Award Season

[horner1980]

Weitere Preisträger in diesem Jahr
 

Zitat

 

ASCAP has announced the winners of the 2020 ASCAP Screen Music Awards, recognizing its top film, television and video game composers. The accolades will take place with the hashtag #ASCAPAwards on ASCAP’s Facebook, Twitter, and on Instagram @ASCAP and @ASCAPScreen. Each winner will be honored in a post that enables fans, friends and peers to join in congratulating the music creators that bring their favorite onscreen entertainment to life. This year’s Top Box Office Film honor went to Hans Zimmer for The Lion King remake. Siddhartha Khosla won Top Network Series award for NBC’s This Is Us, and Ruth Barrett took home the Top Cable Series honor for her score to the British series Victoria. David Vanacore was the top winner in the Most Performed Themes and Underscore category.

The ASCAP Composers’ Choice Awards, voted on exclusively by the ASCAP composer and songwriter community, are presented to John Powell for Film Score of the Year for How To Train Your Dragon: The Hidden World; to Bear McCreary for TV Composer of the Year; and to Gordy Haab for Video Game Score of the Year for his work on Star Wars: Jedi Fallen Order. Haab, McCreary and Powell will all thank their peers by video on @ASCAP social media.

Other winners in the Top Box Office category are composers Bear McCreary (Godzilla: King of the Monsters), Benjamin Wallfisch (It Chapter Two, Shazam!), Buck Sanders & Marco Beltrami (Ford v Ferrari), Geoff Zanelli (Maleficent: Mistress of Evil), Henry Jackman (Jumanji: The Next Level, Pokémon Detective Pikachu), John Lunn (Downton Abbey), John Powell (How to Train Your Dragon: The Hidden World), Joseph Bishara (Annabelle Comes Home), Jaeil Jung (Parasite), Lorne Balfe (Gemini Man), Matthew Margeson (Rocketman), Michael Abels (Us), Michael Giacchino (Spider-Man: Far From Home), Nathan Johnson (Knives Out), Pinar Toprak (Captain Marvel), Rupert Gregson-Williams (Abominable), Tom Holkenborg (Alita: Battle Angel, Terminator: Dark Fate) and Varqa Buehrer (Better Days). Click here for all the other winners.

On June 25, ASCAP will also host special programming on ASCAP Experience: Home Edition with two of its top 2020 Screen Awards winners: Maverick: Hans Zimmer in Conversation with Mitchell Leib, Walt Disney Studios’ head of music; and This Is Us: A Conversation with Siddhartha Khosla moderated by Chris Sullivan, who plays Toby on This Is Us and is also a musician/singer-songwriter.

 

 

[Alexander Grodzinski]

Auch Mark Snow durfte sich freuen.

 

 

[Soundtrack Composer]

Golden Globe:

Alexandre Desplat - Midnight Sky

James Newton Howard - News of the World

Ludwig Goransson - Tenet

Trent Reznor, Atticus Ross - Mank & Soul

[badbu]

oh man  

Tenet kann man noch verstehen weshalb der nominiert wird aber die anderen? Desplats Score ist zum einschlafen, JNH ist auch nix besonderes und Mank erst recht nicht.

Dann lieber Howard Shores Score oder Silvestris oder auch WW84  

[Csongor]

Das sollen also die besten Scores des Jahres sein? Wirklich?

Bei Soul hat man sich von den Jazz-Stücken blenden lassen. Die sind eigentlich gar nicht von den genannten Komponisten! Mank muss ich mir erstmal anhören. Zu den anderen ist von meinem Vorredner schon alles wesentliche gesagt worden.  

[horner1980]

Da ist mein Favorit "The News of the World" von James Newton Howard. Den find ich doch sehr gelungen.. ich mag aber auch solche zarte Musik.

[SilvestriGirl]

Ein Witz diese Nominierungen! Von den Nominierten würde ich JNH den Preis am meisten gönnen. Er ist immer leer ausgegangen. Aber nachvollziehbar sind die Kandidaten alle nicht.

[Csongor]

vor 18 Stunden schrieb Soundtrack Composer:

Golden Globe:

Alexandre Desplat - Midnight Sky

James Newton Howard - News of the World

Ludwig Goransson - Tenet

Trent Reznor, Atticus Ross - Mank & Soul

Die Golden Globes-Liste ist nicht ganz komplett. Sie lautet nämlich:

 

Alexandre Desplat - Midnight Sky

James Newton Howard - News of the World

Ludwig Goransson - Tenet

Trent Reznor, Atticus Ross - Mank

Jon Batiste, Trent Reznor, Atticus Ross - Soul

 

https://www.goldenglobes.com/winners-nominees/2021

[horner1980]

vor 12 Minuten schrieb Csongor:

Die Golden Globes-Liste ist nicht ganz komplett. Sie lautet nämlich:

 

Alexandre Desplat - Midnight Sky

James Newton Howard - News of the World

Ludwig Goransson - Tenet

Trent Reznor, Atticus Ross - Mank

Jon Batiste, Trent Reznor, Atticus Ross - Soul

 

https://www.goldenglobes.com/winners-nominees/2021

Schau mal ganz genau hin...
 

