Zum Inhalt springen
Soundtrack Board

IFMCA - Die Nominierungen für 2009


Marcus Stöhr
 Teilen

Empfohlene Beiträge

Die IFMCA hat die Nominierungen für die IFMCA Awards 2009 bekannt gegeben:

The International Film Music Critics Association announces its list of excellence in musical scoring for 2009 with composer Michael Giacchino receiving nine individual nominations, the most for any composer in a given year since the Association began issuing awards in 2004. Along with multiple mentions for his score to the Disney Pixar movie UP and JJ Abrams reinvented STAR TREK, Giacchino receives nominations for his scores to the TV series LOST as well as the documentary EARTH DAYS. Giacchino is also nominated for Composer of the Year along with Alexandre Desplat, James Horner, Christopher Young and Brian Tyler.

Both UP and STAR TREK are nominated for Score of the Year, along with James Horners score to the worldwide blockbuster AVATAR and Christopher Youngs score to Sam Raimis DRAG ME TO HELL. These film scores are tied with the most nominations this year at four noms each. Alexandre Desplats score to THE TWILIGHT SAGA: NEW MOON rounds out the category.

In the category of Breakout Composer, the Association took notice of scores by up-and-coming composers Henry Jackman (MONSTERS VS ALIENS), Abel Korzeniowski (A SINGLE MAN and BATTLE FOR TERRA), James Peterson (THE RED CANVAS), Clinton Shorter (DISTRICT 9) and Austin Wintory (CAPTAIN ABU RAED, GRACE, MAKE THE YULETIDE GAY).

The nominations by the IMFCA, which has members from around the world, reflect the Associations global perspective. International nominees include Alejandro Amenábars latest movie AGORA with a score by Oscar winner Dario Marianelli; Giuseppe Tornatores semi-autobiographical BAARÌA with a score by Ennio Morricone; Australian composer Christopher Gordons score to Bruce Beresfords MAOS LAST DANCER, about ballet dancer Li Cunxin; as well as the Spanish documentary GARBO: EL ESPÍA with a score by Fernando Velázquez.

The International Film Music Critics will announce the winners of its Sixth Annual Awards on February 26, 2010.

The nominees are:

