Kritzerland: CARRIE (complete)

[Handstand]

CD 1 The Complete Score

Main Title

The Principals Office/The Ashtray

Margaret Comes Home/The Telephone Call

The Closet: St. Sebastian/The Mirror/The Reflection

Calisthenics

The Card Catalogue/Telekinesis

Carrie and Miss Collins

The Slaughter/The Storm/Outside The Gym/Margaret Prays

The Tuxedo Shop

Waiting For Tommy/Tommy Arrives

Born To Have It All (vocal by Kate Irving)

I Never Dreamed Someone Like You Could Love Someone Like Me

The Ballot/Carrie and Tommy/The Conspirators

The Coronation/The Blood

The Retribution

Carrie Returns Home

The Bath/Carrie and Margaret

The Crucifixion

The House

The Dream/The Nightmare/End Titles

Bonus Tracks

Born To Have It All (instrumental version)

I Never Dreamed Someone Like You Could Love Someone Like Me (instrumental version)

CD 2 The Original Album

Theme from Carrie

I Never Dreamed Someone Like You Could Love Someone Like Me (vocal by Kate Irving)

And God Made Eve

At The Prom

Contest Winners

Born To Have It All (vocal by Kate Irving)

Bucket Of Blood

School In Flames

Mother At The Top Of The Stairs

For The Last Time Well Pray

Collapse Of Carries Home

Sues Dream

Theme From Carrie

IF YOUVE GOT A TASTE FOR TERROR TAKE CARRIE TO THE PROM Kritzerland is proud to present a very special and historic 2 CD limited edition soundtrack release for the first time ever, the complete score to:

Carrie

Music Composed and Conducted by Pino Donaggio

In 1976, director Brian De Palma had already established a reputation as a cult director of such films as Greetings, Hi, Mom, and more importantly, Sisters, Phantom of the Paradise, and Obsession. But it was his film of Stephen Kings classic, best-selling first novel, Carrie, that would catapult him into major director status. Many directors have tackled Stephen King, including King himself, all to varying degrees of success, but Carrie is the film that leads the pack.

De Palma got everything right the casting (an amazing group of actors, including Sissy Spacek, Piper Laurie, Amy Irving, William Katt, John Travolta, Nancy Allen, P.J. Soles, and Betty Buckley), the adaptation by Lawrence D. Cohen, the art direction (Jack Fisk and Bill Kenney), camerawork (Mario Tosi), editing (Paul Hirsch) everything just came together magically and perfectly. The film works so well because there is not only great horror (as to be expected), but also a large helping of emotion and pathos (thanks to Sissy Spaceks affecting and brilliant performance as Carrie). There is a depth to the characterizations that elevate the film way beyond a simple scary movie. The film also has a sly sense of humor and its just fun in a way horror films seldom are thrills, chills, laughs, and one of the most amazing jump-out-of-your seat scares in the history of cinema.

Horror films are rarely nominated for Academy Awards, but Carrie was one of the exceptions with Sissy Spacek getting a Best Actress nod and Piper Laurie getting one for Best Supporting Actress. Over the years, the film has never lost on iota of its popularity, thanks to numerous releases on every home video format, most recently on blu-ray.

Of all the decisions De Palma made, one of the most important was choosing Pino Donaggio as composer. De Palma had used Bernard Herrmann on two of his films Sisters and Obsession, but Herrmann had passed away in 1975. In 1976, Donaggio only had one major film to his credit, but his score to that film was masterful Nicholas Roegs Dont Look Now. However De Palma came to choose Donaggio, it was a perfect marriage of composer and film. Donaggios score hits all the right notes he brings out every emotion and all the subtext, with great suspense and horror music, plaintive and yearning music for the character of Carrie, two songs for the prom sequence (with lyrics by Merritt Malloy) that help make that sequence so magical and memorable, and light and infectious music for the calisthenics sequence and the scene at the tux shop. It is, in fact, a perfect score, a masterpiece of film scoring, with unforgettable themes that capture every nuance of the film.

United Artists released the soundtrack album on LP. It was an odd presentation in that almost all of the music was from the films second half, save for the main title sequence (which was repeated verbatim at the end of the album). The album ran thirty-five minutes. That LP was released twice on CD first by Ryko (with dialogue snippets included to pad out the running time), and then by Varese Sarabande (with the dialogue snippets gone). Ryko used the album master, and the Varese was a clone of the Ryko release (the pop songs used in the film were not available to them or to us).

For this very special release, we are pleased to say that our detective work paid off in spades we found 13 reels of the original session masters and they included the entire score, about twenty-five minutes of never-before-released score cues. Since both film and score are iconic, it was the greatest kind of discovery we could have made.

So, it is with great pleasure that we offer for the first time the complete score to Carrie in film order. We also found two instrumentals of the songs, which weve included as bonus tracks. Additionally, on CD 2 we offer the original album, newly remastered for this release.