Zitat

Trent Reznor, Atticus Ross - Mank & Soul

Obwohl du sagen könntest.. es wurde Jon Batiste vergessen..

[Lars Potreck]

vor 10 Minuten schrieb horner1980:

Schau mal ganz genau hin...
 

Obwohl du sagen könntest.. es wurde Jon Batiste vergessen..

Csongors Auflistung ist schon korrekt so, denn Batiste hat nur bei Soul mitgewirkt und würde daher in der ersten Auflistung schlicht falsch sein.

[Sebastian Schwittay]

Irgendwie ist die Jahresumfrage nebenan kaum aussagekräftig, wenn die meisten Award-Contender überhaupt nicht dabei sind. Kann mir keiner erzählen, dass es hier niemanden gab, der nicht auch für den Desplat oder Howard gestimmt hätte. 

[horner1980]

Was Howard betrifft. Der ist mir irgendwie durchgerutscht. Sonst hätte ich ihm eine Stimme gegeben, denn ich mag die Musik.

Soo.. FMCA hat nun auch seine Nominierten rausgehauen. Wie immer finde ich die eh viel interessanter

Zitat

 

The nominees are:

FILM SCORE OF THE YEAR

• THE CALL OF THE WILD, music by John Powell
• ENOLA HOLMES, music by Daniel Pemberton
• FUKUSHIMA 50, music by Tarō Iwashiro
• THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis
• WONDER WOMAN 1984, music by Hans Zimmer

FILM COMPOSER OF THE YEAR

• FEDERICO JUSID
• BEAR MCCREARY
• DANIEL PEMBERTON
• CHRISTOPHER WILLIS
• HANS ZIMMER

BREAKTHROUGH COMPOSER OF THE YEAR

• ALEX BARANOWSKI
• THOMAS CLAY
• PHILIP KLEIN
• NAMI MELUMAD
• ISOBEL WALLER-BRIDGE AND DAVID SCHWEITZER

BEST ORIGINAL SCORE FOR A DRAMA FILM

• DA 5 BLOODS, music by Terence Blanchard
• FANNY LYE DELIVER’D, music by Thomas Clay
• FUKUSHIMA 50, music by Tarō Iwashiro
• NEWS OF THE WORLD, music by James Newton Howard
• THE TRIAL OF THE CHICAGO 7, music by Daniel Pemberton

BEST ORIGINAL SCORE FOR A COMEDY FILM

• AN AMERICAN PICKLE, music by Michael Giacchino and Nami Melumad
• EMMA, music by Isobel Waller-Bridge and David Schweitzer
• GODMOTHERED, music by Rachel Portman
• THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis
• WILD MOUNTAIN THYME, music by Amelia Warner

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM

• THE CALL OF THE WILD, music by John Powell
• ENOLA HOLMES, music by Daniel Pemberton
• MULAN, music by Harry Gregson-Williams
• ORÍGENES SECRETOS [UNKNOWN ORIGINS], music by Federico Jusid
• TENET, music by Ludwig Göransson

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM

• THE INVISIBLE MAN, music by Benjamin Wallfisch
• THE MIDNIGHT SKY, music by Alexandre Desplat
• WENDY, music by Dan Romer and Benh Zeitlin
• THE WITCHES, music by Alan Silvestri
• WONDER WOMAN 1984, music by Hans Zimmer

BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE

• ANIMAL CRACKERS, music by Bear McCreary
• FEARLESS, music by Anne-Kathrin Dern
• ONWARD, music by Mychael Danna and Jeff Danna
• SOUL, music by Trent Reznor, Atticus Ross, and Jon Batiste
• WOLFWALKERS, music by Bruno Coulais

BEST ORIGINAL SCORE FOR A DOCUMENTARY

• DAVID ATTENBOROUGH: A LIFE ON OUR PLANET, music by Steven Price
• ELEPHANT, music by Ramin Djawadi
• HARBOR FROM THE HOLOCAUST, music by Chad Cannon
• RISING PHOENIX, music by Daniel Pemberton
• SADAN HANIM, music by George Kallis