FILM SCORE OF THE YEAR

AVATAR, music by James Horner

DRAG ME TO HELL, music by Christopher Young

STAR TREK, music by Michael Giacchino

THE TWILIGHT SAGA: NEW MOON, music by Alexandre Desplat

UP, music by Michael Giacchino

FILM COMPOSER OF THE YEAR

Alexandre Desplat

Michael Giacchino

James Horner

Brian Tyler

Christopher Young

BREAKOUT COMPOSER OF THE YEAR

Henry Jackman

Abel Korzeniowski

James Peterson

Clinton Shorter

Austin Wintory

BEST ORIGINAL SCORE FOR A DRAMA FILM

AGORA, music by Dario Marianelli

BAARÌA, music by Ennio Morricone

CREATION, music by Christopher Young

MAOS LAST DANCER, music by Christopher Gordon

A SINGLE MAN, music by Abel Korzeniowski

BEST ORIGINAL SCORE FOR A COMEDY FILM

COUPLES RETREAT, music by A.R. Rahman

DUPLICITY, music by James Newton Howard

THE INFORMANT!, music by Marvin Hamlisch

JULIE & JULIA, music by Alexandre Desplat

LESBIAN VAMPIRE KILLERS, music by Debbie Wiseman

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM

G.I. JOE: THE RISE OF COBRA, music by Alan Silvestri

LUCKY LUKE, music by Bruno Coulais

THE RED CANVAS, music by James Peterson

SHERLOCK HOLMES, music by Hans Zimmer

UNDER THE MOUNTAIN, music by Victoria Kelly

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM

AVATAR, music by James Horner

THE IMAGINARIUM OF DOCTOR PARNASSUS, music by Mychael Danna and Jeff Danna

KNOWING, music by Marco Beltrami

STAR TREK, music by Michael Giacchino

THE TWILIGHT SAGA: NEW MOON, music by Alexandre Desplat

BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM

DRAG ME TO HELL, music by Christopher Young

IMAGO MORTIS, music by Zacarías M. de la Riva

IN THE ELECTRIC MIST, music by Marco Beltrami

THE KILLING ROOM, music by Brian Tyler

TRICK R TREAT, music by Douglas Pipes

BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE

A CHRISTMAS CAROL, music by Alan Silvestri

CORALINE, music by Bruno Coulais

FANTASTIC MR. FOX, music by Alexandre Desplat

THE PRINCESS AND THE FROG, music by Randy Newman

UP, music by Michael Giacchino

BEST ORIGINAL SCORE FOR A DOCUMENTARY FEATURE

BROTHERS AT WAR, music by Lee Holdridge

EARTH DAYS, music by Michael Giacchino

GARBO: EL ESPÍA, music by Fernando Velázquez

HOME, music by Armand Amar

UNDER THE SEA 3D, music by Micky Erbe and Maribeth Solomon

FILM MUSIC COMPOSITION OF THE YEAR

AVATAR War, music by James Horner

DRAG ME TO HELL Concerto to Hell, music by Christopher Young

THE RED CANVAS Ballet for Brawlers, music by James Peterson

STAR TREK Enterprising Young Men, music by Michael Giacchino

UP Married Life, music by Michael Giacchino

BEST ORIGINAL SCORE FOR TELEVISION

BATTLESTAR GALACTICA [sEASON 4.5], music by Bear McCreary

CAPRICA, music by Bear McCreary

LIFE, music by George Fenton

LOST [sEASON 5], music by Michael Giacchino

YELLOWSTONE, music by Edmund Butt

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

ASSASSINS CREED II, music by Jesper Kyd

CALL OF DUTY: MODERN WARFARE 2, music by Lorne Balfe and Hans Zimmer

HARRY POTTER AND THE HALF-BLOOD PRINCE, music by James Hannigan

NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN, music by Chris Tilton

SPORE HERO, music by Winifred Phillips

BEST NEW RELEASE/RE-RELEASE OF AN EXISTING SCORE

BACK TO THE FUTURE, music by Alan Silvestri; Douglass Fake, producer (Intrada)

INNERSPACE, music by Jerry Goldsmith; M.V. Gerhard and Mike Matessino, producers (La-La Land)

THE JOURNEY OF NATTY GANN, music by James Horner; James Horner, Simon Rhodes and Douglass Fake, producers (Intrada)

STAR TREK II: THE WRATH OF KHAN, music by James Horner; Lukas Kendall, producer (Film Score Monthly)

TWILIGHT ZONE: THE MOVIE, music by Jerry Goldsmith; Bruce Botnick, Lukas Kendall and Mike Matessino, producers (Film Score Monthly)

BEST RE-RECORDING OF AN EXISTING SCORE

THE CHARGE OF THE LIGHT BRIGADE, music by Max Steiner, cond. William Stromberg; Anna Bonn, John Morgan and William Stromberg, producers (Tribute Film Classics)

EXODUS, music by Ernest Gold, cond. Nic Raine; James Fitzpatrick, producer (Tadlow)

THE PRINCE AND THE PAUPER, music by Erich Wolfgang Korngold, cond. William Stromberg; Anna Bonn, John Morgan and William Stromberg, producers (Tribute Film Classics)

BEST FILM MUSIC COMPILATION ALBUM OR BOX SET

40 BANDES ORIGINALES POUR 40 FILMS, music by Vladimir Cosma; Vladimir Cosma, producer (Larghetto Music)

DAVID RAKSIN AT M-G-M, music by David Raksin; Lukas Kendall, producer (Film Score Monthly)

THE FILM MUSIC OF MISCHA SPOLIANSKY, music by Mischa Spoliansky; Philip Lane, Ralph Couzens and Neil Varley, producers (Chandos)

HOWARD SHORE: COLLECTORS EDITION Vol. 1, music by Howard Shore; Jonathan Schultz, producer (Howe)

NORTHWEST PASSAGE: CLASSIC WESTERN SCORES FROM M-G-M Vol. 2 (1940-1974), music by various composers; Lukas Kendall, producer (Film Score Monthly)

FILM MUSIC RECORD LABEL OF THE YEAR

Film Score Monthly

Intrada

La-La Land Records

MovieScore Media

Varèse Sarabande

Link zu diesem Kommentar
Auf anderen Seiten teilen

Ich hoffe mal das in der Kategorie "BEST ORIGINAL SCORE FOR A DRAMA FILM" Ennio Morricone gewinnen wird, wobei Abel Korzeniowski natürlich auch gute Chancen hat.

