veröffentlichung Dragon's Domain: THE UNTOUCHABLES (Joel Goldsmith)

[Alexander Grodzinski]

DD veröffentlicht Joel Goldsmiths Musik zur Serie von 1993. Unglaublich, aber wahr: Seit Joels Tod ist das erst die zweite Filmmusik, die von ihm veröffentlicht wird. HELEN OF TROY entstand noch während seines irdischen Daseins, wurde aber erst nach seinem Ableben veröffentlicht. Scheinbar sind die Label nicht so an seiner Musik interessiert, auf der anderen Seite dürfte er auch nicht soo viele Fans haben, die sich seine Sachen außerhalb von STARGATE anhören. Schade eigentlich.

Zitat

Dragon’s Domain Records, to be distributed by BuySoundtrax Records, will be releasing THE UNTOUCHABLES, featuring music composed by Joel Goldsmith (STARGATE UNIVERSE, STARGATE ATLANTIS, STARGATE SG-1) for the 1993 television series developed and produced by Christopher Crowe, starring Tom Amandes as Elliot Ness, John Haymes Newton, David James Elliot, Michael Horse, John Rhys-Davies, Nancy Everhard, Valentino Cimo, Paul Regina and William Forsythe as Al Capone.

THE UNTOUCHABLES was officially based on the classic 1959 TV series that had starred Robert Stack as Federal Agent Eliot Ness, although the influence of Brian De Palma’s 1987 feature film version was also very much in evidence. The series premiered on January 11th and lasted two seasons, broadcast on Paramount’s UPN television network from 1993 to 1994.

THE UNTOUCHABLES was created and developed by Christopher Crowe, who wrote nearly all of the series episodes. Crowe had been an executive producer on the revived ALFRED HITCHCOCK PRESENTS in 1985 and had co-written, with Michael Mann, the screenplay for Mann’s LAST OF THE MOHICANS (1992) in addition to writing and directing the mystery thriller WHISPERS IN THE DARK (1992). THE UNTOUCHABLES focused on Ness and his fellow officers’ attempts to quash the ruthless crime wave of Al Capone in Prohibition-era Chicago; their team is designated “untouchable” because they couldn’t be bribed or intimidated by the mob. Crowe’s vision for the series, unlike the original TV show or the De Palma feature film, was to stick to a historically correct portrayal of Chicago in the 1930s. The series was filmed on location in Chicago, with additional expenses incurred for vintage vehicles and complicated stunts and action sequences.

Joel’s journey to THE UNTOUCHABLES began when he scored a short-lived TV series called H.E.L.P. in 1990. His father Jerry Goldsmith was hired to compose the series theme and his agent Richard Kraft suggested Joel write the underscore for the pilot. The producers agreed and when the pilot went to series, Joel wound up scoring that as well. The same situation occurred again with the TV Western, BROTHERHOOD OF THE GUN (1991; aka HOLLISTER), which was made by the same producing team; Jerry wrote the theme and Joel wrote the score for the movie. Later, when the same team came together to launch THE UNTOUCHABLES, discussion was again held to have Jerry write the series’ theme and Joel compose the episode music. But Jerry’s schedule turned out to be too busy and he could not become involved in the show. The producers offered the show to Joel, who ultimately composed all 42 episodes of THE UNTOUCHABLES. Joel’s theme turned out to be one of the best of his career. As it turned out, Jerry came in to conduct the orchestra for the main title, as well as a few cues in the pilot.

 Since his first cinematic composition, a collaboration with then-newcomer Richard Band on the low-budget science fiction thriller, LASERBLAST (1978), Joel scored a number of feature and television films throughout the 1980s and ‘90s, including the sci-fi series SUPER FORCE (1990), Roland Emmerich’s early sci-fi thriller MOON 44 (1990), and Jim Wynorski’s gentle family comedy, LITTLE MISS MILLIONS (1993).  After THE UNTOUCHABLES, Joel went on to score the TV series HAWKEYE (1994), BAD BLOOD (1994, aka VIPER), Jim Wynorski’s VAMPIRELLA (1996), KULL THE CONQUEROR (1997), TV’s WITCHBLADE (2000), HELEN OF TROY and several iterations of the STARGATE TV series (1997-2011). He also provided synthesized sound effects for STAR TREK: THE MOTION PICTURE (1979) and composed additional music for STAR TREK: FIRST CONTACT (1996). Tragically, Joel passed away at the age of 54 on April 29, 2012, from cancer.

Dragon’s Domain Records, to be distributed by BuySoundtrax Records, presents the world premiere release of Joel Goldsmith’s music for THE UNTOUCHABLES, mastered by James Nelson at Digital Outland. The booklet contains liner notes written by author Randall Larson. THE UNTOUCHABLES is presented on 2 CDs. The first disc contains music from the pilot episode, and thus contains the richer sound of the full orchestra. Music from fourteen selected episodes from Seasons 1 and 2 occupy the second CD, while different versions of the main title theme bookend each disc. Fans of the composer will find much to enjoy on these two discs.

THE UNTOUCHABLES is a limited edition of 1000 units.