BEST ORIGINAL SCORE FOR TELEVISION

• DRACULA, music by David Arnold and Michael Price
• HIS DARK MATERIALS, music by Lorne Balfe
• LOVECRAFT COUNTRY, music by Laura Karpman and Raphael Saadiq
• THE MANDALORIAN, music by Ludwig Göransson
• THE QUEEN’S GAMBIT, music by Carlos Rafael Rivera

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

• GHOST OF TSUSHIMA, music by Ilan Eshkeri and Shigeru Umebayashi
• MEDAL OF HONOR: ABOVE AND BEYOND, music by Michael Giacchino and Nami Melumad
• ORI AND THE WILL OF THE WISPS, music by Gareth Coker
• THE PATHLESS, music by Austin Wintory
• STAR WARS: SQUADRONS, music by Gordy Haab

BEST NEW ARCHIVAL RELEASE – RE-RELEASE OR RE-RECORDING

• ENDLESS NIGHT, music by Bernard Herrmann; the Basque National Orchestra, conducted by Fernando Velázquez; album produced by Edouard Dubois and José M. Benitez; liner notes by Frank K. DeWald; album art direction by Nacho B. Govantes (Quartet)
• THE GOOD, THE BAD AND THE UGLY, music by Ennio Morricone; album produced by Chris Malone and José M. Benitez; liner notes by Chris Malone and Tim Greiving; album art direction by Nacho B. Govantes (Quartet)
• HOW TO TRAIN YOUR DRAGON, music by John Powell; album produced by John Powell, Batu Sener, Bryon Davis, and Cary E. Mansfield; liner notes by Tim Greiving; album art direction by Bill Pitzonka (Varèse Sarabande/5 Cat Studios)
• KING OF KINGS, music by Miklós Rózsa; the City of Prague Philharmonic Orchestra and Chorus, conducted by Nic Raine; album produced by James Fitzpatick; liner notes by Frank K. DeWald and James Fitzpatrick; album art direction by Nic Finch and Gareth Bevan (Tadlow Music)
• ROBIN HOOD: PRINCE OF THIEVES, music by Michael Kamen; album produced by Douglass Fake and Roger Feigelson; liner notes by Frank K. DeWald; album art direction by Kay Marshall (Intrada)

BEST NEW ARCHIVAL RELEASE – COMPILATION

• FRANZ WAXMAN: THE DOCUMENTARIES, music by Franz Waxman; album produced by Ford A. Thaxton and James Nelson; liner notes by Jon Burlingame; album art direction by Mark Banning (Dragon’s Domain)
• JOHN WILLIAMS IN VIENNA, music by John Williams; the Wiener Philharmoniker and Anne-Sophie Mutter, conducted by John Williams; album produced by Bernhard Güttler; liner notes by Otta Biba; album art direction by Büro Dirk Rudolph (Deutsche Grammophon)
• MORRICONE SEGRETO, music by Ennio Morricone; album produced by Pierpaolo De Sanctis; album art direction by Leonardo Pellegrino (Decca)
• VOYAGE TO THE BOTTOM OF THE SEA, music by Alexander Courage, Robert Drasnin, Jerry Goldsmith, Lennie Hayton, Joseph Mullendore, Nelson Riddle, Paul Sawtell, Herman Stein, and Leith Stevens; album produced by Jeff Bond and Neil S. Bulk; liner notes by Jeff Bond; album art direction by Mark Banning (La-La Land)
• WORLD SOUNDTRACK AWARDS – TRIBUTE TO THE FILM COMPOSER, music by Various Composers; the Brussels Philharmonic Orchestra and Vlaams Radiokoor, conducted by Dirk Brossé; album produced by Thomas Van Parys; liner notes by Thomas Van Parys; album art direction by Stuart Ford (Silva Screen/Film Fest Ghent)

FILM MUSIC RECORD LABEL OF THE YEAR

• INTRADA RECORDS, Douglass Fake and Roger Feigelson
• LA-LA LAND RECORDS, MV Gerhard and Matt Verboys
• MOVIESCORE MEDIA, Mikael Carlsson
• QUARTET RECORDS, José M. Benitez
• TADLOW MUSIC, James Fitzpatrick

FILM MUSIC COMPOSITION OF THE YEAR

• “1984” from WONDER WOMAN 1984, music by Hans Zimmer
• “Buck Takes the Lead” from THE CALL OF THE WILD, music by John Powell
• “Main Title” from THE QUEEN’S GAMBIT, music by Carlos Rafael Rivera
• “Symphonic Suite F – 1st Chapter: All Life” from FUKUSHIMA 50, music by Tarō Iwashiro
• “Themyscira” from WONDER WOMAN 1984, music by Hans Zimmer

 

•  

[Sebastian Schwittay]

vor 34 Minuten schrieb horner1980:

Soo.. FMCA hat nun auch seine Nominierten rausgehauen. Wie immer finde ich die eh viel interessanter

Naja. Intradas wichtige Goldsmith-Erstveröffentlichungen TAKE HER, SHE'S MINE und THE DON IS DEAD nicht bei den Archival Releases berücksichtigt, aber stattdessen eine historisch unbedeutende Overkill-Expandierung wie HOW TO TRAIN YOUR DRAGON? Ganz ernst zu nehmen ist das leider nicht, wenn man die Kategorie "Archival" nennt...