Ich denke, dass die Entscheidung schlussendlich zwischen diesen beiden fallen wird.

"BEST NEW RELEASE/RE-RELEASE OF AN EXISTING SCORE" ist für mich ganz klar Star Trek II.

Und bei "BEST ORIGINAL SCORE FOR A VIDEO GAME" drück ich natürlich Hans & Co. die Daumen. ;)

Bearbeitet von Andreas
Link zu diesem Kommentar
Auf anderen Seiten teilen

Hier mal meine persönlichen Favoriten:

FILM SCORE OF THE YEAR

DRAG ME TO HELL, music by Christopher Young

FILM COMPOSER OF THE YEAR

Christopher Young

BREAKOUT COMPOSER OF THE YEAR

Abel Korzeniowski

BEST ORIGINAL SCORE FOR A DRAMA FILM

CREATION, music by Christopher Young

BEST ORIGINAL SCORE FOR A COMEDY FILM

JULIE & JULIA, music by Alexandre Desplat

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM

G.I. JOE: THE RISE OF COBRA, music by Alan Silvestri

(die Kategorie gleicht einem Witz)

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM

AVATAR, music by James Horner

(war zwar nix großartiges, trifft aber auf die anderen Nominierten genauso zu)

BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM

DRAG ME TO HELL, music by Christopher Young

BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE

A CHRISTMAS CAROL, music by Alan Silvestri

FILM MUSIC COMPOSITION OF THE YEAR

DRAG ME TO HELL Concerto to Hell, music by Christopher Young

BEST ORIGINAL SCORE FOR TELEVISION

LIFE, music by George Fenton

BEST NEW RELEASE/RE-RELEASE OF AN EXISTING SCORE

BACK TO THE FUTURE

BEST RE-RECORDING OF AN EXISTING SCORE

THE PRINCE AND THE PAUPER

FILM MUSIC RECORD LABEL OF THE YEAR

Intrada

La-La Land Records

Link zu diesem Kommentar
Auf anderen Seiten teilen

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM[/b]

• G.I. JOE: THE RISE OF COBRA' date=' music by Alan Silvestri

(die Kategorie gleicht einem Witz)

[/quote']

Warum? Kennst du die anderen nominierten Score überhaupt? THE RED CANVAS von James Petersen beispielsweise ist ein toller Score, Silvestris Musik weit überlegen wie ich finde. Selbst UNDER THE MOUNTAIN, würde ich sagen, ist dem Silvestri mindestens ebenbürtig.

Ach ja, bei mir sähe es wohl so aus (Kategorien, in denen ich keinen der Scores kannte, habe ich weggelassen):

FILM SCORE OF THE YEAR

• STAR TREK, music by Michael Giacchino

FILM COMPOSER OF THE YEAR

• Michael Giacchino

BREAKOUT COMPOSER OF THE YEAR

• James Peterson

BEST ORIGINAL SCORE FOR A DRAMA FILM

• MAO’S LAST DANCER, music by Christopher Gordon

BEST ORIGINAL SCORE FOR A COMEDY FILM

• THE INFORMANT!, music by Marvin Hamlisch

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM

• THE RED CANVAS, music by James Peterson

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM

• KNOWING, music by Marco Beltrami

BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM

• THE KILLING ROOM, music by Brian Tyler

BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE

• A CHRISTMAS CAROL, music by Alan Silvestri

BEST ORIGINAL SCORE FOR A DOCUMENTARY FEATURE

• EARTH DAYS, music by Michael Giacchino

FILM MUSIC COMPOSITION OF THE YEAR

• THE RED CANVAS – “Ballet for Brawlers,” music by James Peterson

BEST ORIGINAL SCORE FOR TELEVISION

• LOST [sEASON 5], music by Michael Giacchino

BEST NEW RELEASE/RE-RELEASE OF AN EXISTING SCORE

• BACK TO THE FUTURE, music by Alan Silvestri; Douglass Fake, producer (Intrada)

