on the popular drama "Ninzaburo Furuhata" and the anime "Fushigi Yugi". A variety of music supported a variety of episodes, such as the mysterious songs that flowed in the appearance scenes of Kaijin Matenro and Kaito Jigoma, light songs and humorous songs that liven up the activities of the detective group.

This album contains the BGM created for both works (all songs except for some unused takes and extra songs). The newly recorded version of "Shino's Counting Song" used in the 25th episode of "Omoikkiri Tanteidan Haakudougumi" and the "Princess Tanuki Theme" used in the 44th episode were recorded separately from the regular music. Extra music was recorded as much as possible. Includes TV size and record size of the opening and ending theme songs!

*Because we are using an old sound source, there are parts that are difficult to listen to, but please understand.

 

[Stefan Jania]

Ein zweiter sehr schöner Score von Abel Korzeniowski kam gerade von Spitfire Music: EMILY. So hat Korzeniowski jetzt auch sein Wuthering Heights.

 

[Stefan Jania]

Mit Colin Stetson konnte ich mich bisher nicht so richtig anfreunden. Viel Sounddesign. Colour Out Of Space hat bei mir etliche Durchläufe gebraucht, bis ich den Score heute wirklich mag. Ende der Woche kommt sein Score zu The Menu als 40-Minuten Fassung von Milan. Als FYC gibt es ihn schon mit 90 Minuten auf der Searchlight-Seite (s.u.). Der Score ist nun anders. Hat auch einiges an "Stetson-Sounddesign", aber auch viel "Klein-Orchestral" Hörenswertes. Bin auf die Milan-Fassung gespannt. 90 Minuten sind für den Score echt zu lang.

https://www.searchlightpictures.com/fyc/film/menu/soundtrack/

 

[Oliver79]

Bei Plaza Mayor Company Ltd ist eine CD mit Raf Keunens Musik für den italienischen Horrorfilm Flowing aka Piovre  auf CD und digital erschienen.

 

[Stefan Jania]

Für Freunde von 90'er Thriller-Musik. Von Paramount kam gerade erstmals Normand Corbeils (1956-2013) Score zu DOUBLE JEOPARDY aus dem Jahre 1999. Seinen Namen auf dem Cover hätte Paramount aber doch wenigstens richtig schreiben können. ?

 

[scorefun]

vor einer Stunde schrieb Neuanfang:

Für Freunde von 90'er Thriller-Musik. Von Paramount kam gerade erstmals Normand Corbeils (1956-2013) Score zu DOUBLE JEOPARDY aus dem Jahre 1999

Ich mag den Film

[Stefan Jania]

Digital von Backlot und auf CD von Intrada: Mark McKenzies PRANCER: A CHRISTMAS TALE. Rein Synth. Zwar nett, aber belanglos. Gibt bessere Weihnachtsscores. ? Sein eigener BLIZZARD, zum Beispiel.

[Stefan Jania]

Von Neflix gibt es seit letzter Woche Pinar Topraks SLUMBERLAND. Ein völlig over-the-top Jungendfilm mit tollen Effekten und einer wirklich bezaubernden Marlow Barkley. Die Musik ist auch passend over-the-top. Nicht schlecht, aber kein Album, auf das ich oft zurückkommen werde. Ist mir zu hektisch. Mit Ausnahme des schönen Hauptthemas, das sich in Track 24 ("Nemo & Dad Reunite") und Track 26 ("Slumberland") hübsch entfaltet. Die beiden Tracks wären auch meine Anspieltipps.