Schade auch, dass THE GLORIAS nirgends dabei ist. Für so alte Herren wie Goldenthal interessiert sich mittlerweile wohl niemand mehr. 

[Csongor]

vor 16 Minuten schrieb Sebastian Schwittay:

Schade auch, dass THE GLORIAS nirgends dabei ist. Für so alte Herren wie Goldenthal interessiert sich mittlerweile wohl niemand mehr. 

Das stimmt leider. Vielleicht hätte der Film erst Ende 2020 veröffentlicht werden sollen, damit ihm eventuell mehr Beachtung geschenkt wird. 

Meine Lieblings-CD von 2020 ist dabei: JOHN WILLIAMS IN VIENNA, music by John Williams; the Wiener Philharmoniker and Anne-Sophie Mutter, conducted by John Williams  

[horner1980]

Die Shortlist für die Oscars ist da.. bemerkenswert, dass mit "Blizzard of Souls" auch Lolita Ritmanis dabei ist und auch die Nennung von Emile Mosseris Musik für "Minari". Ansonsten gibt es keine großen Überraschungen.

Zitat

 

MUSIC (ORIGINAL SCORE)

“Ammonite” - Dustin O’Halloran & Volker Bertelmann

“Blizzard of Souls” - Lolita Ritmanis

“Da 5 Bloods” - Terence Blanchard

“The Invisible Man” - Benjamin Wallfisch

“Jingle Jangle: A Christmas Journey” - John Debney

“The Life Ahead (La Vita Davanti a Se)” - Gabriel Yared

“The Little Things” - Thomas Newman

“Mank” - Trent Reznor and Atticus Ross

“The Midnight Sky” - Alexandre Desplat

“Minari” - Emilie Mosseri

“Mulan” - Harry Gregson-Williams

“News of the World” - James Newton Howard

“Soul” - Trent Reznor, Atticus Ross & Jon Batiste

“Tenet” - Ludwig Göransson

“The Trial of the Chicago 7” - Daniel Pemberton

MUSIC (ORIGINAL SONG)

“Turntables” from “All In: The Fight for Democracy”
“See What You’ve Done” from “Belly of the Beast”
“Wuhan Flu” from “Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan”
“Husavik” from “Eurovision Song Contest: The Story of Fire Saga”
“Never Break” from “Giving Voice”
“Make It Work” from “Jingle Jangle: A Christmas Journey”
“Fight For You” from “Judas and the Black Messiah”
“Io Sì (Seen)” from “The Life Ahead (La Vita Davanti a Se)”
“Rain Song” from “Minari”
“Show Me Your Soul” from “Mr. Soul!”
“Loyal Brave True” from “Mulan”
“Free” from “The One and Only Ivan”
“Speak Now” from “One Night in Miami...”
“Green” from “Sound of Metal”
“Hear My Voice” from “The Trial of the Chicago 7”

 

 

[SilvestriGirl]

Bedeutet shortlist, dass aus diesen Scores dann die eigentlich nominierten ausgewählt werden oder könnten auch andere Scores noch nominiert werden?

[Lars Potreck]

vor 13 Minuten schrieb SilvestriGirl:

Bedeutet shortlist, dass aus diesen Scores dann die eigentlich nominierten ausgewählt werden

genau

[SilvestriGirl]

THX ?