FILM MUSIC RECORD LABEL OF THE YEAR

• Intrada

Bearbeitet von Alexander Grodzinski
Link zu diesem Kommentar
Auf anderen Seiten teilen

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM

AVATAR, music by James Horner

(war zwar nix großartiges, trifft aber auf die anderen Nominierten genauso zu)

Jo, und KNOWING war ganz nebenbei eine der besten Filmmusiken des Jahres...

Link zu diesem Kommentar
Auf anderen Seiten teilen

  • 1 Monat später...

2009 FILM AWARD WINNERS

FILM SCORE OF THE YEAR

• UP, music by Michael Giacchino

FILM COMPOSER OF THE YEAR

• MICHAEL GIACCHINO

BREAKOUT COMPOSER OF THE YEAR

• JAMES PETERSON

BEST ORIGINAL SCORE FOR A DRAMA FILM

• A SINGLE MAN, music by Abel Korzeniowski

BEST ORIGINAL SCORE FOR A COMEDY FILM

• THE INFORMANT!, music by Marvin Hamlisch

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM

• THE RED CANVAS, music by James Peterson

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM

• STAR TREK, music by Michael Giacchino

BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM

• DRAG ME TO HELL, music by Christopher Young

BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE

• UP, music by Michael Giacchino

BEST ORIGINAL SCORE FOR A DOCUMENTARY FEATURE

• HOME, music by Armand Amar

FILM MUSIC COMPOSITION OF THE YEAR

• DRAG ME TO HELL – “Concerto to Hell,” music by Christopher Young

OTHER 2009 AWARDS

BEST ORIGINAL SCORE FOR TELEVISION

• BATTLESTAR GALACTICA [sEASON 4.5], music by Bear McCreary

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

• HARRY POTTER AND THE HALF-BLOOD PRINCE, music by James Hannigan

BEST NEW RELEASE/RE-RELEASE OF AN EXISTING SCORE

• BACK TO THE FUTURE, music by Alan Silvestri; Douglass Fake, producer (Intrada)

BEST RE-RECORDING OF AN EXISTING SCORE

• EXODUS, music by Ernest Gold, conductor Nic Raine; James Fitzpatrick, producer (Tadlow)

BEST FILM MUSIC COMPILATION ALBUM OR BOX SET

• DAVID RAKSIN AT M-G-M, music by David Raksin; Lukas Kendall, producer (Film Score Monthly)

FILM MUSIC RECORD LABEL OF THE YEAR

• INTRADA

Link zu diesem Kommentar
Auf anderen Seiten teilen

Dein Kommentar

Du kannst jetzt schreiben und Dich später registrieren. Wenn Du ein Konto hast, melde Dich jetzt an, um unter Deinem Benutzernamen zu schreiben.

Gast
Auf dieses Thema antworten...

×   Du hast formatierten Text eingefügt.   Formatierung jetzt entfernen

  Nur 75 Emojis sind erlaubt.

×   Dein Link wurde automatisch eingebettet.   Einbetten rückgängig machen und als Link darstellen

×   Dein vorheriger Inhalt wurde wiederhergestellt.   Editor leeren

×   Du kannst Bilder nicht direkt einfügen. Lade Bilder hoch oder lade sie von einer URL.

 Teilen

×
×
  • Neu erstellen...

Wichtige Information

Wir nutzen auf unserer Webseite Cookies, um Ihnen einen optimalen Service zu bieten. Wenn Sie weiter auf unserer Seite surfen, stimmen Sie der Cookie-Verwendung und der Verarbeitung von personenbezogenen Daten über Formulare zu. Zu unserer Datenschutzerklärung: Datenschutzerklärung