This release is limited to 1200 copies only. The price of this special 2 CD set is our usual one CD price $19.98, plus shipping. Additionally, we are offering a special deal with the purchase of this release. Go to the item page and click on the link to find out about it.

[d-udo]

Schöner Score.

Bin echt noch am überlegen !

1200 Stück sind aber bestimmt bald alle weg

[scorefun]

Ich habe trotzdem mal zugeschlagen...

[Handstand]

Habe mich hier auch zum ersten Sofortkauf seit Ewigkeiten hinreissen lassen. Immerhin, Kritzerlands Versandkosten sind so, dass man auch mal einen Einzelkauf wagen kann (1CD – $ 6,50)

[jobo]

Bei Kritzerland ist der Score übrigens ausverkauft.

[Gast Stefan Jania]

Wer Verlosungen mag und mit der Ryko zufrieden sein sollte, sollte auf H.A.G. Teil 3 warten. Hint.

[BigBear]

Wer Verlosungen mag und mit der Ryko zufrieden sein sollte, sollte auf H.A.G. Teil 3 warten. Hint.

Klingt gut.

[Gast]

Anstatt einen neuen Thread zu eröffnen... Kritzerland hat die "Encore Edition" veröffentlicht. Nochmal Carrie, extra für Csongor nun ohne CD2. Kostet allerdings genauso viel wie damals!

 

 

IF YOU’VE GOT A TASTE FOR TERROR… TAKE CARRIE TO THE PROM

Kritzerland is proud to present a very special limited edition soundtrack CD – an Encore Edition for:

CARRIE
Music Composed and Conducted by Pino Donaggio

In 1976, director Brian De Palma had already established a reputation as a cult director of such films as Greetings, Hi, Mom, and more importantly, Sisters, Phantom of the Paradise, and Obsession. But it was his film of Stephen King’s classic, best-selling first novel, Carrie, that would catapult him into major director status. Many directors have tackled Stephen King, including King himself, all to varying degrees of success, but Carrie is the film that leads the pack.

De Palma got everything right – the casting (an amazing group of actors, including Sissy Spacek, Piper Laurie, Amy Irving, William Katt, John Travolta, Nancy Allen, P.J. Soles, and Betty Buckley), the adaptation by Lawrence D. Cohen, the art direction (Jack Fisk and Bill Kenney), camerawork (Mario Tosi), editing (Paul Hirsch) – everything just came together magically and perfectly. The film works so well because there is not only great horror (as to be expected), but also a large helping of emotion and pathos (thanks to Sissy Spacek’s affecting and brilliant performance as Carrie). There is a depth to the characterizations that elevate the film way beyond a simple scary movie. The film also has a sly sense of humor and it’s just fun in a way horror films seldom are – thrills, chills, laughs, and one of the most amazing jump-out-of-your seat scares in the history of cinema.

Horror films are rarely nominated for Academy Awards, but Carrie was one of the exceptions with Sissy Spacek getting a Best Actress nod and Piper Laurie getting one for Best Supporting Actress. Over the years, the film has never lost on iota of its popularity, thanks to numerous releases on every home video format, most recently on Blu-ray.

Of all the decisions De Palma made, one of the most important was choosing Pino Donaggio as composer. De Palma had used Bernard Herrmann on two of his films – Sisters and Obsession, but Herrmann had passed away in 1975. In 1976, Donaggio only had one major film to his credit, but his score to that film was masterful – Nicholas Roeg’s Don’t Look Now. However De Palma came to choose Donaggio, it was a perfect marriage of composer and film. Donaggio’s score hits all the right notes – he brings out every emotion and all the subtext, with great suspense and horror music, plaintive and yearning music for the character of Carrie, two songs for the prom sequence (with lyrics by Merritt Malloy) that help make that sequence so magical and memorable, and light and infectious music for the calisthenics sequence and the scene at the tux shop. It is, in fact, a perfect score, a masterpiece of film scoring, with unforgettable themes that capture every nuance of the film.

United Artists released the soundtrack album on LP. It was an odd presentation in that almost all of the music was from the film’s second half, save for the main title sequence (which was repeated verbatim at the end of the album). The album ran thirty-five minutes. That LP was released twice on CD – first by Ryko (with dialogue snippets included to pad out the running time), and then by Varese Sarabande (with the dialogue snippets gone). Ryko used the album master, and the Varese was a clone of the Ryko release (the pop songs used in the film were not available to them or to us).

For this very special Encore Edition, we are pleased to present what was CD 1 of our previous 2-CD release (the second CD was simply the third release of the LP tracks and we are not including that disc in this 1-CD release) – the complete score to Carrie – every note of great music, in film order, remixed from the original sixteen track session tapes housed in the MGM vaults. We also found two instrumentals of the songs, which we’ve included as bonus tracks.

This release is limited to 1000 copies only. The price is $19.98, plus shipping.

CD will ship the second week of February – however, preorders placed directly through Kritzerland usually ship one to five weeks earlier (we’ve been averaging four weeks early).