[horner1980]

Die Gewinner des IFMCA

The winners are:

FILM SCORE OF THE YEAR

• THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis

FILM COMPOSER OF THE YEAR

• DANIEL PEMBERTON

BREAKTHROUGH COMPOSER OF THE YEAR

• THOMAS CLAY

BEST ORIGINAL SCORE FOR A DRAMA FILM

• FUKUSHIMA 50, music by Tarō Iwashiro

BEST ORIGINAL SCORE FOR A COMEDY FILM

• THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM

• THE CALL OF THE WILD, music by John Powell

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM

• WONDER WOMAN 1984, music by Hans Zimmer

BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE

• WOLFWALKERS, music by Bruno Coulais

BEST ORIGINAL SCORE FOR A DOCUMENTARY

• DAVID ATTENBOROUGH: A LIFE ON OUR PLANET, music by Steven Price

BEST ORIGINAL SCORE FOR TELEVISION

• THE QUEEN’S GAMBIT, music by Carlos Rafael Rivera

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

• MEDAL OF HONOR: ABOVE AND BEYOND, music by Michael Giacchino and Nami Melumad

BEST NEW ARCHIVAL RELEASE – RE-RELEASE OR RE-RECORDING

• KING OF KINGS, music by Miklós Rózsa; the City of Prague Philharmonic Orchestra and Chorus conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. DeWald and James Fitzpatrick; album art direction by Nic Finch, Gareth Bevan, and James Fitzpatrick (Tadlow Music)

BEST NEW ARCHIVAL RELEASE – COMPILATION

• JOHN WILLIAMS IN VIENNA, music by John Williams; the Wiener Philharmoniker and Anne-Sophie Mutter conducted by John Williams; album produced by Bernhard Güttler; liner notes by Otta Biba; album art direction by Büro Dirk Rudolph (Deutsche Grammophon)

FILM MUSIC RECORD LABEL OF THE YEAR

• QUARTET RECORDS, José M. Benitez

FILM MUSIC COMPOSITION OF THE YEAR

• “Main Title” from THE QUEEN’S GAMBIT, music by Carlos Rafael Rivera

[horner1980]

Die BAFTA Nominierungen sind raus..

Mank – Trent Reznor & Atticus Ross
Minari – Emile Mosseri
News of the World – James Newton Howard
Promising Young Woman – Anthony Willis
Soul – Trent Reznor, Atticus Ross & Jon Batiste

[Sebastian Schwittay]

Mit Willis und Mosseri wenigstens mal zwei Außenseiter in der Auswahl. Besser als die trüben Fünf der Globes. 

[Csongor]

Das stimmt. Die Oscarnominierungen werden leider wesentlich weniger spannend ausfallen. 

[Sebastian Schwittay]

Faire und qualitätsorientierte Nominierungen wären es eh nur, wenn FANNY LYE DELIVER'D, PERSONAL HISTORY OF DAVID COPPERFIELD und THE GLORIAS berücksichtigt würden. So ist es mal wieder nur ein Runterbeten der bekannten Namen und vergangenen Oscargewinner (Howard, Desplat, Newman, Reznor, Göransson). 

[Csongor]

Nach Sichtung aller 8 Filme die in der Kategorie Bester Film nominiert sind (+ "Pieces of a Woman", "Another Round", "Ma Rainey's Black Bottom", "News of the World", "One Night in Miami", "Soul", "The White Tiger" etc.), würde ich die Oscars wie folgt vergeben:

 

Best Picture: Minari (gewinnen wird Nomadland)

 

Best Actor: Anthony Hopkins (The Father) (gewinnen wird Chadwick Boseman für seine letzte Rolle)

 

Best Actress: Andra Day (The United States vs. Billie Holiday)

 

Best Supporting Actor: Daniel Kaluuya (Judas and the Black Messiah)

 

Best Supporting Actress: Maria Bakalova (Borat Subsequent Moviefilm)

 

Best Directing: Emerald Fennell (Promising Young Woman) (gewinnen wird Chloé Zhao für Nomadland)

 

Cinematography: Dariusz Wolski (News of the World) (gewinnen wird Mank, SW gewinnt immer  )

 

Film Editing: Yorgos Lamprinos (The Father)

 

Costume Design: Ann Roth (Ma Rainey's Black Bottom)

 

Production Design: Donald Graham & Jan Pascale (Mank)

 

Visual Effects: Andrew Jackson et al. (Tenet)

 

Sound: Nicolas Becker et al. (Sound of Metal)

 

Original Song: Daniel Pemberton & Celeste Waite (The Trial of the Chicago 7) (gewinnen wird Io Sì von Diane Warren & Laura Pausini)

 

Original Score: Trent Reznor, Atticus Ross & Jon Batiste (Soul)

 

Make Up/Hairstyling: Eryn Krueger Mekash et al. (Hillbilly Elegy)

 

Original Screenplay: Aaron Sorkin (The Trial of the Chicago 7)

 

Adapted Screenplay: Ramin Bahrani (The White Tiger)

 

Animated Feature Film: Soul

 

Foreign Language Film: Minari

[badbu]

schön das Anthony Hopkins endlich mal wieder einen Oscar bekommen hat.

The Father wäre von allen für mich der Gewinner und Pieces of a Woman. Nomadland war so unglaublich langweilig...