DDR625

Music from the 1993 Television Series
The Untouchables

Music by
Joel Goldsmith

Pilot Score Conducted by
Jerry Goldsmith

$29.95

Ships the week of
May 9th

DISC ONE
THE PILOT SCORE
01. The Untouchables Main Title (1:03)
02. Prepare For Battle/Cat and Mouse (5:45)
03. Capone Grows Up (2:56)
04. Eliot and Lewis/BB Gun (1:46)
05. Al Gets Cut (2:07)
06. Mae and Al Montage (2:37)
07. Cate Sees Ness/”Uncuff Him, Riley” (1:41)
08. Ness Meets Catherine (1:19)
09. The Go-Between/Not Your Outfit, Al/
Big Jim Gets Shot (3:29)
10. Eliot and Catherine Kiss/A New Era (1:27)
11. Double Marking/No Idea How Big/
Life is Good (2:22)
12. Will You Marry Me? (0:54)
13. Truck Hijacking/O’Banion Calls Malone/
New Cop on the Beat/O’Banion Gets Shot
You Got War (4:36)
14. Beer War Montage (2:49)
15. Turned Into Meat/
Ness Gets New Job (3:12)
16. Play On to Moran/z
Valentine’s Day Massacre (2:37)
17. Florida and Ness Montage/
Hoover’s Revenge (2:21)
18. Untouchables Team (2:34)
19. Stares on Stairs (2:12)
20. The Untouchables
End Credits (Long) (1:00)
21. Bumper Suite (Format Music) (0:58)
22. Placard Suite (Format Music) (0:23)
23. Promo (Format Music) (0:32)
24. Beer War Montage (Alternate) (2:50)
25. Untouchables Team (Alternate) (2:41)
Total Time - Disc One: 57:17

DISC TWO
THE EPISODE SCORES
01. The Untouchables Main Title #2 (1:00)

#009 - THE SEDUCTION OF ELIOT NESS
02. Victory Parade Montage (1:39)
03. Belinda Loves Robbins (2:15)
04. Rescue Robbins Montage/Bus Depot Goodbye (4:13)

#016 - A MAN’S HOME IS HIS CASTLE
05 Porno (Source) (2:08)
#019 - STIR CRAZY
06 Al Goes to Jail (2:10)

#020 - RAILROADED
07. Park Shootout  (1:07)
08. Train Tension/Action (4:40)

#025 - CUBA Part 1
09. Makin’ Whoopee/
Sergeant Shoots Woman (2:17)
10. Lively Dance (Source) (1:26)
11. Marta Eavesdrops/
Rebels Abduct Ness (1:14)

#026 - CUBA Part 2
12. Recap - Cuba Part 1 (2:45)
13. Trek to Rebel Camp/Will Rebel Kill Heroes/
Batista Asks For Help (2:14)
14. Rebels Steal Money/Marta Dead Play On/
The Revolution Begins/
Viva la Revolution (2:18)

#027 - ATTACK ON NEW YORK
15. Dutch Treat/Car Boom/Nightmare (4:12)

#028 - MIND GAMES
16. Sleeping Beauty Awakens/A Three Hour Tour (2:34)

#030 - ONLY FOR YOU
17. Malone Has Worms (1:16)

#031 - LEGACY
18. New Improved Tease (1:22)
19. Sammy Fingered (2:52)

#032 - STADT
20. Deutchland Dumbland/
Mike’s Sad Army Story/
Hitler Speech Act-Out (4:00)

#033 - ‘TIL DEATH DO US PART
21. Malone Bloodies Capone/
We Wuz Heroes (1:22)
22. Daydreams and Death/Cate Angry/
Ness Kills (2:52)
23 Al Exits/Cate Leaves (3:36)

#042 - DEATH AND TAXES Part 2
24. Deja Recap/Rio’s Revenge Act-Out (7:30)
25. Suicidal Grudge Offer (1:24)
26.  The Last Montage/
That’s All They Wrote (3:28)
27. The Untouchables End Credits #2 (1:04)

Total Time - Disc Two: 76:03

 

[Csongor]

Pilot Score conducted by Jerry Goldsmith! 

 

Ich mag den Score DIAMONDS von Joel Goldsmith sehr gerne (ein Film mit Kirk Douglas)  

 

 

Mein Lieblings-Score von Joel Goldsmith ist aber Kull The Conqueror! 

 

 

[TheRealNeo]

Angenehme Überraschung.

Und ja es wurde wirklich wenig bisher aus seinem Ouvre veröffentlicht. Auch seine Stargate-Musik ist ja zu größten Teilen nicht veröffentlicht, wenn man mal die Anzahl der Serien bzw. Staffeln betrachtet.

Interessant, dass man ihn bei den Hörproben aber auch direkt heraushört, besonders wenn man eben bspw. seine Stargate-Kompositionen kennt.

[Trekfan]

Eine sehr feine Veröffentlichung!

Geht hoffentlich nicht so schnell unter wie damals das Helen of Troy Album. Das war ja etwas kurios, weil das Innenleben des Booklets ich meine aus der CD zu Witchblade stammte.

Aus den Stargate TV-Serien gäbe es noch Tonnen an guter Musik Joels zu veröffentlichen. 

[scorefun]

Bestellt ;-)

[Dino]

Mein Lieblings-Score von ihm ist und bleibt "MOON 44". Da kann KULL einpacken!

[scorefun]

vor 24 Minuten schrieb Dino:

Mein Lieblings-Score von ihm ist und bleibt "MOON 44". Da kann KULL einpacken!

Recht hast Du !

[Trekfan]

vor 18 Stunden schrieb Dino:

Mein Lieblings-Score von ihm ist und bleibt "MOON 44". Da kann KULL einpacken!

 

vor 17 Stunden schrieb scorefun:

Recht hast Du !

Moon 44 ist auch mit Abstand mein Lieblingsscore von Joel. Nicht zu vergessen aber auch seine "Flight of the Phoenix" Sequenz in Star Trek: First Contact.

[Alexander Grodzinski]

Mein liebster Joel-Score ist immer noch nicht veröffentlicht worden: THE MAN WITH TWO BRAINS.